DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Los Angeles Theater Review: INTIMATE APPAREL (Pasadena Playhouse) by Tony Frankel

BEST TO LOOK AT THE QUILT AS A WHOLE, NOT THE INDIVIDUAL ELEMENTS Intimate Apparel is a delicate but persuasive play about Esther (Vanessa Williams), a gifted black seamstress in 1905 who be…

SOURCE: Stage and Cinema at 4:12pm on November 27, 2012

Los Angeles Theater Review: ONE NOVEMBER YANKEE (NoHo Arts Center in North Hollywood) by Tom Chaits

SIBLINGS ON A CRASH COURSE IN ONE NOVEMBER YANKEE It's a no brainer to assume that with two marquee names (Loretta Swit and Harry Hamlin) and the backing of the multi-award winning NoHo Arts…

SOURCE: Stage and Cinema at 7:08pm on November 26, 2012

Los Angeles Theater Review: SLIPPED DISC (Son of Semele Theater) by Tom Chaits

SLIPPED DISC NEEDS A STRONGER SPINE The mission of Green Card Theatre is to expose Los Angeles audiences to plays and playwrights from around the world. Their inaugural production entitled S…

SOURCE: Stage and Cinema at 6:33pm on November 26, 2012

Los Angeles Theater Feature: GATZ (REDCAT) by Tony Frankel

GREAT F. SCOTT! REDCAT'S GOT GATZ A phenomenon is arriving at the Roy and Edna Disney Cal Arts Theatre (REDCAT) this week in Los Angeles. I promise that once its 9-performance run is over on…

SOURCE: Stage and Cinema at 2:58am on November 26, 2012

Chicago and Tour Theater Review: SISTER ACT (Auditorium Theatre) by Paul Kubicki

NUNBEARABLE If there's one thing I hate, it's to see a classic movie adapted for the stage for no apparent reason. Instead of transferring the heart and sassiness that made the movie Sister …

SOURCE: Stage and Cinema at 9:18pm on November 25, 2012

Los Angeles Theater Preview: CONEY ISLAND CHRISTMAS (Geffen Playhouse) by Tony Frankel

CHRISTMAS ISLAND With the superfluity of Christmas-themed theater descending upon America like a Biblical plague, there is one play which is opening this week that has intrigued and even exc…

SOURCE: Stage and Cinema at 5:44pm on November 25, 2012

Los Angeles Theater Review: CALL ME MADAM (Musical Theatre Guild) by Tony Frankel

CALL ME SLACKJAWED It's amazing what critics and audiences alike are willing to forgive when they're in the presence of a true star. Regardless of some bouncy and hummable Irving Berlin tune…

SOURCE: Stage and Cinema at 10:41pm on November 23, 2012

Los Angeles Theater Review: TEA, WITH MUSIC (East West Players) by Jesse David Corti

LIKE ADDING MILK TO GREEN TEA, A GREAT PLAY IS SPOILED BY ADDING MUSIC. Post World War II Era in America isn't a red, white, and blue haven with a backyard and a Buick waiting for everyon…

SOURCE: Stage and Cinema at 6:40pm on November 21, 2012

Los Angeles Theater Review: A CHRISTMAS TWIST (Victory Theatre Center) by Jason Rohrer

PLEASE SIR, WE WANT SOME MORE SeaGlass Theatre only does one show a year, which is remarkable, since they’re such a spirited bunch.  For instance, it’s a shame to miss Paul St…

SOURCE: Stage and Cinema at 5:44pm on November 21, 2012

Off-Broadway Theater Review: FIGARO (Pearl Theatre) by Oliver Conant

BEAUMARCHAIS MARCHES ON The Pearl Theater's choice for its first production at its new home on 42nd Street is a new adaptation of Pierre Caron de Beaumarchais' 1778 play The Marriage of Figa…

SOURCE: Stage and Cinema at 9:23pm on November 20, 2012

Los Angeles Theater Review: UNTITLED WARHOL PROJECT (Odyssey and Caminito Theatres) by Jesse David Corti

SILK-SCREEN DEEP Even though icon Andy Warhol passed away twenty-five years ago, his legacy remains elastically strong in all its plastic nature; a man very "American" for being of the cultu…

SOURCE: Stage and Cinema at 2:39pm on November 20, 2012

Chicago Theater Review: WELCOME HOME, JENNY SUTTER (Next Theatre Company) by Lawrence Bommer

DOWN HOME TO HEAL UP It's hard to make healing feel dramatic. But that's the challenge to which Julie Marie Myatt mostly rises in this engaging Midwest premiere. In 90 minutes she depicts in…

SOURCE: Stage and Cinema at 1:08pm on November 20, 2012

Off-Off-Broadway Theater Review: GARDEN OF DELIGHTS (Theater for the New City) by Dmitry Zvonkov

DARK AND DELIGHTFUL A liberatingly surreal and exquisitely poetic masterwork, Fernando Arrabal's Garden of Delights is a sinister fairytale that concerns itself with the inner struggles of L…

