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196 stories from Culture Sauce

‘The Balusters’ is a modern drawing room comedy that draws blood (Broadway review) by Thom Geier

Hell may be other people, but the most nefarious circle of Hades belongs to the neighbors who organize themselves into HOAs. David Lindsay-Abaire’s well-polished comedy The Balusters boast…

SOURCE: Culture Sauce at 9:30pm on April 21, 2026

‘Schmigadoon!’ celebrates musical theater in all its colorful goofiness (Broadway review) by Thom Geier

Schmigadoon!, a celebration and send-up of classic Broadway musicals that streamed for two seasons on Apple TV, has now made the inevitable if unnecessary transfer to the stage. Unlike last …

SOURCE: Culture Sauce at 10:00pm on April 20, 2026

Critic’s picks: The best of Broadway and Off Broadway right now by Thom Geier

From 'Maybe Happy Ending' to 'Oh, Mary!' here are critic's picks of the best shows currently on the New York stage

SOURCE: Culture Sauce at 10:00am on April 20, 2026

Rose Byrne and Kelli O'Hara lead a fizzy 'Fallen Angels' (Broadway review) by Thom Geier

Even after a century on the shelf, champagne doesn't always lose its fizz. Noël Coward's bubble-light 1925 comedy Fallen Angels, back on Broadway for the first time in 70 years, is a bit …

SOURCE: Culture Sauce at 8:00pm on April 19, 2026

Ayo Edibiri and Don Cheadle scratch the surface of 'Proof' (Broadway review) by Thom Geier

Ayo Edibiri and Don Cheadle are two of our finest screen performers, radiating an intelligence and likability that should serve them well in the first Broadway revival of David Auburn's Puli…

SOURCE: Culture Sauce at 9:00pm on April 16, 2026

Adrien Brody goes for the hard cell in fact-based prison drama 'The Fear of 13' (Broadway review) by Thom Geier

The latest film-to-stage adaptation to land on Broadway is a curious fact-based yarn about a Pennsylvania man unjustly convicted of a brutal rape and murder who sat on death row for two deca…

SOURCE: Culture Sauce at 11:00pm on April 15, 2026

'The Adding Machine,' a century-old cautionary tale, doesn't quite add up (Off Broadway review) by Thom Geier

Elmer Rice, the grandson of 19th-century German-Jewish revolutionaries who wrote socially conscious plays in the early 20th century, is no longer the household name he once was. But you can …

SOURCE: Culture Sauce at 7:00pm on April 14, 2026

'Titaníque' is the king of the jukebox musical world (Broadway review) by Thom Geier

Titaníque, a sendup of the 1997 Oscar winner Titanic by way of the jukebox musical, shouldn't work. On paper, there's no reason to revisit James Cameron's bombastic big-screen blockbuster…

SOURCE: Culture Sauce at 10:00pm on April 12, 2026

Nathan Lane and Laurie Metcalf stake their claim in a spare 'Death of a Salesman' (Broadway review) by Thom Geier

Some of our very best actors got their start in comedy " so it's only natural that sitcom veterans Nathan Lane and Laurie Metcalf should arrive on Broadway as that most deadly serious couple…

SOURCE: Culture Sauce at 10:00pm on April 9, 2026

'Cats: The Jellicle Ball' lets the fur and the freak flags fly (Broadway review) by Thom Geier

If there's any bygone hit musical that's ripe for reinvention, it's Andrew Lloyd Webber's bombastic furball Cats " a 1981 musical megahit with mostly interchangeable characters crooning lite…

SOURCE: Culture Sauce at 9:00pm on April 7, 2026

'Becky Shaw' presents a riotously epic clash of personality disorders (Broadway review) by Thom Geier

Stop me if you've heard this one before: A narcissistic psychopath, an insecure dependent, a borderline, and a perpetual savior walk into a theater… and create one of the funniest and most…

SOURCE: Culture Sauce at 10:00pm on April 6, 2026

Nicole Travolta recaps her journey through debt, divorce, and spray tans in 'Doing Alright' (Off Broadway review) by Thom Geier

Proximity to fame can do a number on one's self esteem. That's the big takeaway from Nicole Travolta Is Doing Alright, a gently comedic one-woman show by a personable and talented thirtysome…

SOURCE: Culture Sauce at 12:30pm on April 6, 2026

'Seagull: True Story' recasts Chekhov for the Putin era (Off Broadway review) by Thom Geier

