DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

CD Review: JESUS CHRIST SUPERSTAR LIVE IN CONCERT (Original Television Soundtrack) by Tony Frankel

JESUS CHRIST SUPERSTAR RISES AGAIN, BUT ONLY PARTIALLY TO THE HEAVENS Not nearly as powerful and raw as it could have been, NBC's live telecast "event" of Tim Rice and Andrew Lloyd Webber's …

SOURCE: Stage and Cinema at 2:35am on May 1, 2018

Chicago Theater Review: UNTIL THE FLOOD (Goodman) by Lawrence Bommer

A GLOBAL FLASHPOINT BECOMES A THEATRICAL FLASHFLOOD Until the Flood lasts only 70 minutes. But its concentrated running time delivers a devastating drama. A ton of truth-telling now on to…

SOURCE: Stage and Cinema at 2:51pm on April 30, 2018

Chicago Theater Review: RAISED IN CAPTIVITY (Right Brain Project) by Lawrence Bommer

"KICK ME" CHARACTERS Born to be bad, Nicky Silver is an acerbic gay playwright who has employed his outsider status to skewer the American family (Pterodactyls), relationships (The Food Chai…

SOURCE: Stage and Cinema at 1:16pm on April 28, 2018

Chicago Dance Review: MIDSUMMER NIGHT'S DREAM (Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

JOFFREY STEPS OUT OF A DREAM, OR DELUSIONS OF A SCANDINAVIAN SOLSTICE First, a necessary clarification for A Midsummer Night's Dream: The title and the setting could easily confuse lovers…

SOURCE: Stage and Cinema at 3:34pm on April 26, 2018

Theater Review: SOUTH PACIFIC (La Mirada Theatre) by Tony Frankel

NO MUSICAL IS AN ISLAND Whenever it's revived, it's hard to imagine a more necessary musical than this 1949 Pulitzer Prize winner. 72 years after the Japanese surrender, it remains a healing…

SOURCE: Stage and Cinema at 8:25pm on April 25, 2018

Los Angeles Theater Review: AMERYKA (Critical Mass Performance Group at the Kirk Douglas in Culver City) by Tony Frankel

O, BEAUTYFUL AMERYKA After a successful run in 2016, Ameryka has arrived for a short run at the Kirk Douglas Theatre as part of CTG’s Block Party. It’s a testament to writer/dire…

SOURCE: Stage and Cinema at 6:29pm on April 25, 2018

San Diego Theater Review: NOISES OFF (Lamb's Players Theatre in Coronado) by Milo Shapiro

ONE COULD GO ON AND ON FOR OFF Half the fun of theater is in the performance; the other half is in the rehearsal. Rehearsal is the time for experimenting, bonding, and watching everything co…

SOURCE: Stage and Cinema at 1:40pm on April 25, 2018

Theater Review: THE MADRES (Skylight Theatre in Los Angeles) by Tony Frankel

It’s 1979 in Buenos Aires, Argentina, where people are disappearing right off the street. The so-called “Dirty War” waged by the military Junta against its own people is in…

SOURCE: Stage and Cinema at 8:20pm on April 24, 2018

Los Angeles Theater Preview: A SHAKESPEARE JUBILEE (The Wallis in Beverly Hills) by Tony Frankel

JUBILATION! It promises to be one of the most enchanting nights of theater in a long time. On Saturday April 28 at 8:00, some of London and Hollywood's greatest names will gather at The Wall…

SOURCE: Stage and Cinema at 3:07am on April 24, 2018

Los Angeles Theater Preview: GROUNDLINGS ROYAL WEDDING (The Groundlings Theatre) by Tony Frankel

A ROYAL TREAT For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang (and creating more Big Bang…

SOURCE: Stage and Cinema at 9:55pm on April 23, 2018

Chicago Theater Review: GRAND HOTEL (Kokandy Productions at Theater Wit) by Lawrence Bommer

REVOLVING FATES — AIN’T IT GRAND? Like the chandelier in Phantom of the Opera or the helicopter in Miss Saigon, a revolving door is the all-purpose metaphor for Berlin's…

SOURCE: Stage and Cinema at 3:01pm on April 22, 2018

Theater Review: HEAD OVER HEELS (Pre-Broadway San Francisco Premiere) by Patricia Schaefer

GO-GO SEE THIS SHOW Head Over Heels is an exhilarating and seemingly improbable musical mash-up of Sir Philip Sidney’s sixteenth-century work The Countess of Pembroke’s Arcadi…

SOURCE: Stage and Cinema at 10:36pm on April 21, 2018

Los Angeles Theater Review: NATIVE SON (Antaeus Theatre in Glendale) by Samuel Garza Bernstein

BLINDING SON I'm half Latino, half Eastern-European Jew, and I'm gay. But I know nothing of what it means to be African-American in a country founded on hating the color of your skin"a count…

