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6,907 stories from Washington Post

An 'Othello' of psychological realism by Peter Marks

The high point of director Ron Daniels's enrichingly nuanced "Othello" is one of the tragic hero's lowest. Jonno Roberts's coldly efficient Iago " a Shakespearean psychopath if there ever wa…

SOURCE: Washington Post at 5:39pm on March 1, 2016

Poetry dances across the stage in 'Mortal Tongues, Immortal Stories' by Celia Wren

Poetry editors around the world would turn green with envy if they knew about the current multimedia performance by Dakshina/Daniel Phoenix Singh Dance Company. In an era that gives short sh…

SOURCE: Washington Post at 4:24pm on February 28, 2016

Laurie Anderson: An artist like no other by Nelson Pressley

Laurie Anderson endures as the poster child for performance art, although the wry sprite with spiky hair and an electric violin prefers the term "multimedia artist." The writer-composer-film…

SOURCE: Washington Post at 11:04pm on February 26, 2016

Forest Whitaker successfully tackles Eugene O'Neill's 'Hughie' by Peter Marks

NEW YORK -- He talks a pretty good game, does Erie Smith, in Eugene O'Neill's "Hughie." As luck would have it, so does the actor who portrays him in the finely-etched revival of the 1942 …

SOURCE: Washington Post at 9:57pm on February 25, 2016

So your rowdy comedy is a hit during a theater festival. Do you have a real show on your hands? by Nelson Pressley

Rowdy comedies with a late-nite vibe can be catnip at the summertime Capital Fringe Festival, and why not? It's a free-form, open invitation playground where the main rule is to get off the …

SOURCE: Washington Post at 5:46pm on February 25, 2016

'Road Show': A journey into the 'get-rich-quick' 20th century by Peter Marks

"Road Show" has logged a lot of miles on a long, bumpy journey to Shirlington and the cozy confines of Signature Theatre. Who knew that to smooth out the ride, we've been waiting all this ti…

SOURCE: Washington Post at 3:20pm on February 24, 2016

Theater reviews: 'The Maid's Tragedy' and 'Antigone Project: A Play in 5 Parts' by Celia Wren

The eponymous heroine of the early-17th-century play "The Maid's Tragedy" could teach Ophelia a thing or two about rejection. Like Hamlet's ex, Aspatia of Rhodes sees her relationship with a…

SOURCE: Washington Post at 4:12pm on February 23, 2016

Mark Rylance's Tony Award speeches bewildered viewers. In "Nice Fish," his rationale becomes clearer at last. by Peter Marks

NEW YORK -- So that's what he meant.Back in 2008, when he accepted his first best-actor Tony Award, for the Broadway revival of "Boeing-Boeing," Mark Rylance distinguished himself w…

SOURCE: Washington Post at 10:43pm on February 21, 2016

The harsh road from East Africa to Israel in 'The Promised Land' by Nelson Pressley

Facts on the ground have changed since "The Promised Land" premiered in 2012 at Tel Aviv's Habima Theatre: Israel has stemmed the flow of East African immigrants streaming into its country b…

SOURCE: Washington Post at 7:51pm on February 19, 2016

How a humane playwright made it all the way to Broadway by Peter Marks

NEW YORK " While writing "The Humans" " his best play yet " Stephen Karam was striving to be so precise about the space his characters inhabited that he wanted to share it with them. So, at …

SOURCE: Washington Post at 11:22am on February 19, 2016

Sondheim's 'Road Show' on the rebound at Signature by Nelson Pressley

A show called "Wise Guys" was announced with fanfare in 1995 as the Kennedy Center commissioned Stephen Sondheim to write a new musical to premiere the following year, opening the 1996-97 se…

SOURCE: Washington Post at 11:22am on February 19, 2016

What Broadway needs more of: extraordinary 'Humans' by Peter Marks

NEW YORK -- The challenges they face are so commonplace you could be eavesdropping on Thanksgiving dinner at your cousins': A daughter with a college degree working odd restaurant jobs; a…

SOURCE: Washington Post at 10:48pm on February 18, 2016

'Collaborators': Spooky Action Theater spins a semi-absurdist tale by Celia Wren

Joviality and waggishness may not be traits you immediately associate with the Stalinist secret police. But then you probably haven't met Vladimir, the NKVD operative in John Hodge's play "C…

