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35,712 stories from The Guardian

Artist to weld copy of Dachau gate in Leeds performance piece by Mark Brown North Of England Correspondent

Rachel Mars will create replica of concentration camp entrance over three days as part of Transform festival A replica of the entrance gate to the Dachau Nazi concentration camp is to be rec…

SOURCE: The Guardian at 12:42pm on January 18, 2022

Britain's indifference to Molière's 400th is no surprise but it's still shameful | Michael Billington by Michael Billington

Despite some clever reimaginings of Tartuffe, UK stages remain depressingly inattentive to one of the greatest playwrights In France the 400th anniversary of Molière's birth is being celebr…

SOURCE: The Guardian at 3:54am on January 18, 2022

Youth theatre group's Juliet & Romeo gives Shakespeare back his slang by Nadia Khomami

Mark Rylance says Intermission's radical revamp of Romeo and Juliet will 'change the face of classical theatre' A young, majority-black theatre company's rewriting of Shakespeare will "chang…

SOURCE: The Guardian at 9:36am on January 17, 2022

A new start after 60: 'I took up ballet at 62 " and it transformed my life' by Paula Cocozza

As a child, Tina Leverton dreamed of being a ballet dancer, but her parents couldn't afford the lessons. Learning to dance decades later has been joyful " and transformed her life Tina Lever…

SOURCE: The Guardian at 8:12am on January 17, 2022

Peaky Blinders: The Redemption of Thomas Shelby stage show to open in Birmingham by Chris Wiegand

Rambert dance company and writer Steven Knight team up for an 'inspiring and uplifting' touring production The upcoming sixth series of blockbuster BBC drama Peaky Blinders will be the last …

SOURCE: The Guardian at 8:12am on January 17, 2022

'How lucky was I?': The Good Fight's Christine Baranski on Sondheim, stardom and snobbery by Hadley Freeman

As she prepares to star in the new 'American Downton', the 69-year-old actor talks about her blue-collar roots, her friendship with Stephen Sondheim " and the pleasures of late-career fame C…

SOURCE: The Guardian at 5:03am on January 17, 2022

Zoo Mundo review " an exhilarating spin through time and across continents by Mark Fisher

Available onlineFrom a small studio in his family home, Thaddeus Phillips blends magician's tricks and object-theatre techniques to build a delightful story In the infant artform of online t…

SOURCE: The Guardian at 5:03am on January 17, 2022

'It took four men and a fire extinguisher to get the tiger off him': the tragedy of Vegas magicians Siegfried and Roy by Alexi Duggins

Their exotic animal show was a Sin City sensation " until one of their white tigers attacked. But why were counter-terrorism police called? New podcast Wild Things tackles an enduring myster…

SOURCE: The Guardian at 1:42am on January 17, 2022

Saving Britney review " a Spears superfan breaks the ice by Anya Ryan

Old Joint Stock, BirminghamOne millennial's lifelong infatuation with the star could have been interesting but this spirited solo performance fails to engage Oops she did it again. Britney m…

SOURCE: The Guardian at 8:12pm on January 16, 2022

Streaming: The Tragedy of Macbeth and the best Shakespeare on film by Guy Lodge

Joel Coen's noirish take on the Scottish play, now on Apple TV+, is up against Shakespeare screen classics from luminaries including Kurosawa, Olivier and Baz Luhrmann With Joel Coen's The T…

SOURCE: The Guardian at 4:48pm on January 16, 2022

In times as troubled as these, can we still believe in tragedy? | Charlotte Higgins by Charlotte Higgins

Pandemics, the climate crisis and the algorithms used by tech giants feel too amorphous to squeeze into the dramatic form "What the American public wants is a tragedy with a happy ending," t…

SOURCE: The Guardian at 4:48pm on January 16, 2022

Wendy & Peter Pan review " Wendy finds her way in a boy-shaped world by Clare Brennan

Leeds PlayhouseDeveloped between teams in Leeds and Tokyo, this spectacular reimagining brings new complexity to JM Barrie's story Ella Hickson's adaptation of JM Barrie's world-famous story…

SOURCE: The Guardian at 11:33am on January 16, 2022

The 4th Country review " three's a crowd in confused Northern Ireland drama by Mark Lawson

