Meeting today's challenge"harnessing the performing arts to prepare the next generation to sustain democracy"requires broader collaboration not only with schools and community partners but a…
Joshua Harmon's play offers numerous instances of familial turbulence, moments of rhapsodic relief and -- to avoid spoilers -- revelations of how guilt and hostility fuse to create irreparab…
The true star of the Lyric Stage production is Aimee Doherty, who is marvelous in the role of Penelope.
A consistently engaging and engaged, insightful, humorous, scarily moving, polished contemporary drama with a premise to die for.
A new year is beginning, so it is as good a time as any to check in with a few actors with Boston roots or performance experience, to explore what it means to pursue the dream of being an ac…
Protecting live theater, along with the other arts that the NEA has supported, is urgent, and it begins, as it did with me, by loving theater, either as a regular member of the audience or a…
Is it possible to separate the art from the artist or, in the case of Rhode Island's Contemporary Theater Company, the artist's husband?
If there is power in being invited, for the space of 80 minutes, to suspend our fear of where things are going, this show is a place where we can feel safe to do just that.
"Job" is not so much a game of cat-and-mouse as a highly pressurized coffee klatch.
"Wonder" aspires to make us more empathetic and to help us "choose kind."
Sometimes the stranger is someone who is very well known to us, like a father whose strange ways include a devotion to a certain story about a childhood in Wales.
Our critics salute the year's outstanding productions, with some commentary on the state of the art.
The 2025 version of the Revels once again fills historic Sanders Theatre with comedy and music, while at the same time encouraging us to reflect on the things that are important in life -- f…
Two versions of "Hedda Gabler" -- one gratifying, the other gauche.
If John Lahr could learn, even in his eighties, to cut back on his own self-adoration and stop being so damned starstruck, the razzle in his profiles would dazzle all the more.
One of the great playwrights of the 20th century, the drama of Tom Stoppard reflected a distinctive talent -- he wrote to entertain, but with intellectual rigor.
"Fun Home"'s relevance not only lies in how it flawlessly interweaves three storylines that revolve around the same character, but how it dramatizes, with grace, humor, and pathos, a familia…
Returning musicals take another shot at success " with very different outcomes.
Conveying the value of hope and resilience are undoubtedly important, but positing social and civic responsibility is also essential, and "Annie" clearly offers that opportunity.
"Summer, 1976"Â is a cleverly designed snapshot of a deep but fleeting friendship.
"Kim's Convenience" offers a genial comic glimpse of an immigrant family's struggle for dignity and an economic foothold.
The themes of "Lizard Boy" would land more squarely"and more powerfully"with a teenage audience than they can with those of us who can only recall such a time in our lives.
The biographer puts far too much emphasis on Sam Shepard's louche life, neglecting to provide much analysis about the value of his stage work, particularly on whether it will endure.
Shakespeare's "Macbeth" serves as a springboard for a memorable new vision by these inventive, multimedia theater artists.
Broadway is being subjected to a steady parade of Hollywood names parachuting into familiar titles, propped up by prestige directors and stratospheric ticket prices.