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35,726 stories from The Guardian

High Fidelity review " Nick Hornby's vinyl nerd back in the groove by Michael Billington

Turbine theatre, LondonA delightfully tuneful adaptation of the Broadway musical returns the unlucky-in-love record-shop owner to his London roots Nick Hornby's bestselling 1995 novel about …

SOURCE: The Guardian at 12:48pm on November 4, 2019

Count Arthur Strong review " fuzzy logic and cosmic nonsense by Brian Logan

Leicester Square theatre, LondonAt every turn, the confused 'astronomer-in-chief' gives us something to marvel at " from crap ventriloquism to the films of 'Dustbin Hoffman' At least in the …

SOURCE: The Guardian at 12:48pm on November 4, 2019

Maggie Smith up for fifth Evening Standard best actress award by Mark Brown Arts Correspondent

Actor has chance to add to her record tally after returning to stage following 12-year absence Dame Maggie Smith's return to the stage after a 12-year absence has put her in contention for h…

SOURCE: The Guardian at 12:48pm on November 4, 2019

The Future Bursts In; Birmingham Royal Ballet: Mixed Programme " review by Bidisha

Linbury theatre, Royal Opera House; Sadler's Wells, LondonHip-hop, waltzes and t'ai chi share the stage in a restless, male-led tribute to Merce Cunningham, while Sinatra stars for BRB Two a…

SOURCE: The Guardian at 4:36am on November 3, 2019

A Museum in Baghdad review " the tale of two women trying to preserve Iraq's treasures by Clare Brennan

Swan theatre, Stratford-upon-AvonHannah Khalil's ambitious play, set in 1926 and 2006, struggles to dramatise questions of power and gender A museum is a site of encounter between past and p…

SOURCE: The Guardian at 4:36am on November 3, 2019

The week in theatre: Light Falls; The Antipodes; Botticelli in the Fire " review by Susannah Clapp

Royal Exchange, Manchester; Dorfman; Hampstead, LondonSarah Frankcom signs off in Manchester with elegiac Simon Stephens and a little bit of Jarvis Cocker. Plus, Annie Baker's latest and the…

SOURCE: The Guardian at 4:36am on November 3, 2019

Mustapha Matura obituary by Michael Billington

Pioneering black British-based playwright who examined the effects of colonialism on his native TrinidadMustapha Matura, who has died aged 79 after a heart attack, was a pioneering black pla…

SOURCE: The Guardian at 7:36pm on November 1, 2019

Bans, defiance and death blows: how theatre tore down the Berlin Wall by Andrew Dickson

They defied the Stasi and sparked a revolution. Our writer reveals the pivotal role East Germany's dynamic theatre culture played in the fall of the GDR " and the collapse of European commun…

SOURCE: The Guardian at 4:24pm on November 1, 2019

Chemistry review " a warm story of love in the face of mental illness by Michael Billington

Finborough theatre, LondonDepression provides the tough backdrop for an intense affair in Jacob Marx Rice's smart, flawed and compellingly acted play Depression is a subject the theatre is o…

SOURCE: The Guardian at 10:48am on November 1, 2019

Don Warrington on Mustapha Matura: he brought the West Indies to British theatre by Interview By Chris Wiegand

The actor and director pays tribute to the Trinidadian playwright who has died aged 79 The first of Mustapha Matura's plays I saw was As Time Goes By at the Royal Court in London. It was 197…

SOURCE: The Guardian at 10:48am on November 1, 2019

Scummy Mummies: 'The number seven is odd. It feels like a loner, a misfit' by Harriet Gibsone

The standup duo and parenting podcasters on the things that make them laugh the most Helen: Smack the Pony's Dating Agency sketches. So silly, so gross, so desperate.Ellie: My son drew a pic…

SOURCE: The Guardian at 10:48am on November 1, 2019

Seagulls review " Chekhov musical makes Nina a singer-songwriter by Catherine Love

Bolton Library and MuseumBeth Hyland attempts to shift the male-and-his-muse gaze in her story about misogyny in the music industry Fiction and history are littered with male artists and the…

SOURCE: The Guardian at 3:33am on November 1, 2019

Ghost Quartet review " an intoxicating night of ghosts and stars by Kate Wyver

Boulevard theatre, LondonOn a set that looks like an abandoned attic, four characters sing of love, loss and bears, in Dave Malloy's unearthly song cycle Working its way through myth, magic …

