Los Angeles Theater Review: BURIED CHILD (Whitefire Theatre in Sherman Oaks)
UNBURIED RED-HEADED STEPCHILD In the mid-1990s, Sam Shepard rewrote his Pulitzer Prize-winning 1978 play, Buried Child, for a new Steppenwolf production that director Gary Sinise dragged from Chicago to Broadway, where I saw and loathed it. It was a page-one, for-the-yokels rewrite, shrugging off the ambiguous Gothicism of the original to dress itself in frothy […]