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6,591 stories from Stage and Cinema

Los Angeles Theater Review: NEVERWHERE (Sacred Fools Theater Company) by Paul Birchall

NOT MUCH UNDERGROUND Author Neil Gaiman writes for the anime and graphic novel era " rollicking adventures that are tonally glib, suffused with whimsy and wit, and full of puns, extraordinar…

SOURCE: Stage and Cinema at 8:12pm on April 10, 2013

Off-Broadway Theater Review: BULLET CATCH (Brits Off Broadway at 59E59 Theaters) by Dmitry Zvonkov

ALMOST MAGIC Although the magic tricks in Bullet Catch are not so much ends in themselves as they are tools used to help explore the show's themes, the effectiveness of the play " named a…

SOURCE: Stage and Cinema at 9:12am on April 9, 2013

Chicago Theater Review: MARIA/STUART (Sideshow Theatre at Theater Wit) by Lawrence Bommer

A FAMILY HAUNTED BY ITSELF Even among dysfunctional clans " an apparently exhaustible topic for today's theater " Jason Grote's self-haunted family in Maria/Stuart gets laurels for looniness…

SOURCE: Stage and Cinema at 1:20pm on April 8, 2013

San Diego Theater Review: A DOLL'S HOUSE (Old Globe, Sheryl and Harvey White Theatre) by Tony Frankel

NO GOOD DEED GOES UNPUNISHED Henrik Ibsen stated that he had no conscious thought of making propaganda with A Doll's House (1879). Yet many productions have a feminist bent: Nora is the misu…

SOURCE: Stage and Cinema at 2:26am on April 8, 2013

Los Angeles Theater Review: BILLY & RAY (Falcon Theatre in Burbank) by Samuel Bernstein

THE MISCHEVIOUS INDEMNITY OF NOIR You can bring a blanc sensibility to noir, but noir finds a way of seeping in"its luxurious, sweet poison stealing focus when you're not looking. In Billy &…

SOURCE: Stage and Cinema at 12:59pm on April 7, 2013

Los Angeles Theater Interview: BRIAN T. FINNEY AND TIM ROBBINS on Heart of Darkness at Actors' Gang by Jason Rohrer

THE BLEEDING HEART OF DARKNESS Joseph Conrad's 1899 novel Heart of Darkness concerns an English ship captain’s journey to the Belgian Congo, and the revelatory effect of his encounter …

SOURCE: Stage and Cinema at 8:08pm on April 6, 2013

Los Angeles Theater Review: MELANCHOLIA (Los Angeles Theatre Center) by Tony Frankel

BETWEEN IRAQ AND A HARD PLACE A soldier named Mario returns from Iraq just in time for the 2005 New Year's celebration with his East Los Angeles family, friends and novia " but he also retur…

SOURCE: Stage and Cinema at 7:13pm on April 6, 2013

Chicago Theater Review: BARNUM (Mercury Theater) by Lawrence Bommer

THE FUN IN FRAUD Famed impresario P.T. Barnum banked on one cynical truth: No one ever went broke underestimating the intelligence of the American people. The undisputed master of the “…

SOURCE: Stage and Cinema at 2:04pm on April 5, 2013

Off-Broadway Theater Review: GOOD WITH PEOPLE (59E59 Theaters) by Dmitry Zvonkov

SEEING ISN'T FEELING Blythe Duff and Andrew Scott-Ramsay deliver rich, convincing performances in David Harrower's worthwhile if not completely satisfying play Good with People. Part of the …

SOURCE: Stage and Cinema at 8:04pm on April 3, 2013

Los Angeles Theater Review: THE BARGAIN AND THE BUTTERFLY (Artworks Theatre in Hollywood) by Jesse David Corti

A BUTTERFLY THAT’S STILL IN THE COCOON Katherine Noon's latest ensemble workshop-developed hydra creation, The Bargain and the Butterfly, takes its inspiration from Nathaniel Hawthorne…

SOURCE: Stage and Cinema at 7:11pm on April 3, 2013

Off-Off-Broadway Theater Review: AN ECLECTIC EVENING OF SHORTS: BOXERS AND BRIEFS VI (Artistic New Directions at Theater 54) by Dmitry Zvonkov

A SHOWCASE FOR EMERGING ARTISTS When watching Artistic New Directions' presentation of An Eclectic Evening of Shorts: Boxers and Briefs VI, a collection of six ten-minute plays, plus three s…

SOURCE: Stage and Cinema at 4:02pm on April 3, 2013

Bay Area Theater Review: GUYS AND DOLLS (Berkeley Playhouse) by Stacy Trevenon

DETROIT COMES TO BERKELEY The Berkeley Playhouse production of Guys and Dolls is just the thing for a theater lover, a fan of this timeless musical, or a family to kick back and enjoy. The s…

SOURCE: Stage and Cinema at 3:13pm on April 3, 2013

Bay Area Theater Review: SHIPWRECK (Shotgun Players at the Ashby Stage in Berkeley) by Linda Taylor

