Shakin' up Broadway BY PETER FILICHIA

Livingston native plays key role in Elvis revue

Male inferiority shows in monologue play BY MICHAEL SOMMERS

Neither profound nor provocative in content, the best thing that can be said about "The Penis Monologues" is that at least there's no audience participation.

Remembering when conversation was king BY PETER FILICHIA

So how did people spend their evenings before radio, television, computers, records, CDs, and video games?
For one thing, they talked to each other and told stories.

Stepping it up a notch BY ROBERT JOHNSON

The birth of "Riverdance" may be compared to an awakening, like a sudden burst of consciousness.

The story of a tired old scandal BY MICHAEL SOMMERS

Even ardent fans of the tragic star of "Gone With the Wind" or the maker of "Citizen Kane" will be hard-pressed to derive much enjoyment from Austin Pendleton's dreary play, which really is …

Good story stretched too thin BY PETER FILICHIA

Though "Address Unknown" is only 65 minutes long, the play actually feels padded.

Scenes from a marriage BY MICHAEL SOMMERS

Want killer performances in a riveting American classic? It doesn't get better than this.

Who's afraid of Martha? A new 'Woolf' at the door BY ALEXIS GREENE

An heiress with artistry BY MICHAEL SOMMERS

Frankly, it's not much of a play, but Ruehl's spirited performance is certainly something to see.

Jugglers aim to catch on off-Broadway: Talented trio mix in music, comedy and sleight of hand BY ALLISON FREEMAN

And now for something completely different: A wafer-thin sized look at some of Python's best bits by Claudia Perry

Low-budget props place 'Spamalot' in Monty Python's skewed universe BY MICHAEL SOMMERS

From pen pals to penned up: Play addresses Nazis' threat in series of letters between fictitious German Christian and Jew BY PETER FILICHIA

'Candide' seems a tad flabby BY MICHAEL SOMMERS

'Old Friend' makes for pleasant evening BY PETER FILICHIA

A life like many others BY MICHAEL SOMMERS

The trouble here is that no matter how much Porter revs up his material with his voice and charm, his life story is not especially original or compelling.

One man has no past; another sees no future BY PETER FILICHIA

"The Drawer Boy."

Verdict still out on 'Judas' BY MICHAEL SOMMERS

Grand theft, Broadway: Audiences get their money's worth at frothy new musical starring Lithgow and Butz BY MICHAEL SOMMERS

The ease and expertise with which "Dirty Rotten Scoundrels" seduces viewers is the signature of director Jack O'Brien. He and his collaborators have done a splendid job of making this event …

Charming 'hymns' light up 'Altar Boyz' BY MICHAEL SOMMERS

Now they're partners in crime BY VALERIE GLADSTONE

Actors Norbert Leo Butz and Sherie Rene Scott dash across West 45th Street for a bite to eat before the evening curtain of their new musical, "Dirty Rotten Scoundrels." Like a couple of kids…

A fine 'Romance': Mamet play draws laughs with sharp humor BY MICHAEL SOMMERS

Victims fail to win sympathy in 'After Ashley' BY MICHAEL SOMMERS

Historic debate hits home BY MICHAEL SOMMERS

"The Controversy of Valladolid."

'Sister Week' needs sharper direction: Sparring sibs need sharper direction BY PETER FILICHIA