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6,591 stories from Stage and Cinema

Theater Review: INCOGNITO (Son of Semele) by Tony Frankel

BRAIN CRAMPS One of the brainiest plays since, well, British playwright Nick Payne's other brainy play, Constellations, Incognito (2014) contains Payne's usual assortment of short scenes and…

SOURCE: Stage and Cinema at 9:43pm on March 20, 2019

Theater Review: THE WOLVES (Echo Theater Company) by Tony Frankel

TEEN THE DEVIL AND THE DEEP BLUE SEA I'm not really sure if director Alana Dietze could have done anything more with The Wolves, a dramatically inert slice-of-life one act that follows an al…

SOURCE: Stage and Cinema at 1:37pm on March 20, 2019

Theater Review: ACCIDENTAL DEATH OF AN ANARCHIST (The Actors' Gang in Los Angeles) by Tony Frankel

ACCIDENTAL DEATH OF A PLAY Anarchy is not chaos. The former means "without law" and the latter means "without form." This is an important distinction to consider in a play that intends to ma…

SOURCE: Stage and Cinema at 7:55pm on March 19, 2019

Chicago Theater Review: SWEAT (Goodman Theatre) by Lawrence Bommer

DIVIDED AND CONQUERED If the American dream needs an obituary, Lynn Nottage's 2017 Pulitzer winner is it. If Clifford Odets' Waiting for Lefty celebrated the power and promise of labor un…

SOURCE: Stage and Cinema at 5:45pm on March 19, 2019

San Francisco Theater Review: THE GREAT LEAP (A.C.T.) by Harvey Perr

A SMALL STEP There is a stillness in B.D. Wong that is the embodiment of grace. In his exquisitely calibrated portrayal of Wen Chang, a Chinese party loyalist, Wong walks a delicate line bet…

SOURCE: Stage and Cinema at 2:21pm on March 19, 2019

CD Review: RENT (Original Soundtrack of the Live Television Event) by Tony Frankel

TOO BAD THEY DIDN'T RAISE THE RENT Rent has a romantic history: Jonathan Larson, its author and composer, died suddenly of an aortic aneurysm on Jan. 25, 1996, 10 days before his 36th birthd…

SOURCE: Stage and Cinema at 5:29pm on March 18, 2019

Theater Review: CATS (National Tour, 2019) by Tony Frankel

KITTY LITTER If I had my way, the slogan for Cats would be changed from "Now and Forever" to "Not Now, Not Ever." Even when I saw the show back in the early 80s and again in the early 90s, I…

SOURCE: Stage and Cinema at 2:49pm on March 18, 2019

CD Review: THE MUSIC OF HARRY POTTER AND THE CURSED CHILD (Imogen Heap) by Tony Frankel

HARRY POTTER AND THE RECYCLED RECORDING ENGINEER Jack Thorne's immensely popular two-part play, Harry Potter and the Cursed Child, has taken up residence in London, New York, and Melbourne, …

SOURCE: Stage and Cinema at 5:25pm on March 17, 2019

Theater Review: NO, NO, NANETTE (Candlelight Pavilion Dinner Theater in Claremont) by Tony Frankel

A YES AND NO NANETTE When the 1925 musical No, No, Nanette was revised and remounted in 1971, it was predicted to be a flop by folks in the Biz, but it was the buzz of the season with nostal…

SOURCE: Stage and Cinema at 3:58am on March 15, 2019

S.F. Theater Review: FIORELLO (42nd Street Moon) by Harvey Perr

MAYOR DREAMS COME TRUE SOME OTHER TIME The 42nd Street Moon production of Fiorello is just fine, if you allow for the looseness of staging, the clumsy choreography, and the overall sensation…

SOURCE: Stage and Cinema at 5:07pm on March 14, 2019

Theater Review: A BRONX TALE (North American Tour) by Lawrence Bommer

A BRONX CHEER Unpretentious and unpreaching in its streetwise survival lore, the gangster fable A Bronx Tale is, as the name implies, just one of many small sagas from the lesser borough.…

SOURCE: Stage and Cinema at 12:59pm on March 14, 2019

Theater Review: THE CHOIR OF MAN (National Tour) by Lawrence Bommer

IN PRAISE OF THE PUB There's no need for a plot, three-dimensional characters, or conflicts pending resolution " no, not when the setting and its songs sell themselves from the start. That f…

SOURCE: Stage and Cinema at 2:10pm on March 13, 2019

Los Angeles Theater Review: ESCAPE FROM GODOT (YARD Theater) by Tony Frankel

WE'RE STILL WAITING You're watching a play but you have no idea what's happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despair, yet you are told tha…

