38,588 stories from The New York Times
Starting in May, Hargitay will make her Broadway debut in "Every Brilliant Thing," an elastic play that shape shifts to fit a distinctly different star.
The Upper West Side performing arts venue will take its programming across the city while its doors close for a 15-month overhaul.
As a new commercial era of space exploration accelerates, scientists are considering the physical culture of outer space. Dancers are well positioned to help.
Eddie Murphy, Snoop Dogg and Bill Clinton (naturally) show up in his gossipy new memoir. He isn't very sentimental.
Trained as a playwright, he got his first TV writing job on "St. Elsewhere," then worked on "Homicide: Life on the Street," "The Wire," "Treme" and "Bosch."
One hundred years after it was banned for its depiction of hedonism, the rhythmic, jazz-soaked poetry of Joseph Moncure March continues to find new life.
Mr. Tolkan's career spanned decades but his breakout roles came as an authority figure in two popular films of the mid-1980s.
Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film "Dog Day Afternoon."
The pair joined in a gathering of artists and others who denounced censorship and faulted President Trump's growing influence over the nation's cultural life.
The decision by the company, one of the most prestigious in the country, is the latest in a wave of high-profile cancellations at the center.
After a disappointing movie adaptation, the Norwegian author took the reins as showrunner in a new Netflix series based on his Detective Hole books.
For half the price of a great seat at a Broadway show, you can see "Paddington" in the West End (if you can find a ticket) and snack on a marmalade sandwich.
A favorite of actors like Maggie Smith, he produced dozens of plays, including "The Audience," about Queen Elizabeth II, which was made into the Netflix show "The Crown."
The singer Self Esteem, aka Rebecca Lucy Taylor, is an incarnation of late 1960s counterculture in a new London production of David Hare's "Teeth 'n' Smiles."
A new play at the Public Theater written by Michael J. Chepiga and the former ambassador Julissa Reynoso is a diplomatic memoir of sorts, and a meditation on loving one's country.
The annual award that recognizes merit in humor is going to the satirist and talk show host who has been critical of President Trump and political correctness.
In "Superbloom," the latest work by the ballet dancer Sara Mearns and the postmodern choreographer Jodi Melnick, women are at the forefront.
A week before opening night, tensions spilled over offstage, with the show's producing team temporarily prohibiting Stephen Adly Guirgis from entering the theater.
Entranced by traditional Balinese puppet theater, he developed a modern, multicultural version that he performed around the world.
Riz Ahmed imagines the dark side of being a 007 candidate (a position he knows something about) in his Prime Video comedy series.
Josh Johnson was puzzled by what kind of gift the president could have received "from the people you are currently at war with."
Audience reactions are a staple of standup specials. But they're a strange device when you take a closer look.
Once a week, patients in an Argentine hospital with Parkinson's disease use the movements of tango to help address issues of balance, stiffness and coordination.
In Mark Rosenblatt's play, a powerful portrayal of the beloved children's book author who almost gleefully exposes his bigotry.
Known early on for skin-baring temptress roles, she later earned rave reviews, a Cannes award and an Oscar nomination for her performance in the Lenny Bruce biopic "Lenny."
