Royal Exchange, ManchesterStef Smith's reworking of the incendiary play casts three Noras in different eras, but can't give them credible life There is not one disgruntled wife in this high-concept reworking of Henrik Ibsen's incendiary play but three Noras, situated in different time-frames across a century: 1918, 1968 and 2018. It is a bold idea, slightly reminiscent of The Hours, and it re-plants the drama in symb…
SOURCE: The Guardian at 05:42AM on March 11, 2022