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35,882 stories from The Stage

Welcome to the UK review at the Bunker, London " 'a ramshackle satire' by Fergus Morgan

In 2016, PSYCHEdelight created Borderline, a successful satire of life in the Calais Jungle, devised and performed by an ensemble of European

SOURCE: The Stage Registration at 5:57am on January 28, 2019☆⚑

Maggie Brown: The show's the thing, so TV producers should be allowed to cast who they want by Maggie Brown

After Channel 4 had picked Leeds as its new national headquarters, earlier this month it broadcast live from the city for the

SOURCE: The Stage Registration at 2:00am on January 28, 2019☆⚑

Top theatre shows to see this week (January 28-February 3) by Natasha Tripney

Father " Barbican Theatre, London Peeping Tom's new piece, a follow-up to the distinctive Mother, "a strange and unsettling piece of dance theatre,

SOURCE: The Stage Registration at 2:00am on January 28, 2019☆⚑

Lyn Gardner: What theatre can learn from the death of the high street by Lyn Gardner

The news from the high street and Britain's town centres is grim. A shopping centre in Scotland is up for sale for

SOURCE: The Stage Registration at 2:00am on January 28, 2019☆⚑

17 review at the Vaults, London " 'a promising two-hander about teenage friendship, sex and social media' by Natasha Tripney

Yasmin and Casey have one of those heady adolescent friendships fuelled by envy as much as affection. They know just the right

SOURCE: The Stage Registration at 9:52am on January 27, 2019☆⚑

Opal Fruits review at the Vaults, London " 'a highly personal solo show' by Natasha Tripney

Holly Beasley-Garrigan's intensely personal debut solo sets out to shine light on much of British theatre's, and by extension society's, galloping inadequacy

SOURCE: The Stage Registration at 1:31pm on January 26, 2019☆⚑

Anthropocene review at Theatre Royal, Glasgow " ' atmospheric operatic thriller' by Thom Dibdin

For their fourth operatic collaboration, composer Stuart MacRae and librettist Louise Welsh, who first collaborated as part of Scottish Opera’s 5:15 experiment,

SOURCE: The Stage Registration at 5:57am on January 26, 2019☆⚑

When We Have Sufficiently Tortured Each Other starring Cate Blanchett " review round-up by Fergus Morgan

Openings don't come much more anticipated than this. Not just a new Martin Crimp play. Not just a new Martin Crimp play

SOURCE: The Stage Registration at 11:08am on January 25, 2019☆⚑

Mischief Theatre land year-long West End residency by Matthew Hemley

Mischief Theatre, the company behind The Play That Goes Wrong, is to take over the West End’s Vaudeville Theatre for a year-long

SOURCE: The Stage Registration at 10:59am on January 25, 2019☆⚑

Sonia Friedman named producer of the year in The Stage Awards 2019 by Giverny Masso

Harry Potter and the Cursed Child producer Sonia Friedman and a scheme to improve access to drama schools supported by Game of

SOURCE: The Stage Registration at 9:32am on January 25, 2019☆⚑

The Stage Awards 2019: The winners in full by The Stage

The Stage Awards in association with Integro Insurance Brokers Ltd celebrate the achievements of theatre companies and individuals across the UK and internationally.

SOURCE: The Stage Registration at 9:32am on January 25, 2019☆⚑

How Dracula was created in the West End and is returning to the library that inspired Bram Stoker by Nick Smurthwaite

Bram Stoker was not only a novelist, but the business manager of the Lyceum Theatre and it was in the library around

SOURCE: The Stage Registration at 8:00am on January 25, 2019☆⚑

Danish start-up to launch 'LinkedIn for opera artists' by Georgia Snow

A Danish start-up hoping to overhaul the talent-booking process for opera has launched a platform that aims to foster closer relationships between

SOURCE: The Stage Registration at 7:24am on January 25, 2019☆⚑

ALD launches fundraising drive to compensate lighting designers for work on industry campaign by Giverny Masso

The Association of Lighting Designers has launched a £35,000 fundraising drive to compensate freelances including Paule Constable, who put "their own careers

SOURCE: The Stage Registration at 7:24am on January 25, 2019☆⚑

Trevor Nunn's Fiddler on the Roof to transfer to the West End by Georgia Snow

Trevor Nunn's production of Fiddler on the Roof has announced a West End transfer and will play at the Playhouse Theatre from

SOURCE: The Stage Registration at 6:18am on January 25, 2019☆⚑

Miriam-Teak Lee to star in pop musical about Shakespeare's Juliet by Matthew Hemley

Miriam-Teak Lee is to star in a new musical about Juliet from Shakespeare's play Romeo and Juliet, that will feature pop songs

SOURCE: The Stage Registration at 6:18am on January 25, 2019☆⚑

American Idiot review at Mayflower Theatre, Southampton " 'raucous revival of the Green Day musical' by Dave Fargnoli

Written at a time when US politics seemed merely infuriating rather than numbingly awful, punk outfit Green Day's American Idiot brimmed with

SOURCE: The Stage Registration at 5:28am on January 25, 2019☆⚑

Howard Sherman: Is it time for US theatres to get with the digital programme? by Howard Sherman

For US audience members, receiving a programme after being shown to the correct seat is a standard part of the theatregoing ritual.

SOURCE: The Stage Registration at 2:00am on January 25, 2019☆⚑

Mark Shenton: Cast and crew suffer when tours like To Kill a Mockingbird are axed by Mark Shenton

Sometimes shows collapse. This can happen before performances even begin (as with the planned arena tour production of Heaven on Earth in

SOURCE: The Stage Registration at 2:00am on January 25, 2019☆⚑

True West review at American Airlines Theatre, New York " 'a bold performance from Ethan Hawke' by Nicole Serratore

Sam Shepard's play about brotherly animosity and the mythical American West returns to Broadway in a kinetic production by James Macdonald featuring

SOURCE: The Stage Registration at 9:00pm on January 24, 2019☆⚑

Leave to Remain review at Lyric Hammersmith, London " 'unimaginative new musical' by Tim Bano

It's hard not to get excited about the idea of this new musical, a gay love story created by Bloc Party's Kele

SOURCE: The Stage Registration at 6:31pm on January 24, 2019☆⚑

US private equity firm buys majority stake in David Ian Productions by Georgia Snow

David Ian has sold a majority stake in his production company to an American private equity firm, in a bid to further

SOURCE: The Stage Registration at 11:06am on January 24, 2019☆⚑

Andrzej Lukowski: The troubling numbers behind this year's West End box office records by Andrzej Lukowski

The annual Society of London Theatre box office figures are generally about as predictable as a Kazakhstani election result. Just as the

SOURCE: The Stage Registration at 10:49am on January 24, 2019☆⚑

Free tickets scheme for D/deaf audiences over 50 launched by Bolton's Octagon by Georgia Snow

Bolton's Octagon Theatre has launched a free ticketing scheme aimed at encouraging older people from the D/deaf community to attend shows. The

SOURCE: The Stage Registration at 6:48am on January 24, 2019☆⚑

Notre Dame de Paris review at London Coliseum " 'epically unhinged French mega-musical' by Tim Bano

That Victor Hugo has done alright for himself, inspiring two of the biggest musicals of all time. But the French global musical

SOURCE: The Stage Registration at 6:00am on January 24, 2019☆⚑
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