Dorfman; Sam Wanamaker Playhouse; Donmar Warehouse, LondonA Neil Gaiman adaptation delivers spooky childhood spectacle; and the teenage years of Elizabeth I and Richard III Sometimes it is not words but light that drives a show. That is not usually the case at the National, traditionally a verbal theatre. Yet, as directed by Katy Rudd, Joel Horwood's adaptation of The Ocean at the End of the Lane gets its dynamism an…
SOURCE: The Guardian at 09:54AM on December 22, 2019