RELUCTANT HEROISM IN A CHANGING CAUSE Oracle Theatre, Chicago's 44-seat public-access venue where tickets are free, just unleashed another populist piledriver. It's a play with several sources. Adapted by Emma Stanton, Nigel O'Hearn, and Thom Pasculi from a drama assembled by collage-composer Charles Mee, Circle-Machine unavoidably channels Bertolt Brecht's proletarian parable The Caucasian Chalk Circle. […]
SOURCE: Stage and Cinema at 01:04PM on January 25, 2015