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35,708 stories from The Guardian

Sherlock Holmes: The Valley of Fear review " an elegant last adventure by Arifa Akbar

Available onlineEffectively filmed for streaming audiences in a sharply told adaptation, this adventure stars Luke Barton as the bumptious master detective "If this is to be our final advent…

SOURCE: The Guardian at 4:18am on November 3, 2022

Elf Lyons: Raven review " fierce and funny fright-night by Brian Logan

Soho theatre, LondonLyons raises her personal demons so she can publicly refuse to play by their rules in this complex comedy-horror crossover The eye-popping final sequence of Elf Lyons's R…

SOURCE: The Guardian at 5:24pm on November 2, 2022

Guy Fawkes review " mild comedy needs some satirical gunpowder by Catherine Love

York Theatre RoyalDespite some strong performances, this production is undone by flip-flopping between the serious and the silly Guy Fawkes is not an obvious subject for a comedy " he's more…

SOURCE: The Guardian at 4:18pm on November 2, 2022

Rich Hall: 'America is on the edge of the apocalypse " Britain is a shuffling of weird ghoulish political figures' by Interview By Liam Pape

The standup and author on American-British rants, why Saturday Night Live wouldn't work in the UK and the joy of offending Winnebago owners Your current show is called Shot from Cannons. Wha…

SOURCE: The Guardian at 1:06pm on November 2, 2022

Evening Conversations review " warm meditations from midlife by Anya Ryan

Soho theatre, LondonSudha Bhuchar's monologue, drawing on chats with her children, has much likable detail but slightly less focus than you'd wish for Meet Sudha Bhuchar. She's a middle-clas…

SOURCE: The Guardian at 1:06pm on November 2, 2022

Northern Ballet: Made in Leeds review " faith, community and hip-hop Casanova by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonChoreographers Mthuthuzeli November, Stina Quagebeur and Dickson Mbi jolt ballet's habitual moves with this fresh and convincing triple bill It's th…

SOURCE: The Guardian at 9:48am on November 2, 2022

Tanz review " gross-out body-horror ballet is an unlikely laugh by Sanjoy Roy

Battersea Arts Centre, LondonFlorentina Holzinger's show has inspired audience walkouts but others stay and cheer at its bloody-minded audacity Premiered in Vienna in 2019, Florentina Holzin…

SOURCE: The Guardian at 9:48am on November 2, 2022

The Sleeping Sword review " Morpurgo fable transformed into scrapbook of wonder by Anya Ryan

Watermill theatre, NewburyMichael Morpurgo's novel about a boy's Arthurian adventure is inventively brought to life in an inclusive production Michael Morpurgo's enchanting 2002 take on Arth…

SOURCE: The Guardian at 9:48am on November 1, 2022

Mary review " Douglas Henshall's courtier defends a Queen in quick-fire debate by Arifa Akbar

Hampstead theatre, LondonRona Munro's engaging debate drama has some thrilling exchanges as three characters argue the case for and against Mary Queen of Scots The Mary of the title refers t…

SOURCE: The Guardian at 9:48am on November 1, 2022

The Guardian view on cuts to arts funding: a calamity that must be averted | Editorial by Editorial

A delayed announcement about the next three years of support has left the arts world in limbo " but also with time to fight and rethink In the turmoil of the new government's stock-taking ef…

SOURCE: The Guardian at 5:24am on November 1, 2022

The best theatre to stream this month: The Book of Dust, Four Quartets and the start of panto season by Chris Wiegand

Our roundup of drama to watch at home includes Alan Ayckbourn's 87th play, live performance from Ukraine and lost showtunes The Bridge theatre's big Christmas show from 2021, based on Philip…

SOURCE: The Guardian at 5:24am on November 1, 2022

Godspell review " good tunes can't save a deeply uncool musical by Cassie Tongue

Hayes Theatre, SydneyThis new take on the famously earnest biblical musical spends so much time apologising for its religious elements, it falls flat Get our weekend culture and lifestyle em…

SOURCE: The Guardian at 3:42pm on October 31, 2022

Harry Hill review " reliably, joyously madcap as ever by Brian Logan

Milton Keynes theatreWhile not quite reaching previously attained heights of absurdity, the comic still pulls off a successful stream of nonsense It's been a decade of tumultuous change sinc…

