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6,591 stories from Stage and Cinema

Off-Broadway Theater Review: CHARLATAN (Ars Nova) by Dmitry Zvonkov

BEWITCHED, BOTHERED, AND BEWILDERED In a way shows that are pure spectacle " acrobat, dance, magic " must achieve a higher level of virtuosity to be successful than, say, theatrical plays. E…

SOURCE: Stage and Cinema at 8:00pm on March 31, 2014

Los Angeles Theater Review: ORPHEUS (Four Larks Theatre in Downtown L.A.'s Fashion District) by Mia Bonadonna

HELL COMES TO THE GARMENT DISTRICT Melbourne-based Four Larks is performing their ghostly junkyard opera, Orpheus, in a secret space on the outskirts of the Fashion District. Workshopped at …

SOURCE: Stage and Cinema at 10:13pm on March 29, 2014

Chicago Theater Review: THE JEWELS (TUTA Theatre Chicago at the Storefront Theatre) by Lawrence Bommer

BLING BRINGS CLOSURE Now playing at Chicago's downtown Storefront Theatre, The Jewels, TUTA Theatre's world premiere adaptation of a story by Guy de Maupassant, is not to be confused with Th…

SOURCE: Stage and Cinema at 1:29pm on March 29, 2014

Los Angeles Theater Preview: FLOYD COLLINS (La Mirada Theatre) by Tony Frankel

I CAN'T CAVE ENOUGH In 1917, Kentucky cave explorer Floyd Collins discovered Crystal Cave. Located in the same area as Mammoth Cave"the longest cave system known in the world"the site operat…

SOURCE: Stage and Cinema at 6:16pm on March 28, 2014

Los Angeles Opera Review: JONAH AND THE WHALE (LA Opera at Cathedral of our Lady of the Angels) by Barnaby Hughes

A FISHY MONSTROSITY What is it about the story of Jonah that has so captured the world's imagination? Is it the stupidity of a man trying to run away from God, as if that were even possible?…

SOURCE: Stage and Cinema at 12:11pm on March 26, 2014

Los Angeles Theater Review: A SONG AT TWILIGHT (Pasadena Playhouse) by Tony Frankel

A WITLESS TWILIGHT Noël Coward referred to his final play, A Song at Twilight, as his "swan song." The last installment of his Suite in Three Keys (a trio of plays set in the same hotel s…

SOURCE: Stage and Cinema at 1:28am on March 25, 2014

Broadway Theater Review: MOTHERS AND SONS (Golden Theatre) by Dmitry Zvonkov

LOVE, FAMILY AND ALIENATION One of the questions at the center of Terrence McNally's insightful and moving drama Mothers and Sons is, Why is it so difficult for a mother to love her son for …

SOURCE: Stage and Cinema at 8:00pm on March 24, 2014

Off-Broadway Review: HELLMAN V. MCCARTHY (Abingdon Theatre Company) by Paulanne Simmons

A FAMOUS LITERARY FEUD MAKES GREAT DRAMA In 1980, in a television interview with Dick Cavett, novelist and literary critic Mary McCarthy made an especially biting comment about her longtime …

SOURCE: Stage and Cinema at 1:41am on March 24, 2014

Chicago Dance Review: ALADDIN (Houston Ballet at Auditorium Theatre) by Lawrence Bommer

ABRACADABRA! In a welcome and overdue debut at Chicago's Auditorium Theatre, this weekend Houston Ballet offered two performances only of their sumptuous three-act ballet Aladdin, an Arabian…

SOURCE: Stage and Cinema at 2:35pm on March 23, 2014

Los Angeles Theater Review: PAUL ROBESON (Ebony Repertory Company) by Jason Rohrer

PROMETHEUS BOUND In a production as stately and reverent as its subject was startling and rebellious, Philip Hayes Dean has directed his own one-man-with-musical-accompanist play to a stands…

SOURCE: Stage and Cinema at 2:23pm on March 23, 2014

Los Angeles Theater Review: GOD ONLY KNOWS (Theatre 40 in Beverly Hills) by Jason Rohrer

NOT EVEN GOD Hugh Whitemore’s 2001 play God Only Knows breaks some of the most basic rules of dramaturgy: a gun is introduced which does not go off; an argument is begun which is not f…

SOURCE: Stage and Cinema at 1:33pm on March 23, 2014

Los Angeles Theater Review: LEND ME A TENOR (Actors Co-op in Hollywood) by Tom Chaits

TENOR EVENTUALLY SINGS BUT NEEDS MORE NOTES Farce is difficult. You need to get your audience to suspend disbelief as mischief, mayhem and lots of slamming doors abound, and a series of unli…

SOURCE: Stage and Cinema at 2:45pm on March 22, 2014

Chicago Theater Review: ROAD SHOW (Chicago Shakespeare Theater) by Lawrence Bommer

