PROMETHEUS BOUND In a production as stately and reverent as its subject was startling and rebellious, Philip Hayes Dean has directed his own one-man-with-musical-accompanist play to a standstill. I don’t know how you’d do this if you wanted to: to reduce a renaissance man like Paul Robeson to the dusty subject of a mediocre history […]
SOURCE: Stage and Cinema at 02:23PM on March 23, 2014