A BIG YARN AND A BIGGER YAWN In theory and concept, Francine Volpe’s The Good Mother has all the fixins’ for a juicy, if not compelling drama: diverse, colorful characters, goofy one-night stands, 12-step amends, off-stage crying, and pasts that can’t seem to be outrun. Despite all of this and more, the lazy, anti-climactic, and [...]
SOURCE: Stage and Cinema at 05:05PM on November 18, 2012