SONDHEIM'S SWAN SONG? In one edifice"Chicago Shakespeare Theater on Navy Pier"you find the beginning and possibly the end of Stephen Sondheim's stellar career. The Courtyard Stage is hosting…

SOURCE: Stage and Cinema at 1:30pm on March 21, 2014

Off-Broadway Theater Review: DAY OF THE DOG (St. Louis Actors' Studio at 59E59 Theaters) by Dmitry Zvonkov

THE HUMAN WHISPERER Most theatrical performances feel a little awkward at the beginning; even in good shows it usually takes the actors a few minutes to settle into their characters and to f…

SOURCE: Stage and Cinema at 10:32pm on March 19, 2014

Chicago Theater Review: GHOST BIKE (Buzz22 Chicago) by Samantha Nelson

AS YOU BIKE IT Growing up and accepting change and loss are very personal processes. Buzz22, whose mission is to stage “stories to explore the coming of age,” has been following …

SOURCE: Stage and Cinema at 4:35pm on March 19, 2014

Chicago Theater Review: VENUS IN FUR (Goodman) by Lawrence Bommer

FUR A GOOD TIME, CALL MASOCHISM ON PARADE David Ives' two-person fetish comedy, Venus in Fur, is a sexy crowd pleaser and an actors' tour de force exercise. The play casts a spel…

SOURCE: Stage and Cinema at 1:22pm on March 19, 2014

Los Angeles Theater Review: DERBY DAY (Elephant Theatre in Hollywood) by Tom Chaits

DEMOLITION DERBY Sometimes at the end of a play such as The Lieutenant of Inishmore and Killer Joe, I gaze upon the total destruction of the set and think, "I'm glad I don't have to clean th…

SOURCE: Stage and Cinema at 8:53pm on March 18, 2014

Chicago Theater Review: GOOD BOYS AND TRUE (Raven Theatre Company) by Lawrence Bommer

(SOCIAL) MEDIA MADNESS Gay playwright Roberto Aguirre-Sacasa (contributor to Glee and Big Love) may have stumbled with his over-the-top dark comedy Say You Love Satan–produced in Chica…

SOURCE: Stage and Cinema at 2:58pm on March 18, 2014

Los Angeles Theater Review: HARMONY (Ahmanson) by Mia Bonadonna

IT’S SAFE TO PUT YOURSELF IN HARMONY‘S WAY Barry Manilow and Bruce Sussman's high-energy, surprisingly melancholy new musical, Harmony, depicts the real-life story of the all-mal…

SOURCE: Stage and Cinema at 9:02pm on March 16, 2014

San Diego Theater Review: SPRING AWAKENING (Cygnet Theatre in Old Town) by Milo Shapiro

A LOT OF YOUTHFUL SPRING BUT LITTLE CHARACTER AWAKENING Given harsh themes including child abuse, rape, homosexuality, and suicide, one can easily see why Frank Wedekind’s original Ger…

SOURCE: Stage and Cinema at 4:49pm on March 16, 2014

Tour / Chicago Theater Review: ARGUENDO (Elevator Repair Service) by Erika Mikkalo

NUDITY IS AS NUDITY DOES For the sake of argument ("arguendo"), let us consider g-strings as tools of oppression, and pasties as violations of our First Amendment rights. This was the perspe…

SOURCE: Stage and Cinema at 2:12am on March 16, 2014

Chicago Theater Review: AMERICAN MYTH (American Blues Theater at Greenhouse Theater Center) by Lawrence Bommer

LIES ARE HARD TO LIMIT Are some lies lighter than others and thus lesser? Charles Van Doren will always be tainted for knowing the answers in advance in the 1959 Geritol quiz show scandal. S…

SOURCE: Stage and Cinema at 1:36pm on March 15, 2014

Chicago Dance Review: FOUR WORKS BY JIŘÍ KYLIÁN (Hubbard Street Dance Chicago Spring Series) by Lawrence Bommer

DANCING WINTER AWAY Erupting only through Sunday, Hubbard Street Dance Chicago has devoted its spring series to four eclectic-to-dynamic works from 1989 to 2001 by Czech choreographer JiÅ�…

SOURCE: Stage and Cinema at 2:51pm on March 14, 2014

Los Angeles Theater Review: SLOWGIRL (Geffen) by Tom Chaits

SLOWGIRL SIMMERS In cooking it is often necessary to heat a mixture slowly bringing it to a simmer and keeping it just below the boiling point, allowing all its savory sweetness to surface. …

SOURCE: Stage and Cinema at 9:46pm on March 13, 2014

San Diego Theater Review: EDGAR & ANNABEL and FAR AWAY (ion theatre company) by Tony Frankel

THE FUTURE LOOKS BLIGHT While there are a few missteps in both playwriting and direction, ion theatre's presentation of two one-acts definitely held my attention. The only similarities betwe…

SOURCE: Stage and Cinema at 2:59am on March 13, 2014
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