SOURCE: Stage and Cinema at 8:06pm on March 12, 2019

Theater Review: STEVE (New Conservatory Theatre Center in San Francisco) by Harvey Perr

THE BOYS IN THE BLAND "Every day a little death/In the parlor, in the bed." Thus spake Stephen Sondheim in his waltz time operetta A Little Night Music. And it is not totally frivolous to st…

SOURCE: Stage and Cinema at 2:08am on March 12, 2019

Chicago Theater Review: LITTLE SHOP OF HORRORS (Mercury Theater Chicago) by Lawrence Bommer

THE HORROR…THE HORROR… THE FUN…THE FUN… You can see it as a modern parable of how the neglect that created Skid Row and its plethora of poverty brings its own revenge: A literally bl…

SOURCE: Stage and Cinema at 3:05pm on March 11, 2019

Theater Review: THE JUDAS KISS (Boston Court) by Tony Frankel

LOVE CONQUERS COMMON SENSE My takeaway about Oscar Wilde in David Hare's intellectually stimulating but overly static play of ideas, The Judas Kiss, now at Boston Court, is this: The literar…

SOURCE: Stage and Cinema at 3:58am on March 7, 2019

San Francisco Theater Review: HER PORTMANTEAU (A.C.T.'s Strand Theater) by Harvey Perr

CARRYING BAGGAGE Although it is written with an almost childlike simplicity, Mfoniso Udofia's Her Portmanteau tells a wrenching tale of the profound effect that separation creates when a wom…

SOURCE: Stage and Cinema at 12:46pm on March 6, 2019

Theater Review: SOUTHERN COMFORT (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

TRANS-CENDENT Rather than dwell on the similitude of roses, Gertrude Stein might better have said love is love is love. It certainly is in one particular North Side storefront: A 2016 blue-g…

SOURCE: Stage and Cinema at 3:42pm on March 5, 2019

Theater Review: TOO MUCH SUN (Indie Chi Productions at the Odyssey Theatre in Los Angeles) by Samuel Garza Bernstein

TOO MANY CHOICES If Chekov's characters could be said to be trapped by society, circumstance, and their own neuroses, the characters in playwright Nicky Silver's Too Much Sun, now at the Ody…

SOURCE: Stage and Cinema at 3:08pm on March 4, 2019

San Diego Theater Review: GABRIEL (North Coast Repertory in Solana Beach) by Milo Shapiro

TENSION, HUMOR, AND INTRIGUE IN BEGUILING WWII DRAMEDY There would be much better places to live in 1943 than on the German-occupied British island of Guernsey, especially if you are shelter…

SOURCE: Stage and Cinema at 2:15am on March 4, 2019

Opera Review: ARIODANTE (Lyric Opera of Chicago) by Lawrence Bommer

HANDEL WITH CARE It's hard to believe that, following its Covent Garden debut in 1735, this glorious opera seria endured 191 years of neglect. It returned to the boards in 1926, even m…

SOURCE: Stage and Cinema at 4:16pm on March 3, 2019

Theater Review: THE CRIPPLE OF INISHMAAN (Antaeus Theatre) by Tony Frankel

CRIPPLE THE FUN Funny and heartbreaking, Martin McDonagh's The Cripple of Inishmaan is nothing less than a slalom run of emotional ups and downs and plot twists and turns. Antaeus Theatre's …

SOURCE: Stage and Cinema at 2:12am on February 28, 2019

Theater Review: HYPE MAN (Fountain Theatre) by Joan Alperin

HYPER-ACTIVISM A promising hip-hop group formed by two childhood friends " a white writer and a black hype man " is thrown off its beat by racial tensions in the West Coast premiere of a pow…

SOURCE: Stage and Cinema at 5:08pm on February 26, 2019

Theater Review: WITNESS UGANDA (The Wallis) by Tony Frankel

WITNESSING UGANDA IS AMAZING, EVEN THOUGH THE SHOW NEEDS WORK Griffin is a young black New York actor in search of more than a career. When he is kicked out of his church choir because he's …

SOURCE: Stage and Cinema at 2:36am on February 26, 2019

Theater Review: THE MAN WHO WAS THURSDAY (Lifeline Theatre in Chicago) by Lawrence Bommer

IF IT'S THURSDAY, IT MUST BE LIFELINE Deemed a "metaphysical thriller," The Man Who Was Thursday is religious writer G.K. Chesterton's celebrated satire from 1908. Intentionally confou…

SOURCE: Stage and Cinema at 2:36pm on February 25, 2019
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