SHIPSHAPE Imagine a boat named "Utopia" launched in the 1830s, floating towards Moscow. As the boat sails onward, it becomes heavier, taking on cargo, passengers, and the weight of the futur…

SOURCE: Stage and Cinema at 2:07pm on April 3, 2013

San Diego Opera Review: MURDER IN THE CATHEDRAL (San Diego Opera) by Tony Frankel

MURDER IN THE CATHEDRAL Although he wrote at least 15 complete operas, Ildebrando Pizzetti (1880-1968) is not a familiar name, even to many in the opera world. The first-generation modernist…

SOURCE: Stage and Cinema at 4:25pm on April 2, 2013

Regional Opera Review: A STREETCAR NAMED DESIRE (Virginia Opera) by Grant Barnes

NEW ORLEANS IN VIRGINIA Like many operas in the last 100 years, Andre Previn’s A Streetcar Named Desire " recently produced by Virginia Opera " is through-composed with very l…

SOURCE: Stage and Cinema at 2:29am on April 1, 2013

Los Angeles Theater Review: MASTER CLASS (International City Theatre in Long Beach) by Barnaby Hughes

SCHOOLED BY CALLAS If you've ever been to a master class, then Terrence McNally's Tony Award-winning play Master Class (1995) will seem very familiar. If you haven't, then you're in for a re…

SOURCE: Stage and Cinema at 4:05pm on March 31, 2013

Los Angeles Theater Review: LUNCH LADY COURAGE (Cornerstone at Cocoanut Grove Theater) by Tony Frankel

FOOD FIGHT Using Brecht's Mother Courage and her Children (1939) as a template, writer Peter Howard has created a wartime tale about the need to survive in challenging times. But the war isn…

SOURCE: Stage and Cinema at 3:56pm on March 31, 2013

Los Angeles Theater Review: EURYDICE: (A Noise Within in Pasadena) by Jesse David Corti

MYTH UNDERSTOOD Sarah Ruhl's Eurydice is classical in its mythological origins but forges a modern path with a point of view modification and feministic flair. The original Greek myth of …

SOURCE: Stage and Cinema at 3:10pm on March 29, 2013

Chicago/National Tour Theater Review: PRISCILLA QUEEN OF THE DESERT (Auditorium Theatre) by Lawrence Bommer

BREAKOUT IN THE OUTBACK There are so many ways to glitter and be gay in American Musical Theater: La Cage Aux Folles depicts the unexpected bourgeois normality in a near-marriage of boa-wrap…

SOURCE: Stage and Cinema at 7:42pm on March 28, 2013

Los Angeles Opera Review: CINDERELLA (LA Opera at Dorothy Chandler Pavilion) by Tony Frankel

EVERYBODY HAS A BALL AT THIS CINDERELLA Gioachino Rossini's Cinderella (La Cenerentola) was written in 1817 during the bel canto era when operas were written to showcase beautiful singing, b…

SOURCE: Stage and Cinema at 9:58pm on March 27, 2013

Off-Broadway Theater Review: THEN SHE FELL (Third Rail Projects at St. Johns in Brooklyn) by Sarah Taylor Ellis

GO ASK ALICE “Do you take dictation?” the gentleman asked as he gently closed the door to the study. Seated at an antique rolltop desk, I responded with an eager “Yes,̶…

SOURCE: Stage and Cinema at 1:38pm on March 26, 2013

Los Angeles Theater Review: THE NETHER (Kirk Douglas Theatre in Culver City) by Tony Frankel

NETHER NOR Reality is the state of things as they actually exist, right? Not anymore. It's fascinating that the World English Dictionary defines reality as "the state of things as they are o…

SOURCE: Stage and Cinema at 12:40pm on March 26, 2013

Los Angeles Theater Review: S. O. E. (Atwater Village) by Mia Bonadonna

APPARENTLY CAT FIGHTING IN TRASH ISN'T AS FUN AS WE THOUGHT IT WOULD BE Jami Brandli's ambiguous whodunit, S.O.E., strands three disillusioned and combative rivals together during a state of…

SOURCE: Stage and Cinema at 6:42pm on March 25, 2013

Los Angeles Theater Review: RANK (Odyssey Theatre) by Jason Rohrer

NOT YOUR RANK-AND-FILE PRODUCTION No getting around it: Robert Massey’s Rank is talky and familiar.  Without a top-flight cast and director, this show could easily be lost in the va…

SOURCE: Stage and Cinema at 2:59am on March 25, 2013

Los Angeles Theater Review: ON THE SPECTRUM (Fountain Theatre) by Tony Frankel

HAVING ISSUES WITH ISSUES Ken LaZebnik's On the Spectrum, which opened last week at the Fountain Theatre, belongs to a genre known as Theatre of Identity, aka Social Issues Theatre; the idea…

SOURCE: Stage and Cinema at 2:50am on March 25, 2013
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