NO GOOD DEED GOES UNPUNISHED Henrik Ibsen stated that he had no conscious thought of making propaganda with A Doll's House (1879). Yet many productions have a feminist bent: Nora is the misunderstood wife of a husband who sees her as a doll, a thing he uses to round out his modular family. As such, [...]
SOURCE: Stage and Cinema at 02:26AM on April 8, 2013