SOURCE: Washington Post at 1:48pm on February 18, 2016

Edward Gero not only got to be Antonin Scalia, he got to know Antonin Scalia by Peter Marks

Edward Gero will forever savor the first words Antonin Scalia ever spoke to him. "I'm not coming to see the play,"  the justice declared that afternoon in the late fall of 2014, as Ger…

SOURCE: Washington Post at 1:14pm on February 17, 2016

Boy meets girl with endless possibilities in brainy 'Constellations' by Nelson Pressley

Nick Payne's "Constellations" is based on the idea of a multiverse where all the possibilities are always playing out. Guy meets girl, and they're too awkward to hit it off. Or they kind of …

SOURCE: Washington Post at 2:02pm on February 16, 2016

Jonathan Pryce in "Merchant of Venice," coming to the Kennedy Center by Peter Marks

In what may portend a revitalization of links between the Kennedy Center and major British theater companies, the institution on the Potomac will host a short stay this summer of a productio…

SOURCE: Washington Post at 5:01pm on February 15, 2016

A Cuban 'Carmen' with a shortage of sizzle by Peter Marks

Congas and mambos are the dynamic devices by which Moises Kaufman's new Cuban-spiced adaptation of "Carmen" puts its best feet forward. And yet, although this atmospheric version of the Bize…

SOURCE: Washington Post at 12:33pm on February 15, 2016

'Lost in the Stars' falls short as compelling musical drama by Peter Marks

When soprano Lauren Michelle, in the guise of the hapless, pregnant Irina, begins the opening verse of "Trouble Man," the otherwise stentorian rhythms of "Lost in the Stars" suddenly take on…

SOURCE: Washington Post at 5:26pm on February 13, 2016

Olney swings for the fences with Moisés Kaufman's jazzy 'Carmen' by Nelson Pressley

The Murderers' Row of talent lined up for the new "Carmen: An Afro-Cuban Jazz Musical" makes it one of the most anticipated premieres of D.C.'s theater season. Moisés Kaufman ("The Laramie …

SOURCE: Washington Post at 12:11pm on February 12, 2016

Monsters take the stage in a new Gothic musical and a delayed play by Nelson Pressley

We knew that Romantic poet Lord Byron was a bad boy, but a sassy rock star? That's how Sam Ludwig plays him in the premiere of "Monsters of the Villa Diodati" at the tiny Creative Cauldron i…

SOURCE: Washington Post at 2:50pm on February 10, 2016

Review: 'Señorita y Madame' at the GALA Hispanic Theatre by Celia Wren

A mortal enemy sure comes in handy. That's one takeaway from "Señorita y Madame: The Secret War of Elizabeth Arden and Helena Rubinstein," an informative, fitfully comic, double-barreled …

SOURCE: Washington Post at 4:04pm on February 9, 2016

Black comedy turns to horror in 'Guards at the Taj' by Nelson Pressley

The two simpletons yakking on the job look awfully familiar. Talking about how they are not supposed to be talking, they are Abbott and Costello doing "Who's on first?" Philosophizing as the…

SOURCE: Washington Post at 12:45pm on February 9, 2016

Manners and politics collide in Arena Stage's 'City of Conversation' by Nelson Pressley

Moments after Thursday's Hillary Clinton-Bernie Sanders debate ended, MSNBC host Chris Matthews asked Democratic National Committee Chair Debbie Wasserman Schultz whether she thought Republi…

SOURCE: Washington Post at 1:50pm on February 5, 2016

Suzan-Lori Parks examines notions of freedom in 'Father Comes Home' by Peter Marks

In the second of the three blazingly original playlets that make up Suzan-Lori Parks's "Father Comes Home from the Wars (Parts 1, 2 and 3)," a slave serving as aide to his master in the Conf…

SOURCE: Washington Post at 8:54am on February 5, 2016

A Shakespeare tale with honesty and heart by Sarah L. Kaufman, Sarah Kaufman

Lucky for dance lovers, the spring season beckons with an especially enticing collection of events: ballets beloved and new, masterly works of modern dance as well as experiments to arouse o…

SOURCE: Washington Post at 6:03pm on February 4, 2016
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