DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Los Angeles Theater Review: WEST SIDE STORY (Musical Theatre West in Long Beach) by Tony Frankel

SOMEWHAT FORCED, WE STILL GET THE GLORY OF WEST SIDE STORY Strangely enough, West Side Story feels more dated than Romeo and Juliet, its 500-year-old inspiration. Compared to Sha…

SOURCE: Stage and Cinema at 7:36am on February 18, 2016

Chicago Theater Review: IN A WORD (Strawdog) by Lawrence Bommer

THE LOSSES THAT GROW Only 75 minutes long, this slice of loss by Lauren Yee–a "rolling world premiere" from the National New Plays Network–charts one mother's tailspin after the …

SOURCE: Stage and Cinema at 4:13pm on February 16, 2016

CD Review: A NEW BRAIN (2015 New York Cast Recording on PS Classics) by Tony Frankel

WRAP YOUR BRAIN AROUND A NEW A NEW BRAIN When A New Brain opened at Lincoln Center in 1998, I couldn't understand why the reviews were so higgledy-piggledy. True, I hadn't actually seen the …

SOURCE: Stage and Cinema at 4:13pm on February 16, 2016

Los Angeles Theatre Preview: A CLASS ACT (Musical Theatre Guild at the Alex in Glendale) by Tony Frankel

ONE NERDY, ANAL AND SINGULAR SENSATION The first two weeks of June, 2001, was a very good time to attend Broadway shows. On one day alone, I saw The Producers at 2:00, The Rocky Horror Show …

SOURCE: Stage and Cinema at 4:13pm on February 16, 2016

Chicago Theater Review: THE FLICK (Steppenwolf) by Lawrence Bommer

THE SILVER SCREEN IS NOT A MIRROR At three hours long, The Flick takes its"and our"time to not tell a story. Almost all atmosphere (more specifically, totally character), Annie Baker's 2014 …

SOURCE: Stage and Cinema at 3:55pm on February 14, 2016

Chicago Theater Review: FAR FROM HEAVEN (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

THE HEART KEEPS ITS REASONS Starring Julianne Moore and Dennis Quaid, Todd Haynes' 2002 film Far From Heaven told a tale timeless as Romeo and Juliet. But its glimpse of hearts out of sync w…

SOURCE: Stage and Cinema at 10:12pm on February 13, 2016

Los Angeles Theater Review: AN ACT OF GOD (Ahmanson Theatre) by Tony Frankel

EVEN GOD CAN’T SAVE THIS FROM ITSELF Dear God (if I may quote Alice Walker): What’s going on with the theater these days? Oh, that’s right, you already know. In fact, yo…

SOURCE: Stage and Cinema at 8:49am on February 13, 2016

Los Angeles Opera Preview: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion) by Tony Frankel

MAGIC CAN STRIKE TWICE IN THE SAME PLACE In 2013, a new production of The Magic Flute from Berlin's Komische Oper became a sell-out sensation, courtesy of the Los Angeles Opera. Now, it retu…

SOURCE: Stage and Cinema at 8:49am on February 13, 2016

Chicago Theater Review: LOOKING OVER THE PRESIDENT'S SHOULDER (American Blues Theater) by Lawrence Bommer

PRESIDING OVER HISTORY This is a discovery-rich, impeccably presented journey through our political past: American Blues Theater's Looking Over the President's Shoulder takes audiences on an…

SOURCE: Stage and Cinema at 8:49am on February 13, 2016

Chicago Dance Review: BOLD MOVES (Joffrey) by Lawrence Bommer

FRENZY IN FEBRUARY Detonating across the Auditorium Theatre's vast stage through February 21, Joffrey Ballet's Bold Moves has more of the latter than the former stuff. But this kinetic winte…

SOURCE: Stage and Cinema at 9:11pm on February 11, 2016

Chicago Opera Review: DER ROSENKAVALIER (Lyric) by Barnaby Hughes

MAJESKI'S MAJESTIC MARSCHALLIN Lyric Opera's new production of Der Rosenkavalier is beautiful, charming, and magnificent. It delightfully exceeded my expectations and gave me a new appreciat…

SOURCE: Stage and Cinema at 12:37am on February 11, 2016

Chicago Theater Review: THE EXPLORER'S CLUB (Windy City Playhouse in Irving Park) by Lawrence Bommer

TALLY LOW Doggedly determined to fight yesterday's battles, Nell Benjamin's chronic farce The Explorers Club manically mocks the heyday of male British explorers. Fuddy-duddy adventure seeke…

SOURCE: Stage and Cinema at 12:37am on February 11, 2016

Dance Preview: CHORÉ (Les Ballets de Monte-Carlo at Segerstrom Hall in Costa Mesa) by Tony Frankel

A HOLLYWOOD MUSICAL AS YOU’VE NEVER SEEN IT In 1993, H.R.H. the Princess of Hanover appointed Jean-Christophe Maillot as the head of Les Ballets de Monte-Carlo. Backed by his experi…

