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6,591 stories from Stage and Cinema

Los Angeles Theater Review: REBORNING (Fountain) by Paul Birchall

UNTO US A CHILD IS MADE This fascinating drama by playwright Zayd Dohrn is set in the bizarre subculture of women who buy dolls that eerily resemble actual babies. Can this possibly be en…

SOURCE: Stage and Cinema at 10:49pm on January 27, 2015

Off-Broadway Theater Review: THE ROAD TO DAMASCUS (The Directors Company at 59E59 Theaters) by Dmitry Zvonkov

A BUMPY ROAD TO A STRAIGHTFORWARD POLITICAL THRILLER A deadly explosion goes off in front of St. Patrick's Cathedral in Manhattan. The U.S. blames a terrorist group they say is funded by the…

SOURCE: Stage and Cinema at 6:45pm on January 27, 2015

Chicago Theater Review: RAPTURE, BLISTER, BURN (Goodman Theatre) by Lawrence Bommer

PASSIONLESS PRONOUNCEMENTS Freud's enduring question persists: "What do women want?" Gina Gionfriddo's aggressively hip drama, now in an equally frenetic staging by Kimberly Senior, offers a…

SOURCE: Stage and Cinema at 1:40pm on January 27, 2015

Chicago Opera Review: TOSCA (Lyric Opera) by Barnaby Hughes

WHEN IN ROME, DO AS THE ROMANS DO (NOT THE BRITISH) With Puccini's Tosca, Lyric Opera has done one update too many this season. Don Giovanni was bumped up 300+ years in time to the 1920s, Ca…

SOURCE: Stage and Cinema at 12:52pm on January 27, 2015

Regional Music Preview: SZYMANOWSKI QUARTET WITH JOSEPH KALICHSTEIN, PIANO (Samueli Theater in Costa Mesa) by Tony Frankel

EXCITING QUARTET COMES TO SEGERSTROM I've been on a chamber music kick for about four years now. From intimate salons in living rooms to concert halls, I'm discovering composers I've never h…

SOURCE: Stage and Cinema at 2:54am on January 27, 2015

Los Angeles Theater Review: MUTANT OLIVE (Lounge Theatre in Hollywood) by Paul Birchall

MUTANT — AS IN FREAK OF NATURE After watching the roaring, sputtering, and cursing along with regretful descriptions of drug use and parental abuse back in the "bad old days," I had to…

SOURCE: Stage and Cinema at 4:24pm on January 26, 2015

Chicago Theater Review: SORRY (TimeLine) by Lawrence Bommer

THE JUICY APPLES' SLICE OF LOVE You can't keep an eloquent family down. TimeLine Theatre Company's concurrent productions of election-night episodes from Richard Nelson's Apple Family Plays …

SOURCE: Stage and Cinema at 3:41pm on January 26, 2015

Los Angeles Theater Review: ANNA CHRISTIE (Odyssey Theatre Ensemble) by Jason Rohrer

SAILING THROUGH FOG The title of Eugene O’Neill’s 1921 drama Anna Christie is the nom de guerre chosen by a hard-knock 18-year-old who decides that if she’s going to get pa…

SOURCE: Stage and Cinema at 3:37pm on January 26, 2015

Chicago Theater Review: THAT HOPEY CHANGEY THING (TimeLine) by Lawrence Bommer

ACTION SNAPSHOTS IN AN APPLE HARVEST Commissioned by New York's Public Theatre, the four-part saga Apple Family Plays by the prolific Richard Nelson is a remarkable effort to preserve the pr…

SOURCE: Stage and Cinema at 2:21pm on January 26, 2015

Off-Broadway Theater Review: NEVERMORE (Catalyst Theatre at New World Stages) by Tony Frankel

EAGERLY I WISHED THE MARROW For all its surface eccentricity, Nevermore, The Imaginary Life and Mysterious Death of Edgar Allan Poe, written, composed, and directed by Jonathan Christenson, …

SOURCE: Stage and Cinema at 7:00pm on January 25, 2015

San Diego Theater Review: AVENUE Q (Coronado Playhouse in Coronado) by Milo Shapiro

IT DOESN'T SUCK TO BE AVENUE Q AT CORONADO In the right setting, irreverence is so jovial. Perhaps our era of thought-police and political correctness has made it delicious to pervert that w…

SOURCE: Stage and Cinema at 3:18pm on January 25, 2015

Chicago Theater Review: CIRCLE-MACHINE (Oracle) by Lawrence Bommer

RELUCTANT HEROISM IN A CHANGING CAUSE Oracle Theatre, Chicago's 44-seat public-access venue where tickets are free, just unleashed another populist piledriver. It's a play with several sourc…

SOURCE: Stage and Cinema at 1:04pm on January 25, 2015

Chicago Theater Review: ACCIDENTALLY, LIKE A MARTYR (A Red Orchid Theatre) by Lawrence Bommer

NO BOYS IN THIS BAND In only 80 minutes, Grant James Barjas's Accidentally, Like a Martyr assembles the very actual denizens of an obscure, unnamed gay bar on Manhattan's East Side"and ma…