Alexander Molochnikov was a rising theater director in Moscow until his outspoken denunciation of Russia's invasion of Ukraine in 2022 forced him to flee to the United States. In Seagull: Tr…

SOURCE: Culture Sauce at 9:00am on March 31, 2026

'Dog Day Afternoon' Jon Bernthal can't escape Al Pacino's long shadow (Broadway review) by Thom Geier

In his Broadway debut, Jon Bernthal struts and frets in a serviceable facsimile of Al Pacino in the new stage adaptation of Dog Day Afternoon " but the new production joins a recent list of …

SOURCE: Culture Sauce at 12:00am on March 31, 2026

'No Singing in the Navy' is a goofy but heartfelt throwback (Off Broadway review) by Thom Geier

The program for Milo Cramer's new musical revue No Singing in the Navy includes a witty and well-researched note from the playwright suggesting that sailors are "*the* True Subject of the Am…

SOURCE: Culture Sauce at 9:00pm on March 29, 2026

'Titus Andronicus' Patrick Page leads a bloody mess of a revival (Off Broadway review) by Thom Geier

The collected works of William Shakespeare are studded with so-called problem plays. Few are as problematic as Titus Andronicus, the Bard's first tragedy and generally co-credited to his pla…

SOURCE: Culture Sauce at 7:00pm on March 29, 2026

'Public Charge' offers a bracing defense of government bureaucrats (Off Broadway review) by Thom Geier

You've never seen a procedural drama quite like the one in Public Charge, a fact-based play now running at the Public Theater. The show, by former State Department official Julissa Reynoso a…

SOURCE: Culture Sauce at 10:00pm on March 25, 2026

John Lithgow's 'Giant' boasts towering performances and a timely hook (Broadway review) by Thom Geier

They say that you should never meet your heroes. Fans of the late British children's author Roald Dahl, creator of Willy Wonka, Matilda, and James and the Giant Peach, are in for a very rude…

SOURCE: Culture Sauce at 11:00pm on March 23, 2026

'Jesa' is a sisterly masterpiece that honors and transcends tradition (Off Broadway review) by Thom Geier

In her stunning playwriting debut, Korean American actress Jeena Yi has managed to create a masterpiece. Jesa, a Ma-Yi Theater Company production now playing at the Public Theater, is an ins…

SOURCE: Culture Sauce at 9:00pm on March 20, 2026

A stubbornly old-fashioned 'Monte Cristo' musical is down for the count (Off Broadway review) by Thom Geier

In the 180 years since it was first published, Alexandre Dumas's The Count of Monte Cristo has continued to cast its spell on readers and audiences. The French produced a pricey feature adap…

SOURCE: Culture Sauce at 9:00pm on March 19, 2026

'The Wild Party' cements Jasmine Amy Rogers' star status (Off Broadway review) by Thom Geier

Musical theater can create stars in virtually no time at all. Consider the remarkable rise of Jasmine Amy Rogers, who scored a Tony nomination last year for her Broadway debut in the flawed …

SOURCE: Culture Sauce at 12:00pm on March 19, 2026

'My Joy Is Heavy' finds musical resilience in loss (Off Broadway review) by Thom Geier

The indie folk-rock duo known as the Bengsons have been a regular fixture on Off Broadway stages over the last decade (and even made an appearance on Broadway last year performing Stephen Me…

SOURCE: Culture Sauce at 6:00pm on March 17, 2026

'Mother Russia' is a comedy worth Russian to see (Off Broadway review) by Thom Geier

It's the early days of perestroika in St. Petersburg and Evgeny (Adam Chanler-Berat), the son of a local Communist Party boss turned budding oligarch, is struggling to please his dad with un…

SOURCE: Culture Sauce at 10:00am on March 16, 2026

Matthew Broderick sends up Hollywood narcissism in 'Ulster American' (Off Broadway review) by Thom Geier

David Ireland's Ulster American, now playing at the Irish Rep, is a well-crafted skewering of straight, white, male creative types of a certain age who are desperate to maintain their releva…

SOURCE: Culture Sauce at 8:00pm on March 15, 2026

'The Unknown' follows Sean Hayes through the delicious bumps in the night (Off Broadway review) by Thom Geier

The theater can be like a campfire from childhood, a place where you gather in the darkness to listen to a story about things that go bump in the night. David Cale's The Unknown makes the mo…

SOURCE: Culture Sauce at 10:00pm on March 14, 2026
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