Park Theatre, London Interweaving triple narratives of lovers, siblings and soldiers doesn't give enough space to explore the complexities of British rule The title of The 4th Country presum…

SOURCE: The Guardian at 11:33am on January 16, 2022

Gandini Juggling: Life review " a joyful love letter to Merce Cunningham by Sarah Crompton

Lilian Baylis Studio, Sadler's Wells, LondonThis dazzling show recreates the choreographer's work through the pure geometry of balls, hoops and clubs As niches go, a work that combines a tri…

SOURCE: The Guardian at 10:24am on January 15, 2022

Every Brilliant Thing review " ode to life's joys is candid and compassionate by Helen Meany

Abbey theatre, DublinWith a jazzy soundtrack and heaps of audience participation, this pared-back production manages to find light in the darkness of depression Of all the brilliant things t…

SOURCE: The Guardian at 9:06am on January 14, 2022

Dames in distress: Britain's theatres count cost of Christmas wrecked by Covid by Chris Wiegand Stage Editor

Cancelled pantos decimated income at peak time as soaring cases caused cast and crew absences and restrictions cut audiences As panto season draws to an end, Britain's theatres are counting …

SOURCE: The Guardian at 5:48am on January 14, 2022

Into the Night review " harrowing, heroic lifeboat story by Miriam Gillinson

Available onlineOriginal Theatre Company combine clever camerawork, projected visuals and live music to tell the real-life tale of a sea rescue mission Filmed in a breath-holding single take…

SOURCE: The Guardian at 4:42am on January 14, 2022

The Rubber Merchants review " condom comedy with little fun or feeling by Brian Logan

Old Red Lion, LondonThis revival of Hanoch Levin's odd, over-long 1970s play has minor thrills but ultimately misfires You might think, in our age of safe spaces and "cowering" from Covid (i…

SOURCE: The Guardian at 4:36pm on January 13, 2022

Taming of the crew: the bard meets Cunard in RSC cruise deal by Harriet Sherwood Arts and Culture Correspondent

Royal Shakespeare Company signs three-year agreement for productions onboard Queen Mary 2 More than 400 years after Hamlet was performed by a ship's crew anchored off west Africa in the firs…

SOURCE: The Guardian at 2:24pm on January 13, 2022

'Bam! Incredible energy' " how a group of performers with learning disabilities are changing dance by Lyndsey Winship

For 30 years, pioneering company Corali has subverted audience expectations. Now it's helping queer-dance duo Thick & Tight with a work about poet Edith Sitwell We've all got our teas?" …

SOURCE: The Guardian at 12:12pm on January 13, 2022

Prime mover: Tamara Rojo at English National Ballet " in pictures by All Photographs By Tristram Kenton

Tamara Rojo has announced that she is leaving English National Ballet after 10 years as artistic director. Revisit the productions she starred in and presented during her reign Continue read…

SOURCE: The Guardian at 8:54am on January 13, 2022

Gandini Juggling: Life review " Merce Cunningham tribute is a little gem by Lyndsey Winship

Sadler's Wells, LondonCombining juggling and contemporary dance, this is a complex and accomplished homage to the late choreographer There have been many tributes to the great choreographer …

SOURCE: The Guardian at 6:36am on January 13, 2022

A 10-year triumph: how Tamara Rojo transformed English National Ballet by Lyndsey Winship

The dancer, choreographer and artistic director has shown great ambition and had an astonishing impact at the company Right now, Tamara Rojo is putting the finishing touches to the first bal…

SOURCE: The Guardian at 9:54am on January 12, 2022

Sons, fathers and clones: Caryl Churchill's A Number " in pictures

A father is confronted by three sons " two of whom are clones of the first " in Churchill's classic play, which has a 20th-anniversary revival at the Old Vic this month Continue reading...

SOURCE: The Guardian at 5:33am on January 12, 2022

Theatre leader Pooja Ghai: 'I couldn't sit back and complain about roles I wasn't getting' by Arifa Akbar

The actor and new artistic director of Tamasha theatre company, dedicated to stories from the global majority, talks about her campaign to change the industry Pooja Ghai struggled to find he…

SOURCE: The Guardian at 3:18am on January 12, 2022
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