Under Jo Bonney's fluid direction, the scenes move seamlessly from one to the other. A sliding panel (sometimes more than one) signals the scene changes allowing the action to proceed without full blackouts. Riccardo Hernandez's set design is stark and sparse, lighted with perfection by Lap Chi Chu in overlapping pools of encroaching animus.
SOURCE: Theatre Reviews Limited at 05:31PM on April 20, 2018