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35,882 stories from The Stage

The Shark is Broken review at Assembly George Square, Edinburgh " 'humorous and knowing' by Thom Dibdin

Set on the film set of Jaws as its three stars bicker and drink to pass away the interminable between-shot delays, The

SOURCE: The Stage Registration at 5:37am on August 23, 2019☆⚑

Hard to be Soft: A Belfast Prayer review at Lyceum Theatre, Edinburgh " 'deeply moving' by Susie Browning

Oona Doherty's Hard to be Soft: A Belfast Prayer is inspired by the people of her home city. It explores the things

SOURCE: The Stage Registration at 5:11am on August 23, 2019☆⚑

Appropriate review at Donmar Warehouse, London " 'a stunning act of theatrical subversion' by Sam Marlowe

Much happens in this ingenious drama by African-American playwright Branden Jacobs-Jenkins that is far from appropriate. And the play itself is an

SOURCE: The Stage Registration at 5:03am on August 23, 2019☆⚑

Howard Sherman: Every time a stage door closes on Broadway, a new show opens by Howard Sherman

Much has been made of the closing of five Broadway shows in the past two weeks: Be More Chill, King Kong, Pretty

SOURCE: The Stage Registration at 2:00am on August 23, 2019☆⚑

Lyn Gardner: Where are the opportunities for self-exploiting support staff after the fringe is over? by Lyn Gardner

As we head into the final weekend of the fringe, artists will be totting up their gains and losses. Some will have

SOURCE: The Stage Registration at 2:00am on August 23, 2019☆⚑

Beep Boop review at Assembly George Square Studios, Edinburgh " 'slick but slightly repetitive' by Fergus Morgan

Beep boop. That's the noise of the phone in your pocket, or the iPad in your bag, or the laptop on your

SOURCE: The Stage Registration at 1:03pm on August 22, 2019☆⚑

The 18 best shows of Edinburgh Fringe 2019 " our critics pick the standout work at this year's festival by The Stage

As this year's Edinburgh Festival Fringe draws to a close, The Stage's team of reviewers pick their favourite productions… Tim Bano The

SOURCE: The Stage Registration at 12:25pm on August 22, 2019☆⚑

Campaigners rebuff government claims that GCSE arts uptake is on the rise by Georgia Snow

Creative education campaigners have cautioned against the government's claims that arts subjects are on the rise at GCSE, arguing that a spike

SOURCE: The Stage Registration at 11:13am on August 22, 2019☆⚑

Entertainment unions express 'deep concern' at arts journalism decline by Giverny Masso

Entertainment unions have jointly written an open letter expressing "deep concern" at the decline in arts journalism and the impact this will

SOURCE: The Stage Registration at 11:03am on August 22, 2019☆⚑

Macbeth review at C South, Edinburgh " 'an extraordinary physical performance' by Natasha Tripney

Korean company Cho-in Theatre has condensed Macbeth to an intense hour of solo theatre performed by a female and male actor, Lee

SOURCE: The Stage Registration at 11:02am on August 22, 2019☆⚑

Love (Watching Madness) review at Pleasance Courtyard, Edinburgh " 'moving and nuanced' by Natasha Tripney

It can be draining, caring for someone with a mental health condition; it can consume you. Isabelle Kabban's jagged and fragmented play

SOURCE: The Stage Registration at 10:30am on August 22, 2019☆⚑

Where to Belong review at Summerhall, Edinburgh " 'moving contemplation on what makes a place home' by Francesca Peschier

Victor Esses is on Facetime, guiding his mother around her childhood home via his phone. He talks us through the Lebanon flat

SOURCE: The Stage Registration at 8:12am on August 22, 2019☆⚑

Katie Arnstein: The industry must take a stand against unacceptable casting breakdowns by Katie Arnstein

Words are important, powerful and, if used carelessly, can create one of the most ridiculous casting calls in modern memory. As a

SOURCE: The Stage Registration at 8:06am on August 22, 2019☆⚑

West End Producer " Free Willy review at Assembly Checkpoint, Edinburgh " 'insightful and entertaining' by Paul Vale

The audition process can be one of the most raw and uncompromising components of an actor's life, laced with stiff competition and

SOURCE: The Stage Registration at 7:49am on August 22, 2019☆⚑

Too Pretty to Punch review at Zoo Southside, Edinburgh " 'innovative mix of poetry and projection' by Francesca Peschier

There is one proven way as a transgender individual to significantly lower your risk of hate crime, explains Edalia Day " be

SOURCE: The Stage Registration at 7:35am on August 22, 2019☆⚑

Inflatable Space review at Assembly Roxy, Edinburgh " 'moments of ingenuity and wonder' by Natasha Tripney

There is a huge inflatable doughnut in the middle of the stage. It dominates the space. US theatremaker Thaddeus Phillips uses this

SOURCE: The Stage Registration at 7:03am on August 22, 2019☆⚑

Gecko set to move into purpose-built facility in Ipswich by Giverny Masso

Plans have been revealed for a new "world-class" theatremaking space in Ipswich, which will be home to physical theatre company Gecko. If

SOURCE: The Stage Registration at 6:47am on August 22, 2019☆⚑

Casting announced for RSC's The Boy in the Dress by Georgia Snow

Rufus Hound is to star in the Royal Shakespeare Company's stage adaptation of The Boy in the Dress. Irvine Iqbal, Natasha Lewis

SOURCE: The Stage Registration at 6:47am on August 22, 2019☆⚑

James Graham's Quiz to be adapted for TV by Georgia Snow

James Graham's play Quiz, about the Who Wants to Be a Millionaire cheating scandal, is being adapted for television. Quiz opened at

SOURCE: The Stage Registration at 6:46am on August 22, 2019☆⚑

Blizzard review at Assembly Hall, Edinburgh " 'unapologetically entertaining' by Francesca Peschier

You'll be hard pushed to find a circus gang with more technical gymnastic ability and joie de vivre than Flip Fabrique. Blizzard

SOURCE: The Stage Registration at 6:33am on August 22, 2019☆⚑

The Weatherman review at Park Theatre, London " 'spotlights a seedy side of society' by Joe Holyoake

There's a certain point at which two single men living in a houseshare crosses the line from chummy to tragic " let's

SOURCE: The Stage Registration at 6:03am on August 22, 2019☆⚑

Breaking the Waves review at King's Theatre, Edinburgh " 'troubling opera based on Lars von Trier's film' by George Hall

Lars von Trier's 1996 film Breaking the Waves remains a controversial work. The narrative, and in particular its treatment of the central

SOURCE: The Stage Registration at 5:28am on August 22, 2019☆⚑

Looping: Scotland Overdub review at Zoo Southside, Edinburgh " 'a vibrant fusion of Brazilian and Scottish festivities' by Susie Browning

A chain of fairy lights twinkles above a dark hazy room.  Dressed in colourful silk and splashes of paint, bodies appear and

SOURCE: The Stage Registration at 5:16am on August 22, 2019☆⚑

Purposeless Movements review at the Studio, Edinburgh " 'touching and thought-provoking' by Susie Browning

After a successful run in 2016, Birds of Paradise Theatre Company has returned to the city for this year's Edinburgh International Festival.

SOURCE: The Stage Registration at 5:07am on August 22, 2019☆⚑

Richard Jordan: Why the fringe has become a Mecca for reality stars and former celebrities by Richard Jordan

"Nice to see you to see you…nice," Frank Skinner says as he opens his comedy set at the Edinburgh Fringe. "Well, it's

SOURCE: The Stage Registration at 2:00am on August 22, 2019☆⚑
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