1,793 stories from Theater News Online
Jonathan Munby’s especially violent staging goes heavy on the heavy material and light on the light.
J.T. Rogers long-winded but smart play dramatizes the negotiations between Israel and Palestine that led to the Oslo Accord.
This richly textured production benefits from an excellent ensemble and an intimate venue.
While Hamilton stole the show in the musical categories, the love was spread among the dramas.
Cirque du Soleil s first Broadway show is strong on spectacle but weak on story and songs.
An excellent cast brings to life complex characters struggling with unfulfilled lives.
One theatergoer catches performances of Shuffle Along, Waitress, School of Rock and The Humans on a trip to New York.
One theatergoer catches performances of Shuffle Along, Waitress, School of Rock and The Humans on a trip to New York.
Aside from the revolving set, this production set in modern day hits the right notes.
Gregory Doran stays true to the text in staging Shakespeare s four king plays.
An eerie sense of unease pervades the slick, unfeeling world of Patrick Bateman.
Jessica Lange puts in a near-operatic performance as the matriarch of O’Neill’s seminal dysfunctional family.
George C. Wolfe s reimagining bursts with joy and style.
A brilliant cast suffuses a potential downer of a musical with light and laughs.
Jesse Tyler Ferguson holds the stage beautifully in this one-person, multi-character show.
The audience is thrown for a loop as they glimpse through the perspective of a man suffering from dementia.
Scott Ellis production is an excellent, enjoyable revival of a 60s musical.
The regicide and rebellion of the history plays are on full display in this fine feast of Shakespeare.
Arthur Miller’s penetrating study of the Salem witch trials is expertly adapted to resonate today.
Forest Whitaker takes on Eugene O’Neill’s challenging one-act play.
Self-interested adults do their best to thwart a budding romance.
Lupita Nyong’o leads an excellent cast in a story of young girl caught in the brutality of Liberia’s civil war.
This top-shelf musical revival makes 1934 Budapest feel brand new.
Expecting both the expected and the unexpected is part of the fun in this dizzying musical.
Although Stephen Karam’s family drama drags on without climax, it is not entirely without merit.
