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1,151 stories from The New York Observer

Clooney Lights Up Broadway, but 'Good Night, and Good Luck' Flickers in the Footlights by Rex Reed

Two decades after the film first flattered Oscar voters, 'Good Night, and Good Luck' returns"this time as a Broadway spectacle, complete with chain-smoking nostalgia, McCarthy-era paranoia a…

SOURCE: The New York Observer at 10:15am on April 7, 2025

Review: Does Kieran Culkin Close the Deal in 'Glengarry Glen Ross'? by David Cote

Culkin leads a cast that includes Bob Odenkirk, Michael McKean and Bill Burr in this latest Broadway revival of David Mamet's classic tale of trash-talking salesmen.

SOURCE: The New York Observer at 4:04pm on April 1, 2025

Review: Sarah Snook Blows Up in Multimedia Dazzler 'The Picture of Dorian Gray'  by David Cote

Snook gives a master class, playing 26 characters in an adaptation of the Oscar Wilde novel that's hideously apt for our age of Instagram filters and social media.

SOURCE: The New York Observer at 10:01pm on March 27, 2025

Kate Baldwin Takes On The Story Of A 230 Year Marriage With 'Love Life' by Harry Haun

The go-to singer for musical theater heroines talks about the Encores! revival of the Kurt Weill and Alan Jay Lerner musical.

SOURCE: The New York Observer at 12:27pm on March 26, 2025

Review: Denzel Washington's 'Othello' Has Star Wattage But No Illumination by David Cote

Denzel Washington and Jake Gyllenhaal are megastars, but that doesn't solve the problems of this maddeningly bland production.

SOURCE: The New York Observer at 7:15am on March 24, 2025

Review: British Musical Farce 'Operation Mincemeat' Is Anything But Dead on Arrival by David Cote

Imported from London, this musical about a WWII counterintelligence operation is totally lovable and expertly zany.

SOURCE: The New York Observer at 10:01pm on March 20, 2025

Review: 'Amerikin' Asks Questions About Identity, Family And Race by Katie Gee Salisbury, Katie Gee Salisbury

A would-be white supremacist finds out his own identity isn't quite what he thought it was in this tragicomedy that registers closer to reality than fiction.

SOURCE: The New York Observer at 2:27pm on March 19, 2025

Joy Behar Adds Playwright to Her Resume With 'My First Ex-Husband' by Harry Haun

Behar has written a show of eight monologues crafted from interviews with women about their divorces.

SOURCE: The New York Observer at 11:38am on March 11, 2025

Review: Whale-Loving Islanders Drown In Fathomless Loss in 'Deep Blue Sound' by David Cote

Playwright Abe Koogler's portrait of a group of Pacific Northwesterners is rich, funny and devastating, with a cast that's a tasting menu of acting brilliance.

SOURCE: The New York Observer at 4:30pm on March 7, 2025

Spring Theater Preview: History Sings, Classics Get Twisted and Experiments Explode by David Cote

Broadway has George Clooney and two different shows based on TV series. Downtown has space travel and T.S. Eliot. Brooklyn has Chekhov and an ant invasion. This theater season, there's somet…

SOURCE: The New York Observer at 3:59pm on February 26, 2025

Review: Half-Brotherly Love Is a Struggle Against Darkness in 'Grangeville' by David Cote

This two-hander about estranged half-brothers with a dying mother is painfully gorgeous.

SOURCE: The New York Observer at 9:01pm on February 24, 2025

Review: Family Feuds and Plenty of Punchlines in 'Conversations with Mother' by Rex Reed

An endearing but inconsistent exploration of love, loss and motherly meddling.

SOURCE: The New York Observer at 3:51pm on February 24, 2025

A Mother, Her Gay Son, and the Off-Broadway Show About Them by Harry Haun

"There's a very special relationship between a mother and a gay son and an extremely special relationship between a mother and a gay Italian son," says playwright Matthew Lombardo, who's mad…

SOURCE: The New York Observer at 4:01pm on February 21, 2025

Review: Idina Menzel Goes Out on a Limb in Eco-Musical 'Redwood' by David Cote

Menzel remains an indomitable diva in this well-intentioned misfire.

SOURCE: The New York Observer at 8:01pm on February 13, 2025

Review: Is 'Urinetown' Still Good to the Last Drop? by David Cote

Nearly a quarter century after its Broadway debut, the Tony winning musical is back at City Center Encores. Does its ghoulish giddiness still work?

SOURCE: The New York Observer at 12:01pm on February 10, 2025

Review: The Distant Future Is Already Ancient History in AI Drama 'The Antiquities'  by David Cote

The human race is presented like a museum exhibit"a grimly compelling concept, but one that makes for a glitchy play.

SOURCE: The New York Observer at 9:01pm on February 4, 2025

Melissa Gilbert Acts Her Age In 'Still' by Harry Haun

She grew up on TV in 'Little House on the Prairie,' but now she gets a chance to play a real grown-up in this Off Broadway two-hander about a couple who love each other, but not each other's…

SOURCE: The New York Observer at 3:39pm on February 4, 2025

Review: 'A Knock on the Roof' Lays Bare the Absurdities of Life During Wartime by Katie Gee Salisbury, Katie Gee Salisbury

In Khawla Ibraheem's one-woman play a mother tries to go about her life in Gaza"including preparing for the possibility that her house will be destroyed.

SOURCE: The New York Observer at 10:00am on January 29, 2025

Review: 'English' Speaks Eloquently of Language and Loss by David Cote

Pulitzer Prize winner Sanaz Toossi's play about a group of Iranians studying for the Test of English as a Foreign Language transfers to Broadway in an impeccable production.

SOURCE: The New York Observer at 9:31pm on January 23, 2025

Review: Does A Race-Critical 'Show Boat' Weather the Winds of History? by David Cote

This minimalist staging strips 'Show Boat' to its bones, scraping away a century of cultural rust and sentimentality to reveal an often deeply sad and frequently funny masterpiece of music-t…

SOURCE: The New York Observer at 8:01pm on January 15, 2025

What's Coming to BAM in 2025: An Interview With Amy Cassello and Gina Duncan by Dan Duray, Dan Duray

Observer caught up with the art space's artistic director and president to learn more about what the institution has in store for the coming year.

SOURCE: The New York Observer at 10:35am on January 9, 2025

Mare Winningham On The Dysfunctional Holiday Drama of 'Cult of Love' by Harry Haun

Mare Winningham plays the matriarch of a family gathered around the Christmas tree to air some serious issues. "I thought, 'Well, it's called Cult of Love, so there has to be a leader," she …

SOURCE: The New York Observer at 1:09pm on December 23, 2024

Review: Audra McDonald Is One Mother of a Rose in a Stupendous Gypsy by David Cote

Audra McDonald is the first Black actress to play Madame Rose on Broadway, and she and director George C. Wolfe deliver what may be the most heartstopping 'Gypsy' you'll ever see.

SOURCE: The New York Observer at 12:01am on December 20, 2024

Review: Libs Own Themselves in the Sharp and Infectiously Funny 'Eureka Day' by David Cote

Jonathan Spector's play, about vaccine politics splintering a school board, is one big Learning Moment that pretty much everyone fails.

SOURCE: The New York Observer at 5:00pm on December 17, 2024

To V, Or Not to V? 'Eureka Day' Brings the Vax Debate to the Broadway Stage by Harry Haun

A private school agonizes over what to do about an outbreak of mumps in playwright Jonathan Spector's 'Eureka Day,' which he tells Observer started out as "a funny play about serious things."

SOURCE: The New York Observer at 9:38am on December 12, 2024
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