SOURCE: Stage and Cinema at 4:34am on February 9, 2016

Chicago Opera Review: LA VOIX HUMAINE & GIANNI SCHICCHI (Chicago Opera Theater at the Harris) by Barnaby Hughes

A DAMNED GOOD PAIRING What could be a more appropriate title for an opera than La Voix Humaine? What better source material for an opera than Dante's Divina Commedia? Chicago Opera Theatre c…

SOURCE: Stage and Cinema at 4:12am on February 9, 2016

Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Cabrillo Music Theatre in Thousand Oaks) by Tony Frankel

A FUNNY AND NOT-SO FUNNY THING An irresistible mix of Roman "new comedy," commedia dell'arte, and vaudeville, A Funny Thing Happened on the Way to the Forum rivals The Producers as the fu…

SOURCE: Stage and Cinema at 4:02am on February 9, 2016

Off-Broadway Theater Review: I AND YOU (59E59) by Dmitry Zvonkov

HE AND SHE AND ME The performers' abundant charm can't overcome the script's shortcoming in I and You, Lauren Gunderson's tedious comedic drama about two high schoolers attempting a class pr…

SOURCE: Stage and Cinema at 9:10pm on February 2, 2016

Los Angeles Theater Review: CANDIDE (Beverly O'Neill/Center Theater in Long Beach Opera) by Tony Frankel

COLORFUL COLORATURA IN A CLUNKY CANDIDE There isn't much I could say about the musical Candide that hasn't been written about before. Leonard Bernstein created one of our greatest Broadway s…

SOURCE: Stage and Cinema at 6:41am on January 29, 2016

Chicago Theater Review: THE MAN WHO MURDERED SHERLOCK HOLMES (Mercury Theater Chicago) by Lawrence Bommer

TO BAKER STREET AND BEYOND! Not to give anything away but the title character in The Man Who Murdered Sherlock Holmes is not Professor Moriarty, "the Napoleon of crime." In this life-imitate…

SOURCE: Stage and Cinema at 9:24pm on January 28, 2016

Los Angeles Theater Preview: Harold Pinter's THE ROOM (The Wooster Group at REDCAT) by Tony Frankel

CENSORSHIP COMES TO LOS ANGELES The Wooster Group has let Stage and Cinema know that Samuel French, Inc., which manages the United States rights for Harold Pinter's work, has bannedÂ�…

SOURCE: Stage and Cinema at 9:24pm on January 28, 2016

Chicago Theater Review: VICES and VIRTUES (Profiles) by Barnaby Hughes

IF BREVITY WAS THE SOUL OF ETHICS… One of the advantages of one-act plays is that if they're bad, you don't have to wait long for them to be over. (I can't ever remember wishing a good pla…

SOURCE: Stage and Cinema at 10:34pm on January 27, 2016

Chicago Opera Review: NABUCCO (Lyric Opera) by Barnaby Hughes

STAGNANT STAGING AND CRAZY COSTUMES, BUT THE CAST AND CHORUS CAPTIVATE There's a good reason why Verdi's operas are typically described as "grand opera." They're big and bold, requiring m…

SOURCE: Stage and Cinema at 3:02pm on January 26, 2016

San Diego Theater Review: WHEN THE RAIN STOPS FALLING (Cygnet Theatre) by Milo Shapiro

WHEN IT RAINS, IT SOARS Let’s start with the unavoidable down-side so we can end with the up-side. While Cygnet Theatre’s When the Rain Stops Falling is spectacular, it is ter…

SOURCE: Stage and Cinema at 7:35am on January 25, 2016

Chicago Theater Review: THE HAIRY APE (Oracle) by Lawrence Bommer

THE DESCENT OF MAN AS DRAMA Another incendiary offering from Oracle Productions, Monty Cole's bold take on Eugene O'Neill's The Hairy Ape is pugilistic and powerful. In his athletic tour-de-…

SOURCE: Stage and Cinema at 6:34pm on January 24, 2016

Los Angeles Dance Preview: LES BALLETS TROCKADERO DE MONTE CARLO (Carpenter Center) by Tony Frankel

THE TROCKS ROCK! As part of their worldwide tour, one of the most original troupes on the globe is coming to Carpenter Center in Long Beach this weekend. Les Ballets Trockadero de Monte C…

SOURCE: Stage and Cinema at 5:51pm on January 23, 2016

Chicago Theater Review: LE SWITCH (About Face Theatre at Theater Wit) by Lawrence Bommer

COMMITMENT CRISES FUEL A CRACKLING COMEDY Many, many gay plays since Stonewall have pitted fidelity against promiscuity, love against sex, and, nowadays, marriage against friendship. Same-se…

SOURCE: Stage and Cinema at 5:51pm on January 23, 2016
« Previous 25   Page 174 of 264   Next 25 »