SOURCE: Stage and Cinema at 1:12pm on January 24, 2015

Chicago Theater Review: WEST SIDE STORY (Drury Lane Theatre in Oakbrook Terrace) by Lawrence Bommer

ONE HAND, ONE HEART"ONE HIT! Sadly, hate conquers all in West Side Story, but the love we see and feel can hold its own. Though over a half-century old, the Bernstein/Laurents/So…

SOURCE: Stage and Cinema at 2:58pm on January 23, 2015

Los Angeles Theater Preview: COMPANY (Cabrillo Music Theatre in Thousand Oaks) by Tony Frankel

IN GOOD COMPANY "It's a revue, but not a revue," Stephen Sondheim said about Company when he was interviewed at Segerstrom in 2013. This surprised me because the groundbreaking 1970 musical …

SOURCE: Stage and Cinema at 6:26pm on January 20, 2015

Chicago Theater Review: MR. BURNS, A POST-ELECTRIC PLAY (Theater Wit) by Lawrence Bommer

LET THERE BE DARK In endurance sagas such as Lord of the Flies and The Blue Lagoon, stranded youngsters on deserted islands try to reimagine civilization by mimicking adult classics, or else…

SOURCE: Stage and Cinema at 2:58pm on January 20, 2015

Los Angeles Dance Preview: FUMBLING TOWARDS ECSTASY (Alberta Ballet at Royce Hall, UCLA) by Frank Arthur

A TAB OF ECSTASY Following Alberta Ballet's triumphant tributes to the music of Canadian legend Joni Mitchell and England's international superstars Sir Elton John and Bernie Taupin, Fumblin…

SOURCE: Stage and Cinema at 2:40am on January 20, 2015

Chicago Theater Review: THE ROSE TATTOO (Shattered Globe Theatre at Theater Wit) by Lawrence Bommer

CAUGHT IN TENNESSEE'S WALTZ An opera disguised as a play, Tennessee Williams' 1951 labor of longings The Rose Tattoo is the first and last word on heartbreak. The master made a good choice t…

SOURCE: Stage and Cinema at 2:10pm on January 19, 2015

Chicago Theater Review: THE BOOK OF MERMAN (Pride Films and Plays at Mary's Attic) by Lawrence Bommer

SING OUT, ETHEL! What a difference a vowel makes! After his catchy title The Book of Merman, it seems that Leo Schwartz' delightful world premiere musicale practically wrote itself: Yo…

SOURCE: Stage and Cinema at 3:56pm on January 18, 2015

Off-Broadway Theater Review: THE WOODSMAN (Strangemen & Co. at 59E59 Theaters) by Dmitry Zvonkov

WIZARDLY THEATER THAT COMES WITH A HEART The Woodsman, James Ortiz's delightful and dark invention, which he stars in and co-directs with Claire Karpen, dramatizes the story of how the Tin M…

SOURCE: Stage and Cinema at 1:00pm on January 18, 2015

Chicago Theater Review: KEYS OF THE KINGDOM (Stage Left Theatre at Theater Wit) by Lawrence Bommer

ONE MIRACLE TOO MANY A very righteous offering from Stage Left Theatre, Penny Penniston's world premiere Keys of the Kingdom is a well-intentioned attempt to build bridges between ideologica…

SOURCE: Stage and Cinema at 1:30pm on January 17, 2015

Chicago Theater Review: SCARY TALES 2015 (Clock Productions at the Alley Stage) by Lawrence Bommer

HIT AND MISS SEMI-HORROR Calling your 75-minute compilation Scary Stories 2015 puts the premium on terror, a concept or condition that's hard to compete with real life. In the thoughtfully p…

SOURCE: Stage and Cinema at 3:57pm on January 16, 2015

Chicago Theater Review: FATHER RUFFIAN: SHAKESPEARE'S FALSTAFF STORY (City Lit) by Lawrence Bommer

FALSTAFF LITE There's potent psychology operating inside Shakespeare's two-part Henry IV, the twin tales of a false father and a false son. The latter is Prince Hal, the fiery rebel whose…

SOURCE: Stage and Cinema at 4:04pm on January 14, 2015

JASON ROHRER'S BEST OF L. A. THEATER, 2014 by Jason Rohrer

A YEAR OF ECSTATIC MOMENTS Last year, as ever, I missed what I am told was some of the best theater that went up in Southern California. I don’t know what’s Best or Most. I saw s…

SOURCE: Stage and Cinema at 2:29pm on January 14, 2015

Los Angeles Opera Preview: ¡FIGARO! (90210) (LA Opera at Barnsdall Park in Hollywood) by Tony Frankel

¡FIGARO! ¡FIGARO! ¡FIGARO! An updating of The Marriage of Figaro took New York by storm in 2013. Taking the debate over immigration reform, a multi-cultural English/Spanglish adapta…

SOURCE: Stage and Cinema at 4:19pm on January 11, 2015
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