DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

San Francisco Opera Review: SUSANNAH (SF Opera) by Linda Taylor

SUSANNAH SOARS IN SAN FRANCISCO Susannah may be a tragedy, but the San Francisco Opera production is worthy of a hoedown celebration.  This near-perfect production is one of the best oper…

SOURCE: Stage and Cinema at 7:47pm on September 10, 2014

Los Angeles Theater Review: THE LIFE AND SORT OF DEATH OF ERIC ARGYLE (Son of Semele Ensemble) by Jason Rohrer

A SORT OF JUDGMENT The Life and Sort of Death of Eric Argyle, Ross Dungan’s 2013 play about fate-after-death, is pleasantly eloquent and several times touching in a comforting way, but…

SOURCE: Stage and Cinema at 6:42pm on September 9, 2014

Los Angeles Theater Preview: COCK (Rogue Machine) by Tony Frankel

THE PERFECT COCK Whether breeding chickens or designing your kitchen with rooster tchotchkes, it can be challenging to find the perfect cock. But if you look to the theater, your search for …

SOURCE: Stage and Cinema at 5:41pm on September 9, 2014

Off-Broadway Theater Review: BAUER (59E59) by Dmitry Zvonkov

A BIO-DRAMA THAT WORKS "Of course I care (what she thinks), I hate her," says a character in Lauren Gunderson's Bauer, a San Francisco Playhouse production about the German artist Rudolf Bau…

SOURCE: Stage and Cinema at 5:16pm on September 9, 2014

Los Angeles Theater Review: BURIED CHILD (Whitefire Theatre in Sherman Oaks) by Jason Rohrer

UNBURIED RED-HEADED STEPCHILD In the mid-1990s, Sam Shepard rewrote his Pulitzer Prize-winning 1978 play, Buried Child, for a new Steppenwolf production that director Gary Sinise dragged fro…

SOURCE: Stage and Cinema at 7:49pm on September 8, 2014

Regional Theater Review: THE TEMPEST (South Coast Repertory in Costa Mesa) by Jason Rohrer

MAGICIANS OF THEATRICALITY Aaron Posner is on fire right now. His adaptations, My Name Is Asher Lev and Stupid Fucking Bird, are being produced all over the country, and his version of Sh…

SOURCE: Stage and Cinema at 7:00pm on September 8, 2014

Los Angeles Dance Interview: DANIEL EZRALOW (Ezralow Dance at the Ford Amphitheatre) by Myra Joy Veluz

DANIEL EZRALOW: WHAT IS DANCE? To say that Daniel Ezralow is a busy man this week is an understatement. After making a worldwide name for himself as a dancemaker and aerial choreographer for…

SOURCE: Stage and Cinema at 2:54am on September 8, 2014

Off-Off-Broadway Theater Review: SMOKE (The Bats at The Flea Theatre) by Dmitry Zvonkov

SMOKIN' The premise of Kim Davies' new play Smoke, that two strangers, a young man and woman, who independently come to the kitchen to have a cigarette while a friendly S&M sex party is …

SOURCE: Stage and Cinema at 12:46am on September 8, 2014

Chicago Theater Review: MIRACLES IN THE FALL (Polarity Ensemble Theatre at Greenhouse Theater) by Lawrence Bommer

PRAY FOR MIRACLES The "fall" in the title doesn't mean the season. Miracles in the Fall refers to the expulsion from Paradise, the epic fall that supposedly created original sin. Pursuing th…

SOURCE: Stage and Cinema at 5:24pm on September 7, 2014

Off-Broadway Theater Review: BASTARDS OF STRINDBERG (Scandinavian American Theater Company at The Lion Theatre) by Dmitry Zvonkov

BASTARDS OUT OF SWEDEN In 2012 the Scandinavian American Theater Company commissioned four playwrights to each write a sort of riff on Strindberg's Miss Julie. The result is the four short p…

SOURCE: Stage and Cinema at 2:03pm on September 7, 2014

Los Angeles Theater Review: TRYING (International City Theatre in Long Beach) by Tony Frankel

NOT AS TRYING AS IT COULD HAVE BEEN A slight bio-drama is given heft by larger-than-life performances in this latest outing from International City Theatre in Long Beach. Trying is based on …

SOURCE: Stage and Cinema at 2:53am on September 7, 2014

Chicago Theater Review: THE WHALESHIP ESSEX (Shattered Globe Theatre at Theater Wit) by Lawrence Bommer

THE BACK STORY BEHIND MOBY DICK A thrilling feat that reclaims the past, The Whaleship Essex is sailor-playwright Joe Forbrich's detailed and driving reimagining of an 1820 tragedy that, 30 …

SOURCE: Stage and Cinema at 4:33pm on September 6, 2014

Los Angeles Theater Review: ONE IN THE CHAMBER (Lounge Theater in Hollywood) by Tony Frankel

ONE IN A MILLION Rabid theatergoers who often attend plays are akin to miners panning for gold: The drudgery and disappointment from months of discovering rocks is dissipated when a precious…