SOURCE: The Guardian at 6:33pm on October 31, 2019

Lou Sanders review " feminism, desire and a 12-month 'man ban' by Brian Logan

Soho theatre, LondonSanders is genial company in her new hour, Say Hello to Your New Step-Mummy, but this isn't a big-hitting show Lou Sanders made a big leap forward with her 2018 show Sham…

SOURCE: The Guardian at 6:33pm on October 31, 2019

God's Dice review " Baddiel drama has science, spirituality but no spark by Arifa Akbar

Soho theatre, LondonIn his debut play, starring Alan Davies, David Baddiel gambles on a mash-up of physics and midlife crisis Alan Davies emerges on stage to address the room, or so it seems…

SOURCE: The Guardian at 2:03pm on October 31, 2019

Little Red Riding Hood review " sweet-toothed dances with Wolf by Chris Wiegand

Stanley and Audrey Burton theatre, Leeds Northern Ballet's retelling for young children gives the baddy a craving for sugar rather than flesh Never mind the red shoes " it's a red cape that…

SOURCE: The Guardian at 2:03pm on October 31, 2019

The Antipodes review " Annie Baker searches for the sting in the tale by Michael Billington

Dorfman, National Theatre, LondonBaker probes the relevance of stories in her new play, seemingly set at a strategy meeting, but the concept runs out of steam I was enthralled by Annie Bake…

SOURCE: The Guardian at 8:33am on October 31, 2019

Aaron Sorkin's To Kill a Mockingbird to open in West End next year by Chris Wiegand

The West Wing writer's play will coincide with the 60th anniversary of the publication of Harper Lee's novel The hit Broadway play of To Kill a Mockingbird, adapted by The West Wing writer A…

SOURCE: The Guardian at 8:33am on October 31, 2019

Dear Evan Hansen's new British star: 'Things have really snowballed' by Hannah J Davies

Not long ago Sam Tutty was singing songs from the smash-hit musical for a handful of viewers on YouTube. Now he's preparing for his West End debut " in the lead role Sam Tutty was a fan of …

SOURCE: The Guardian at 6:18pm on October 30, 2019

Dirty Crusty review " sex, secrets and ballet test the body's limits by Miriam Gillinson

The Yard, LondonClare Barron plays with what a dancer can do by showing a young woman in crisis using dance moves, sex games and drunken nights to liberate herself Dirty Crusty is about ball…

SOURCE: The Guardian at 2:36pm on October 30, 2019

When the Crows Visit review " an uncomfortable watch devoid of hope by Kate Wyver

The Kiln, LondonFor all its good intentions, Anupama Chandrasekhar's play about patriarchal violence against women in India relies too heavily on shock I want to shed my skin and scoop out m…

SOURCE: The Guardian at 10:54am on October 30, 2019

Birmingham Royal Ballet review " noirish style and tragic love by Lyndsey Winship

Sadler's Wells, LondonGuests Ballet Black steal the show with Cathy Marston's masterful The Suit, while newcomer Jack Lister offers little substance but plenty of style In an unusually benev…

SOURCE: The Guardian at 8:42am on October 30, 2019

Light Falls review " Simon Stephens' guilt-ridden love letter to the north by Michael Billington

Royal Exchange, ManchesterSarah Frankcom says her farewell as the Exchange's artistic director with this moving testament to the power of family life This has the air of an event. It is the …

SOURCE: The Guardian at 7:24am on October 30, 2019

Ardal O'Hanlon: 'Comedy never used to be a career " it was for slackers with ukuleles' by Zoe Williams

The star of Father Ted and Death in Paradise on his 'unstable' personality, his revealing new standup show " and the terrifying bomb scare he endured as a child Ardal O'Hanlon is too embarra…

SOURCE: The Guardian at 10:33am on October 29, 2019

Hard talk: Broadway gets tough on America in crisis by Michael Billington

In an era of uncertainty and anxiety, New York theatre is shunning its obsession with private lives to throw a powerful spotlight on politics It used to be argued that British drama is drive…

SOURCE: The Guardian at 6:24am on October 29, 2019
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