SOURCE: Stage and Cinema at 9:02pm on November 19, 2012

Chicago Theater Review: POTTED POTTER (Broadway Playhouse) by Dan Zeff

HOGWARTS AND ALL The Harry Potter parody called Potted Potter is the joint creation of a couple of Englishmen named Daniel Clarkson and Jefferson Turner (Dan and Jeff on the stage). The duo …

SOURCE: Stage and Cinema at 5:53pm on November 19, 2012

Chicago Music Review: CHICAGO YOUTH SYMPHONY ORCHESTRAS' FALL CONCERT (Symphony Center, Orchestra Hall) by Aimee Stahlberg

AN OCCASION WHERE YOUTH IS NOT WASTED ON THE YOUNG The Chicago Youth Symphony Orchestras (CYSO) consists of more than 100 musicians. They've received an international reputation as a premier…

SOURCE: Stage and Cinema at 4:22pm on November 19, 2012

Chicago Theater Review: JAMES JOYCE'S "THE DEAD" (Court Theatre) by Dan Zeff

ANYTHING BUT DEAD James Joyce is not usually considered a source of Christmas cheer, but the great Irish author did write one Christmas piece of sorts, a short story called The Dead that app…

SOURCE: Stage and Cinema at 2:25pm on November 19, 2012

San Diego Theater Review: A HAMMER, A BELL AND A SONG TO SING (San Diego Repertory Theatre) by John Todd

A FEW PROTESTS… Todd Salovey's revue of mostly American songs of protest is buoyed by a fiercely energetic, multi-talented quartet of singers and musicians: Dave Crossland, Jim Mooney,…

SOURCE: Stage and Cinema at 1:26pm on November 19, 2012

Off-Broadway Theater Review: THE GOOD MOTHER (The New Group) by Cindy Pierre

A BIG YARN AND A BIGGER YAWN In theory and concept, Francine Volpe’s The Good Mother has all the fixins’ for a juicy, if not compelling drama: diverse, colorful characters, goofy…

SOURCE: Stage and Cinema at 5:05pm on November 18, 2012

Los Angeles Theater Review: MRS. MANNERLY (Theatre 40) by Samuel Bernstein

WHAT THEATRE 40 NEEDS IS A GUIDE TO AN EXCRUCIATINGLY CORRECT PRODUCTION Miss Manners, the alter-ego of writer Judith Martin, is my heroine. Her "Guide to Excruciatingly Correct Behavior" is…

SOURCE: Stage and Cinema at 3:39pm on November 18, 2012

Chicago Theater Review: HELLCAB (Profiles) by Dan Zeff

WORTH THE FARE Hellcab opened in Chicago in 1992 for a 12-performance run and the immediate audience buzz had the show playing for the rest of the decade. Now it is is back at the Profiles T…

SOURCE: Stage and Cinema at 1:25pm on November 18, 2012

Los Angeles Theater Review: ANNA LUCASTA (Los Angeles Theater Center) by Paul Birchall

BAD GIRL DONE GOOD Here's a play with a fascinating history for you.  Early-mid 20th century Chicago playwright Phillip Yordan originally intended this play to be set in the Polish Americ…

SOURCE: Stage and Cinema at 12:54am on November 18, 2012

Chicago Theater Review: MY ONE AND ONLY (Marriott Theatre) by Lawrence Bommer

RETRO GERSHWIN STILL BESTS TODAY'S STANDARDS Like the unsurpassable Crazy for You, My One and Only is more than more than a dozen recycled Gershwin tunes. In the spirit of those daffy Jazz A…

SOURCE: Stage and Cinema at 11:50pm on November 17, 2012

Los Angeles Theater Review: HAMLET (The Broad Stage in Santa Monica) by Thomas Antoinne

LEAN HAMLET ON THE BROAD STAGE Shakespeare's Globe's touring production of Shakespeare' Hamlet is currently on the boards at the elegant Broad Stage in Santa Monica, CA.  Written in a tim…

SOURCE: Stage and Cinema at 10:42pm on November 17, 2012

San Francisco Opera Review: TOSCA (SF Opera) by Tony Frankel

AN OPENING NIGHT SURPRISE It's one of those instances that may just be talked about in the San Francisco opera circle for years to come. In Act One of Puccini's Tosca (1900) at San Francisco…

SOURCE: Stage and Cinema at 8:17pm on November 17, 2012

Off-Broadway Theater Review: MIES JULIE (St. Ann's Warehouse) by Sarah Taylor Ellis

HOT AUGUST STRINDBERG NIGHT St. Ann's Warehouse inaugurates its new space with an often gripping production of Mies Julie, adapted to post-apartheid South Africa. A dense fog sweeps over the…

SOURCE: Stage and Cinema at 1:23pm on November 17, 2012
« Previous 25   Page 232 of 264   Next 25 »