SOURCE: The Guardian at 3:42pm on October 31, 2022

A Dead Body in Taos review " a spiritual exploration of what it means to be really free by Arifa Akbar

Wilton's Music Hall, LondonSet in the New Mexico desert, David Farr's unusual play dips into virtual reality in order to raise questions of love, life and what constitutes the human essence …

SOURCE: The Guardian at 11:07am on October 30, 2022

Jasmin Vardimon: Alice review " a fairytale that never quite goes through the looking-glass by Lyndsey Winship

Sadler's Wells, LondonA krumping Cheshire cat enlivens this well-danced adaptation of Lewis Carroll's coming-of-age story, but Alice's deeper life remains unexplored Lewis Carroll's Alice ha…

SOURCE: The Guardian at 11:07am on October 30, 2022

The week in theatre: Tammy Faye; Hamlet; Marvellous " review by Susannah Clapp

Almeida, London; Bristol Old Vic; Soho Place, LondonKatie Brayben nails the title role as Tammy Faye in a musical otherwise lacking edge, Billy Howle makes a princely Hamlet and an all-new …

SOURCE: The Guardian at 9:03am on October 30, 2022

Let the Right One In review " bittersweet production brings out the terrors of adolescence by Catherine Love

Royal Exchange theatre, ManchesterThere are some scares, but Jack Thorne's adaptation of the Swedish vampire novel focuses more on the compelling bond between two troubled teens Though it ha…

SOURCE: The Guardian at 9:03am on October 30, 2022

The Contingency Plan review " a double dose of climate crisis drama by Clare Brennan

Crucible, SheffieldSteve Waters's newly revived and updated companion pieces about global heating have lost none of their urgency Steve Waters's double bill about global heating, The Conting…

SOURCE: The Guardian at 9:03am on October 30, 2022

Navy Blue review " Oona Doherty's dark night of the soul by Sarah Crompton

Sadler's Wells, LondonImbuing the balletic grace of her dancer's movements with tension and anxiety, Doherty asks a refreshing yet unsettling question: what's the point of dance? An awful l…

SOURCE: The Guardian at 5:37am on October 30, 2022

Modern and major: how Gilbert and Sullivan still skewer England's absurdities by Michael Simkins

Dismiss their works at your peril. Strip the barnacles of stale tradition off the Victorian duos's light operettas and their seditious glory still shines When I was a teenager in the 1970…

SOURCE: The Guardian at 8:13am on October 28, 2022

Daddy Issues review " morbid monologue labours under its weighty themes by Arifa Akbar

Seven Dials Playhouse, LondonA distressed woman unravels after her father's suicide in a play that strikes the wrong balance between humour and sorrow Daddy Issues sets itself a tall order: …

SOURCE: The Guardian at 8:13am on October 28, 2022

Maybe a Ghost Story review " Daniel Kitson scares up a sparkling Halloween yarn by Brian Logan

Shakespeare's Globe, LondonThe comedian is as spontaneous as ever in this unadorned show featuring a one-ghost campaign to rewild the sanitised customs of All Hallows Eve 'Just a very long-w…

SOURCE: The Guardian at 11:33am on October 27, 2022

Tammy Faye: A New Musical review " Elton John's hymn to biblical kitsch by Arifa Akbar

Almeida, London Songs belt out deliriously in this romp through rise and fall of the Bakker televangelists and latterday gay icons " so thick and fast the James Graham script and Jake Shears…

SOURCE: The Guardian at 8:19am on October 27, 2022

'I'm not saying Shakespeare is an anti-black racist. But …' " the festival tackling an incendiary issue by Arifa Akbar

They have suffered vicious abuse and ugly trolling, but the team behind the Globe's Shakespeare and Race festival tell our writer why their work feels more urgent than ever When Farah Karim-…

SOURCE: The Guardian at 8:19am on October 27, 2022

My Body No Choice: taking the fight for abortion rights to the stage by David Smith In Washington

A new stage production tells the stories of women and their bodily autonomy, or lack thereof, as part of the fight to reverse the supreme court decision to restrict abortion Theirs was a sec…

SOURCE: The Guardian at 2:27am on October 27, 2022
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