37,850 stories from The New York Times
Stephen Prina may have been one of the first to see a deeper pattern in Mr. Reeves's work.
The playwright Samuel D. Hunter makes his Broadway debut with an addition to his Idaho oeuvre, set during the Covid-19 pandemic and its aftermath.
For its gala, New York City Center revives an antic show about a half-man tabloid sensation, with catchy music and lyrics by the versatile Laurence O'Keefe.
The Aix-en-Provence Festival in France has named Huffman to succeed the visionary Pierre Audi, who died earlier this year.
The French troupe Compagnie Dyptik is making its United States debut with a show seemingly inspired by pandemic isolation and its aftermath.
From Broadway to the small screen, these unnerving theater productions are not just about horror and frights.
The "Harry Potter" alumnus, who won a Tony Award last year, will star in a solo play that involves something unexpected: audience participation.
All four characters in this bleak tragicomedy, staged by the Druid theater company, share the human desire to hear the same tales again and again.
Bess Wohl's play, about a consciousness-raising group in 1970s Ohio, transfers to Broadway where it remains powerfully moving " and funny.
Despite its small stage, the cabaret space inside New York's Public Theater building has made an outsize imprint on the city's art scene.
Ari'el Stachel's "Other" and Zoë Kim's "Did You Eat?" are self-interrogations that deal with family, race and identity.
Broadway plans to replace the cast-change slips that are stuffed into Playbills with QR codes. Some understudies and theater buffs will mourn their loss.
American Ballet Theater's first Black female principal dancer has given her farewell performance. But she's not done with this art form yet.
Laurie Metcalf, Gary Sinise and other members of the Chicago company reminisce about unexpected performances, stunning monologues and career-changing roles.
The choreographer Mandy Moore feels at home everywhere. She even sees herself as a kind of dance therapist. "Teach them the love first and the steps later."
It is "the actual reason all of us crazy folks go back to the theater," said the actor, who has joined the Season 2 cast of "Nobody Wants This."
The new Lorenz Hart biopic "Blue Moon" gets a lot right about the creation of musicals that a spate of 1940s films got wildly wrong.
A gleefully provocative new musical and a quiet 1930s domestic drama speak to each other across time, resounding quite loudly in our present.
Abigail Levine's new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography.
This firebrand guitarist pulled songs from his lesser-known catalog for "Revolution(s)," about family of activists, now playing in Chicago.
A former dancer with the company accused Mr. Morris, the prominent choreographer, of discrimination. He denied the claims.
The trailblazing ballerina returned to the stage after five years for one final performance at a gala for American Ballet Theater.
The tentative agreement, which still requires ratification by union members, comes five days after a similar agreement with actors and stage managers.
She also had leading roles in "Doctor Dolittle" with Rex Harrison, "Walk, Don't Run" with Cary Grant and "The Molly Maguires" with Sean Connery.
The famed ballerina retires from her career with the American Ballet Theater after one final performance on Wednesday night.
