REVOLVING FATES — AIN’T IT GRAND? Like the chandelier in Phantom of the Opera or the helicopter in Miss Saigon, a revolving door is the all-purpose metaphor for Berlin's premiere hotel and the stories it spins. This fateful hostelry is the fertile setting for Maury Yeston's 1986 musical version of Vicki Baum's 1929 novel Menschen im Hotel (People in a […]
SOURCE: Stage and Cinema at 03:01PM on April 22, 2018