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35,882 stories from The Stage

The Approach review at Assembly Hall, Edinburgh " 'quietly powerful' by Natasha Tripney

Mark O'Rowe's quietly powerful three-hander takes the form of series of conversations. Three women " Cora, Anna, and Denise " discuss the

SOURCE: The Stage Registration at 5:29am on August 20, 2018☆⚑

Trojan Horse review at Summerhall, Edinburgh " 'slick, stylishly fluid show' by Fergus Morgan

This is vital verbatim theatre. Adapted from more than 200 hours of interviews and reams upon reams of public documents, Lung Theatre's

SOURCE: The Stage Registration at 5:22am on August 20, 2018☆⚑

Maggie Brown: Get children into culture young and you have them for life by Maggie Brown

One of my favourite journalists recently observed: "I thought I saw Vince Cable at the theatre and then I remembered that everyone

SOURCE: The Stage Registration at 2:00am on August 20, 2018☆⚑

Top theatre shows to see this week (August 20-26) by Natasha Tripney

The End of Eddy " the Studio, Edinburgh Stewart Laing directs a new stage adaptation of Edouard Louis' brutal autobiographical novel about

SOURCE: The Stage Registration at 2:00am on August 20, 2018☆⚑

Lyn Gardner: Touring a concept can be as powerful as touring a finished show by Lyn Gardner

As we enter the third week of the Edinburgh Festival Fringe, companies, producers and programmers will be making plans to tour their

SOURCE: The Stage Registration at 2:00am on August 18, 2018☆⚑

Dandy Darkly's All Aboard! review at Underbelly Bristo Square, Edinburgh " 'queer storytelling with creative eloquence' by Paul Vale

Of all the American performers currently integrating apologies into their work at the moment, none comes close to the creative eloquence of

SOURCE: The Stage Registration at 1:17pm on August 17, 2018☆⚑

Kids Play review at the Space, Edinburgh " 'Expertly crafted comedy-drama' by Paul Vale

Within the first few minutes of Kids Play, you think you’ve got the premise pretty much tied up. Booted and suited, Greg

SOURCE: The Stage Registration at 1:12pm on August 17, 2018☆⚑

DUPed review at Sweet Grassmarket, Edinburgh " 'twisting narrative of Northern Irish politics' by Thom Dibdin

When there’s nothing but a bible and megaphone by way of set or stage dressing in a performance about the DUP, you

SOURCE: The Stage Registration at 1:08pm on August 17, 2018☆⚑

Dangerous Giant Animals review at Underbelly Cowgate, Edinburgh " 'Detailed and unadorned writing' by Tim Bano

A lot of the writing in Dangerous Giant Animals is so good because it's so taut and simple. Christina Murdock picks small

SOURCE: The Stage Registration at 1:08pm on August 17, 2018☆⚑

The Rockford File review at Pleasance Dome, Edinburgh " 'great idea that needs better dramaturgy' by Paul Vale

If The Rockford Files is the main point of reference in your show, then chances are your expected audience will be in

SOURCE: The Stage Registration at 1:00pm on August 17, 2018☆⚑

Extinguished Things review at Summerhall, Edinburgh " 'restrained exploration of the traces we leave behind' by Nicole Serratore

Writer-performer Molly Taylor unpacks the lives of the couple she grew up down the street from. A jumble of memories, objects and

SOURCE: The Stage Registration at 12:47pm on August 17, 2018☆⚑

Songlines review at Pleasance Courtyard, Edinburgh " 'sensitive and soulful gig theatre' by Fergus Morgan

Ah, be still my beating heart. Tallulah Brown's Songlines, co-produced by DugOut Theatre and HighTide, is the kind of quirky teenage love

SOURCE: The Stage Registration at 12:41pm on August 17, 2018☆⚑

Chihuahua review at Assembly Roxy, Edinburgh " 'commendable degree of ambition' by Fergus Morgan

There's a commendable degree of ambition to House of Mirth's new play Chihuahua, but the execution isn't there to match it. Phil

SOURCE: The Stage Registration at 12:20pm on August 17, 2018☆⚑

Signals review at Pleasance Courtyard, Edinburgh " 'touching, two-handed comedy' by Fergus Morgan

The National Student Drama Festival is such a potent Petri dish for young companies; it's galvanising to see so many recent participants

SOURCE: The Stage Registration at 12:06pm on August 17, 2018☆⚑

The Beggar's Opera review at King's Theatre, Edinburgh " 'seriously out of touch' by Tim Bano

John Gay's 1728 opera was so popular in its time because it erased all the class associations of snobbish Italian opera. Gay

SOURCE: The Stage Registration at 11:46am on August 17, 2018☆⚑

Strangers: Pairs review at Greenside, Edinburgh " 'a nice idea' by Tim Bano

The concept here is strong: to work magic into the narrative of a theatre piece. But this collection of three scenes doesn't

SOURCE: The Stage Registration at 11:33am on August 17, 2018☆⚑

Traverse dominates with three Fringe Firsts in week two of awards by Giverny Masso

Martin Zimmerman’s On the Exhale and Underground Railroad Game by Jennifer Kidwell and Scott R Sheppard have won Scotsman Fringe First awards

SOURCE: The Stage Registration at 11:18am on August 17, 2018☆⚑

Production news round-up: Trevor Nunn to direct Fiddler on the Roof and Motown the Musical announces West End closure by Giverny Masso

This week’s production news includes a production of Fiddler on the Roof to be directed by Trevor Nunn at the Menier Chocolate

SOURCE: The Stage Registration at 11:18am on August 17, 2018☆⚑

ALRA establishes professional development centre for Northern theatremakers by Giverny Masso

The Academy of Live and Recorded Arts has set up a new training hub providing professional development workshops for theatremakers. The Northern

SOURCE: The Stage Registration at 11:18am on August 17, 2018☆⚑

London bookshop opens children's theatre to nurture young audiences by Georgia Snow

A children’s theatre is being set up at the back of a bookshop in north London. Pickled Pepper Books has been operating

SOURCE: The Stage Registration at 10:46am on August 17, 2018☆⚑

Really Want To Hurt Me review at Assembly Hall, Edinburgh " 'absorbing coming-of-age monologue' by Paul Vale

There are coming-of-age tales aplenty at the Fringe but this moving story from Ben SantaMaria captures the well of loneliness that a

SOURCE: The Stage Registration at 10:37am on August 17, 2018☆⚑

Notorious Strumpet and Dangerous Girl review at Summerhall, Edinburgh " 'striking individual moments' by Natasha Tripney

Jess Love offers audience members a cup of tea and a biscuit as we file into the room. Her solo show, which

SOURCE: The Stage Registration at 10:19am on August 17, 2018☆⚑

Unconditional review at Pleasance Courtyard, Edinburgh " 'charm in abundance' by Natasha Tripney

In Unconditional real-life mother and daughter Stefanie Mueller and Josie Dale-Jones play a mother and daughter putting on a show together. The

SOURCE: The Stage Registration at 10:09am on August 17, 2018☆⚑

Unsung review at Summerhall, Edinburgh " 'wonderfully elastic performance' by Natasha Tripney

In 2012, the elasti-lipped Valentijn Dhaenens made a splash with Bigmouth, a mash-up of historical oratory and a tour de force of

SOURCE: The Stage Registration at 8:28am on August 17, 2018☆⚑

The Half review at Pleasance Courtyard, Edinburgh " 'intermittently powerful' by Tim Bano

One of the startling things that comes out of Danielle Ward's play is how the comedy industry is stacked against women's success.

SOURCE: The Stage Registration at 8:08am on August 17, 2018☆⚑
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