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35,882 stories from The Stage

Pretty Woman at Piccadilly Theatre, London " review round-up by Fergus Morgan

Pretty Woman, the rags-to-riches movie starring Richard Gere as a cut-throat capitalist and Julie Roberts as the prostitute he procures to escort

SOURCE: The Stage Registration at 12:53pm on March 3, 2020

How will an end to freedom of movement affect UK theatre? by Nick Awde

After January 2021, European artists may need visas to tour the UK " what impact might this have on British festivals? Nick

SOURCE: The Stage Registration at 12:00pm on March 3, 2020

Olivier Awards 2020: the nominations in full by Giverny Masso

Nominations for the Olivier Awards 2020 were announced via live-stream on Facebook by performers Gavin Creel and Alexia McIntosh. The awards ceremony

SOURCE: The Stage Registration at 8:22am on March 3, 2020

How a contemporary dance course could set off your stage career by Rachel Elderkin

Once focused on technique, dance schools now offer training in creative development and entrepreneurial skills to prepare students for the industry. Leading

SOURCE: The Stage Registration at 8:00am on March 3, 2020

Guildhall shuts down after staff member tests positive for coronavirus by Georgia Snow

Guildhall School of Music and Drama has shut down for up to two weeks after a member of staff tested positive for

SOURCE: The Stage Registration at 7:54am on March 3, 2020

United Queendom review at Kensington Palace, London " 'an immersive history lesson' by Anna James

Much like a mercurial monarch, Kensington Palace gives with one hand and takes away with the other. United Queendom, a new immersive

SOURCE: The Stage Registration at 7:32am on March 3, 2020

Lucy Prebble wins Susan Smith Blackburn Prize by Ruth Comerford

Lucy Prebble has won the 2020 Susan Smith Blackburn Prize for her play A Very Expensive Poison, about the killing of former

SOURCE: The Stage Registration at 6:36am on March 3, 2020

Physical performance coach Tome Levi: 'Too many performers sustain avoidable injuries' by John Byrne

Where do you work? I support multiple West End and Off-West End productions, as well as resident and touring productions across the

SOURCE: The Stage Registration at 5:00am on March 3, 2020

Candoco co-founder Celeste Dandeker-Arnold: 'The first time I saw contemporary dance, I was immediately hooked' by John Byrne

I started ballet classes aged two and a half and took all the grades. Although I wanted to dance as a profession,

SOURCE: The Stage Registration at 5:00am on March 3, 2020

The Green Room: How do you take care of yourself physically? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​ Albert

SOURCE: The Stage Registration at 4:00am on March 3, 2020

Alex Critoph: It's time to let women tell their own stories in theatre by Alex Critoph

The love interest with no agency, the formidable female boss, the female characters who exist purely to drive the male protagonists' story

SOURCE: The Stage Registration at 3:00am on March 3, 2020

Lighting designer Rob Halliday: You can't accurately preview lighting, so trust your designer by Rob Halliday

One of the best books I've ever read about show lighting has nothing to do with lighting at all. In The Blink

SOURCE: The Stage Registration at 2:00am on March 3, 2020

Richard Alston: Dark times ahead for dance " the survivors may be the tough not the talented by Richard Alston

When I first started out in 1967, the dance scene in the UK was very different. Many vocational training schools were able

SOURCE: The Stage Registration at 2:00am on March 3, 2020

Pretty Woman review at Piccadilly Theatre, London " 'cynical musical version of the hit romcom' by Natasha Tripney

Even in 1990 Pretty Woman proved divisive. Reviewing it in Time magazine, Richard Corliss somewhat sniffily suggested an equivalence between its protagonists

SOURCE: The Stage Registration at 6:00pm on March 2, 2020

The Spirit: The Camel review at Battersea Arts Centre, London " 'evocative performance piece' by Rosemary Waugh

"Must" is the first word Thibault Delférière writes on a large cloth at the back of the stage, before continuing to drag

SOURCE: The Stage Registration at 11:59am on March 2, 2020

Denise Gough: Award winners should use their platform to push for change by Giverny Masso

Denise Gough has urged winners of awards to use their platform for advocacy rather than "self-congratulation". Gough was speaking at the WhatsOnStage

SOURCE: The Stage Registration at 11:04am on March 2, 2020

Casting director Emily Keston: 'We've developed the first children's casting app' by Giverny Masso

Emily Keston is one half of Keston and Keston " a children's casting and management organisation " which she set up with

SOURCE: The Stage Registration at 10:00am on March 2, 2020

Spy Plays review at Above the Stag, London " 'stylish espionage double bill' by Paul Vale

For this stylish double bill of plays in the newly fitted Above the Stag studio, writer David Thame examines the patterns and

SOURCE: The Stage Registration at 10:00am on March 2, 2020

The Mystery of the Raddlesham Mumps review at Oldham Library Theatre " 'infectious gothic humour' by Chris Bartlett

Those with a passing knowledge of the work of poet Murray Lachlan Young " whose best-known odes have such non-family-friendly titles as

SOURCE: The Stage Registration at 8:25am on March 2, 2020

Swing catches, frills and double jocking: the secrets and salacious history of ballet's tights and tutus by Anna Winter

Leading ballet costumiers talk tights and tutus with Anna Winter and reveal where the traditions come from, how the outfits are made,

SOURCE: The Stage Registration at 8:00am on March 2, 2020

Love, Loss and Chianti review at Riverside Studios, London " 'a poetic exploration of grief' by Theo Bosanquet

This double-bill of dramatisations has been a long-time labour of love for actor Robert Bathurst, and his passion shows. He pours himself

SOURCE: The Stage Registration at 7:59am on March 2, 2020

Soutra Gilmour: Established designers should fight for better conditions for emerging talent by Giverny Masso

Soutra Gilmour has argued that established designers have a responsibility to fight for better pay conditions for their younger counterparts. Her comments

SOURCE: The Stage Registration at 6:57am on March 2, 2020

Visually impaired actor first to perform lead sighted role for RSC by Georgia Snow

A visually impaired actor touring with the Royal Shakespeare Company has become the first in the organisation's history to cover a lead

SOURCE: The Stage Registration at 6:54am on March 2, 2020

Poll: Would the threat of coronavirus put you off going to the theatre? by The Stage

As coronavirus continues to spread throughout the UK, attention has turned to advice for members of the public and how to stop

SOURCE: The Stage Registration at 6:48am on March 2, 2020

Fidelio review at Royal Opera House, London " 'an original take on Beethoven's opera' by George Hall

This year marks 250 years since Beethoven's birth. For opera companies the anniversary choice is simple, since he completed only one opera,

SOURCE: The Stage Registration at 6:36am on March 2, 2020
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