SOURCE: Stage and Cinema at 4:19pm on September 6, 2014

Los Angeles Theater Review: THE WESTERN UNSCRIPTED (Impro Theatre at the Falcon in Burbank) by Jason Rohrer

FORD INTO PECKINPAH VIA THE CHICKEN HYMN I’m a big fan of John Ford and Howard Hawks; My Darling Clementine and Red River are apex achievements in Hollywood studio storytelling. But Fo…

SOURCE: Stage and Cinema at 1:40pm on September 6, 2014

Chicago Theater Review: THE GAME'S AFOOT (Drury Lane Theatre in Oakbrook Terrace) by Lawrence Bommer

ELEMENTARY SCHOOL, MY DEAR WATSON A cardinal rule gets broken here: You can be funny or you can be scary–but try to be both and you're neither. You'll be this show. Deft at farce in Le…

SOURCE: Stage and Cinema at 12:35pm on September 5, 2014

Chicago Theater Review: THE COWARD (Stage Left Theatre at Theater Wit) by Lawrence Bommer

DUEL NATURE In Trevor, recently produced by A Red Orchid Theatre, playwright Nick Jones delivered a sardonic and heavy-handed attack on dangerous animals kept as domestic pets. He wastes no …

SOURCE: Stage and Cinema at 1:34pm on September 4, 2014

Los Angeles Theater Review: PERSIANS (SITI Company at The Getty Villa) by Jason Rohrer

FIRST PERSIAN PLURAL To see the oldest extant Greek tragedy performed sort-of as it was 2500 years ago, but excluding masks and including Anne Bogart’s affection for fabric and y…

SOURCE: Stage and Cinema at 2:55am on September 4, 2014

Chicago Theater Review: REASONS TO BE HAPPY (Profiles Theatre) by Barnaby Hughes

REASONS TO BE CRITICAL Neil LaBute seems to have a penchant for ironic titles. His 2002 play The Mercy Seat was anything but merciful; LaBute described it as a "kind of emotional terrorism."…

SOURCE: Stage and Cinema at 4:36pm on August 29, 2014

Los Angeles Theater Review: THE UNFRYABLE MEATNESS OF BEING (Pacific Resident Theatre) by Tom Chaits

MORE MEAT If you are one of the many theatergoers who caught Pacific Resident Theatre's production of Out There on Fried Meat Ridge Road (and possibly the special Christmas follow-up) during…

SOURCE: Stage and Cinema at 3:47pm on August 29, 2014

Chicago Theater Review: MY NAME IS ASHER LEV (TimeLine Theatre Company) by Lawrence Bommer

YOU CAN NEVER GO HOME"AGAIN Chaim Potok's 1972 novel My Name is Asher Lev is a coming-of-age story that pits one passion against another. It depicts the declaration of independence by a youn…

SOURCE: Stage and Cinema at 3:19pm on August 29, 2014

Regional Theater Review: THE COCOANUTS (Oregon Shakespeare Festival) by Joel Beers

CUCKOO FOR COCOANUTS In its 79-year history, the Oregon Shakespeare Festival has cycled through Shakespeare's canon three times. That's impressive. But here's a vote from this corner that th…

SOURCE: Stage and Cinema at 2:30am on August 29, 2014

Regional Theater Review: A WRINKLE IN TIME (Oregon Shakespeare Festival) by Joel Beers

LOST IN SPECTACULAR SPACE It's easy to get lost during the world premiere production of A Wrinkle in Time, particularly if you're not familiar with the classic science fiction/fantasy novel …

SOURCE: Stage and Cinema at 1:38am on August 29, 2014

Regional Theater Review: THE GREAT SOCIETY (Oregon Shakespeare Festival) by Joel Beers

LBJ'S RELEVANCY After premiering at the Oregon Shakespeare Festival in 2012 and moving to American Repertory Theater in Cambridge, Robert Schenkkan's All the Way became the hot ticket on Bro…

SOURCE: Stage and Cinema at 12:53am on August 29, 2014

Los Angeles Dance Review: MUSIC + DANCE L.A. II (American Contemporary Ballet) by Tony Frankel

I HAVE SEEN THE FUTURE OF LOS ANGELES BALLET Along with the film industry, one of Los Angeles' greatest entertainment assets is music. While theater, dance, opera, and other mediums continua…

SOURCE: Stage and Cinema at 11:41pm on August 27, 2014

Chicago Theater Review: ECSTASY (Cole Theatre Company at A Red Orchid Theatre) by Lawrence Bommer

A POWERFUL PLAY EVEN WITH A PLOT AS POINTLESS AS ITS PEOPLE With Ecstasy, now being revived at A Red Orchid Theatre, a new Chicago theater succeeds at first: Cole Theatre Company establishes…

SOURCE: Stage and Cinema at 2:16pm on August 26, 2014
« Previous 25   Page 195 of 264   Next 25 »