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158 stories from Scheck on the Arts

Review: If There Is I Haven't Found It Yet by Frank Scheck

Uneasily blending an examination into the global effects of climate change with dysfunctional family drama, British playwright Nick Payne’s dark comedy If There Is I Haven’t Foun…

SOURCE: Scheck on the Arts at 6:24am on September 21, 2012

Review: Backbeat by Frank Scheck

Now playing in Toronto by way of Glasgow and London’s West End—and prior to a hoped-for Broadway run—Backbeat: The Birth of the Beatles is far from the cheery juke-box musi…

SOURCE: Scheck on the Arts at 10:35am on August 14, 2012

Review: Uncle Vanya by Frank Scheck

Leave it to the Aussies to deliver a rollicking Chekhov. The Sydney Theatre Company’s new Uncle Vanya being presented by the Lincoln Center Festival is a triumphant rendition that tha…

SOURCE: Scheck on the Arts at 5:23pm on July 24, 2012

Review: Dogfight by Frank Scheck

Much like the 1991 film that inspired it, the new musical Dogfight is a sweet, unassuming and quietly touching tale that has the feel of a tightly constructed short story. While its storylin…

SOURCE: Scheck on the Arts at 5:55am on July 17, 2012

Review: As You Like It by Frank Scheck

It’s debatable whether the world needed yet another As You Like It, since Shakespeare’s pastoral romantic comedy seems to receive a new production every other week. But thereR…

SOURCE: Scheck on the Arts at 10:14am on June 22, 2012

Review: Uncle Vanya by Frank Scheck

There’s one thing that can be definitely said about the Soho Rep’s production of Chekhov’s Uncle Vanya: You’ll probably again feel so closely involved with its charac…

SOURCE: Scheck on the Arts at 9:03am on June 18, 2012

Review: Harvey by Frank Scheck

Jim Parsons works magic in the Roundabout Theatre Company’s revival of Harvey. I had my doubts that this old chestnut would have much impact these days. But Mary Chase’s 1944 com…

SOURCE: Scheck on the Arts at 10:49pm on June 14, 2012

Review: Rapture, Blister, Burn by Frank Scheck

It’s appropriate that Gina Gionfriddo’s new play has been compared favorably to Wendy Wasserstein’s The Heidi Chronicles. Like that groundbreaking work, this delicious come…

SOURCE: Scheck on the Arts at 8:12am on June 13, 2012

Review: The Common Pursuit by Frank Scheck

Sometimes, memories are best left alone. Such is my experience with seeing the new revival of Simon Gray’s The Common Pursuit being presented by the Roundabout Theatre Company. This hi…

SOURCE: Scheck on the Arts at 8:15am on May 25, 2012

Review: Old Jews Telling Jokes by Frank Scheck

It may not sound like much, but take my word for it. An elderly man reciting the lyrics of “Ol’ Man River” in a Yiddish accent is one of the funniest things to be found on …

SOURCE: Scheck on the Arts at 12:26pm on May 23, 2012

Review: Title and Deed by Frank Scheck

Good luck searching for meaning in Title and Deed, Will Eno’s latest Rorschach test of a play being presented by the Signature Theatre. This monologue related by a nameless figure abou…

SOURCE: Scheck on the Arts at 8:24am on May 21, 2012

Review: Cock by Frank Scheck

Get your mind out of the gutter.   Yes, the title of Mike Bartlett’s play might seem salacious considering that it concerns a gay couple whose relationship is threatened when one…

SOURCE: Scheck on the Arts at 7:58am on May 18, 2012

Review: Leap of Faith by Frank Scheck

Raul Esparza is one of the few leading men who can carry a Broadway musical, but even his formidable talents are adrift in Leap of Faith. This musical adaptation of the little-seen 1992 Stev…

SOURCE: Scheck on the Arts at 5:33am on April 27, 2012

Review: The Columnist by Frank Scheck

In his first significant effort since his Tony and Pulitzer Prize-winning Proof, playwright David Auburn delivers a biographical drama about a once famous figure little known today: Joseph A…

SOURCE: Scheck on the Arts at 5:38am on April 26, 2012

Review: Nice Work If You Can Get It by Frank Scheck

The dissolute playboy played by Matthew Broderick in Nice Work If You Can Get It is frequently inebriated, and it wouldn’t be a bad idea to be in a similar state to enjoy the slight ch…

SOURCE: Scheck on the Arts at 5:43am on April 25, 2012

Review: Ghost the Musical by Frank Scheck

 The current spate of Broadway musicalizations of hit movies hits another nadir with Ghost. This adaptation of the 1990 Patrick Swayze/Demi Moore film is mainly notable for its extravag…

SOURCE: Scheck on the Arts at 3:56am on April 24, 2012

Review: A Streetcar Named Desire by Frank Scheck

The new Broadway revival of Tennessee Williams A Streetcar Named Desire presents a particular dilemma. Its multiracial cast could well attract new audiences for this seminal 20th century dra…

SOURCE: Scheck on the Arts at 2:54am on April 23, 2012

Review: Clybourne Park by Frank Scheck

Its Pulitzer Prize not withstanding, Clybourne Park still seems to me a better idea for a play than it actually is. Bruce Norris’ dark comedy, which has now arrived on Broadway after h…

SOURCE: Scheck on the Arts at 6:32am on April 20, 2012

Review: One Man, Two Guvnors by Frank Scheck

  With the notable exception of Noises Off, theatrical farce is far more often labored than amusing. But One Man, Two Guvnors, newly arrived on Broadway from London’s West End, is…

SOURCE: Scheck on the Arts at 11:37pm on April 18, 2012

Review: In Masks Outrageous and Austere by Frank Scheck

Tennessee Williams certainly doesn’t make it easy to be generous.   The common perception about the legendary playwright’s later works is that they were sad reflections of …

SOURCE: Scheck on the Arts at 6:37am on April 17, 2012

Review: Evita by Frank Scheck

“Tasteful” is not a word that springs to mind when thinking about Eva Peron, and it shouldn’t when it comes to Andrew Lloyd Webber and Tim Rice’s musical Evita either…

SOURCE: Scheck on the Arts at 6:14am on April 13, 2012

Review: Magic/Bird by Frank Scheck

If you’re going to write a play about two legendary sports figures it would help if more than one of them was interesting. Such is the dilemma of Eric Simonson’s second attempt t…

SOURCE: Scheck on the Arts at 6:54am on April 12, 2012

Review: End of the Rainbow by Frank Scheck

It may be time to let Judy Garland rest in peace. The beloved entertainer has been a never-ending subject of fascination since her untimely death. Since then, she’s been portrayed on s…

SOURCE: Scheck on the Arts at 4:14am on April 3, 2012

Review: Gore Vidal's The Best Man by Frank Scheck

You may be wondering why Gore Vidal’s politically-themed drama The Best Man needed another revival a mere twelve years after its last Broadway outing. The better question is why hasn&#…

SOURCE: Scheck on the Arts at 4:37am on April 2, 2012

Review: Newsies by Frank Scheck

It’s a hard knock life for the newsboys in Newsies, the stage adaptation of the flop 1992 Disney musical film that has become a cult favorite. When the ragtag group of orphans and runa…

SOURCE: Scheck on the Arts at 6:47am on March 30, 2012
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