SOURCE: Stage and Cinema at 2:37pm on April 20, 2018

Chicago Theater Review: NATURAL AFFECTION (Eclipse Theatre Company) by Lawrence Bommer

CHRISTMAS CAN BE CRUEL More than most, life's victims need their storytellers. William Inge (1913-1973) wrote his characters from the inside out — theirs and his. A heart surgeon witho…

SOURCE: Stage and Cinema at 3:16pm on April 18, 2018

Chicago Theater Review: THE DOPPELGÄNGER (AN INTERNATIONAL FARCE) (Steppenwolf) by Lawrence Bommer

DOUBLE VISION, OR LOST IN THE LAFFS Can a forced farce make a theater audience howl with laughter, never realizing until the very end that the joke is on them? That's almost a rhetorical …

SOURCE: Stage and Cinema at 6:07pm on April 16, 2018

Tour Theater Review: SOUL DOCTOR (Lyceum Theatre in San Diego) by Milo Shapiro

JUST WHAT THE DOCTOR ORDERED: A JOYFUL MESSAGE There is an ancient Chinese proverb: "The wise adapt themselves to circumstances, as water molds itself to the pitcher." In the musical Soul Do…

SOURCE: Stage and Cinema at 4:44pm on April 15, 2018

Opera Review: IL PIGMALIONE & RITA (Chicago Opera Theater at the Studebaker Theater) by Lawrence Bommer

MY FAIR SIGNORA, OR DONIZETTI, SOUP TO NUTS He didn't just write Lucia di Lammermoor, Don Pasquale, L'Elisir d'Amore, Poliuto, The Daughter of the Regiment, Maria Stuarda, Robert Devereux…

SOURCE: Stage and Cinema at 1:11pm on April 15, 2018

Chicago Theater Review: LETTIE (Victory Gardens) by Lawrence Bommer

A CON IS NEVER "EX" The nickname Lettie comes from the Greek term "Letitia" or "joy.” That's one of many bleak ironies that stalk the anti-heroine of Boo Killebrew's survival saga, a w…

SOURCE: Stage and Cinema at 12:06pm on April 14, 2018

Los Angeles Theater Review: SIGNIFICANT OTHER (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

TOGETHER ALONE Keilly McQuail and Will Von Vogt are absolutely riveting in Significant Other, Joshua Harmon's mostly funny, sometimes sad take on the pitfalls of being the GBF (gay best frie…

SOURCE: Stage and Cinema at 9:06pm on April 13, 2018

Dance Review: GISELLE (Dada Masilo & The Dance Factory at The Wallis in Beverly Hills) by Tony Frankel

WILIES AT THE WALLIS First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the w…

SOURCE: Stage and Cinema at 8:52pm on April 13, 2018

Chicago Theater Review: GASLIGHT DISTRICT (The Second City e.t.c.'s 42nd Revue at Piper's Alley) by Lawrence Bommer

SCATTERSHOT SATIRE AIMS AT MOVING TARGETS It's easy to think that humor is subjective — until an entire audience's spontaneous guffaw undermines any such abstraction. Often enough, tha…

SOURCE: Stage and Cinema at 4:18pm on April 7, 2018

Theater Review: SAINT JOAN (Bedlam Theatre Company on tour at The Broad Stage in Santa Monica) by Tony Frankel

SAVING FAITH Even with a few blemishes, Bedlam's revival of George Bernard Shaw's 1923 masterpiece Saint Joan is an immersive and ultimately gratifying theatrical experience. The story…

SOURCE: Stage and Cinema at 3:36pm on April 7, 2018

San Francisco Theater Review: HEISENBERG (A.C.T.) by Patricia Schaefer

A PRINCIPLED PRODUCTION Director Hal Brooks delivers a remarkably authentic and poignant tale with A.C.T.'s production of Heisenberg, a short play based on a rather unremarkable human relati…

SOURCE: Stage and Cinema at 3:02pm on April 5, 2018

Chicago Theater Review: THE GENTLEMAN CALLER (Raven Theatre) by Lawrence Bommer

SWEET BIRD OF TRUTH The Gentleman Caller was the original name for a breakthrough "memory play" that, opening at Chicago's Civic Theatre in late 1944, made Tom "Tennessee" Williams famous…

SOURCE: Stage and Cinema at 3:56pm on April 4, 2018

Theater Review: PRETTY WOMAN: THE MUSICAL (Pre-Broadway World Premiere) by Lawrence Bommer

PRETTY UNLIKELY WOMAN When worlds collide: A celluloid fantasy about an L.A. call girl suddenly thrust into affluence, the much-loved 1990 film Pretty Woman starred a suave, salt-and-p…

SOURCE: Stage and Cinema at 3:31pm on March 29, 2018
« Previous 25   Page 148 of 264   Next 25 »