The competent cast including such distinguished veteran actors as Johanna Day, J. Smith-Cameron, and Lois Smith attempt to dig deep into their characters, but it seems impossible to bring an…
This is a production that pushes boundaries of traditional musical theater relying on the melodic score by John Kander, sometimes reminiscent of his earlier work and always pleasing to the e…
The song list is wonderful with some less familiar delights, but it is the rapture of those disco warhorses that are unmistakably crowd pleasing. The revelation of the breakout "Love to Love…
There is quite a bit of foreplay but no actual winner in the sexual cat and mouse game farcically played out in Abingdon Theatre Company's "The Gentleman Caller" at the Cherry Lane Theatre.
In an explosive unison Greek-Chorus, the girls share their wish that society would urge the importance of their personal individuality as much as their sexually stereotyped identities. It is…
The beloved Rogers and Hammerstein "Carousel" has not often been revived on the Broadway stage since it first opened to critical acclaim in 1945, so this third incarnation, after a long hiat…
Miriam Buether's inventive set and Paul Gallo's surreal lighting allow the audience to be reflected in the set's transparent wall. The audience not only "listens in" to the conversation: the…
Under Jack Cummings III's careful direction, the cast captures the essence of Tennessee Williams' seminal work in the Classic Stage/Transport production. Each member of the ensemble cast dev…
Outer Critics Circle, the organization of writers and commentators covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway, announced toda…
Mr. Sher envisions a new fair lady, empowered to become all she is capable of being, unshackled from a male dominated society and free from shame and abuse. It is an important and brave inte…
It is always a pleasure to see Mr. Broderick take the stage, and it is admirable that he lends his star power to a successful off-Broadway company, but he has not taken full advantage of the…
Under Jo Bonney's fluid direction, the scenes move seamlessly from one to the other. A sliding panel (sometimes more than one) signals the scene changes allowing the action to proceed withou…
Lauren Ridloff is a joy to watch as Sarah and gives an impressive Broadway debut, sculpting words with fluid movements that float in the air, accompanied by miens of anger, joy, passion and …
This story of a mother and daughter " both who have lost their ways and their centers " find their ways to break down all the walls that have separated them in the past and start over as "li…
The new Broadway musical "Mean Girls," based on the 2004 hit movie, is sure to secure a home on the Great White Way for some time to come, as it tickles the fancy of a new generation of youn…
Under Daniel Aukin's captivating direction, the engaging cast reveals the depth of meaning and the layers of rhetorical argument in Joshua Harmon's explosively honest and intriguing script. …
Of course, if you want to dig into the story, there are life lessons to be discovered, but the real treasure that everyone will find without any effort is fun. Do yourself a favor, forget yo…
Under Trip Cullman's discerning and originative direction, the action moves carefully from scene to scene with the tension created by the unfolding conflicts of the characters driving an eng…
Under Michael Greif's exacting and precise direction, the action moves forward smoothly with clarity and determination. The cast of eighteen, many of whom play multiple roles, are uniformly …
Despite the "language" and a few questionable "choices," what could be wrong with a musical that ultimately encourages the audience members to "Take care of yourselves and each other" and fe…
Under Lila Neugebauer's capable direction, the three actors distill Edward Albee's characters with authenticity and believability. No captives are taken here in this brilliant battle for sur…
This animus is the combative "stuff" of Max Baker's "Hal & Bee," currently being presented by Stable Cable Lab Company and The New Light Theater Project at 59E59 Theaters. In this allegorica…
The deft direction by Christian Barry keeps the journey fluid, never wasting a glance or movement to communicate an emotion. Playwright Hannah Moscovitch presents a script that is clear, con…
In the new play "Amy and the Orphans," disability, dysfunction, and delusion are the contentious components that drive an anomalous family unit to a place they were not expecting to visit ca…
Occasionally, Eisa Davis's Millsap and Zach Grenier's McDowell ratchet up that rhetoric with compelling performances that briefly enliven the otherwise bland action. Whether those moments ju…