Robert Cushman: An action to suit every word of Shakespeare's quadruple-date comedy Love's Labour's Lost at Stratford
The new Stratford production of Love's Labour's Lost begins, brilliantly, with Mike Shara arriving late
The new Stratford production of Love's Labour's Lost begins, brilliantly, with Mike Shara arriving late
The writing is certainly racy, in the sense of both pungency and speed
Tim Carroll, the newly-named Artistic Director of the Shaw Festival, has never directed a play by George Bernard Shaw
The final three openings at this year's Shaw Festival are all, to some degree, plays about plays
Iain Soder tends to explain his art in terms of things he's interested in, rather than things he's trying to convey
This year, Canstage's two Shakespeare in High Park productions " Julius Caesar and A Comedy of Errors " come with a delicious bonus: printable picnic menus courtesy of Toronto caterer Les Lo…
In an increasingly secular country of abandoned churches and atheist young people, it turns out there's still a place where you can convince several hundred Christians to stage a no-holds-ba…
This week, our panel throws the gauntlet down on Donald Sutherland, Gwen Stefani and Gavin Rossdale and, once again, Drake
'I think about what's happening right now, and I think I'm doing this with the piece: Saying, don't let what happened with our ancestors be in vain. They died for this'
The whole thing takes four hours, and I would sit through it again in a heartbeat
The title alone is worth a couple of looks
Artistic director introduced a new subtlety and elegance to Stratford
Oedipus is complex, but this production has him striking a simple continuous note of self-righteous self-pity
f this Caesar strikes interesting but intermittent sparks off the play, The Comedy of Errors is, that rare thing in the Park, the complete deal, gondola and all
Some moments are stirring, some moving, but the overall feel in the Panamania site-specific production is amorphous
Robert Lepage describes his new show 887 as a 'dive into the waters of my past'
Panamania pours out political drama and technological marvels with The Watershed and 20,000 Leagues Under the Sea
In keeping with the show title, Pite isn't keen describe Betroffenheit's in explicit terms, only to say that the work draws from a real-life tragedy
This is a Disney show based on a Disney movie (sporting of the Mouse to give us a production where the baddies are conglomerates) so it's history at two removes
Old tips on how to behave during a live performance, updated for a modern audience
Peter Hinton's present-set Pygmalion suffers from a temporal flaw in logic, but packs an emotional punch
Almost 150 years after Jules Verne wrote Twenty Thousand Leagues Under the Sea, two Canadians have brought the classic tale to the stage
In The Watershed, Soutar ponders our relationship with fresh water on both a national and personal level
Barrie is of course best known as the author of Peter Pan, he's otherwise been famous for his craftsmanship and notorious for his sentimentality. This play confirms the first quality and mak…
In this production, the incoherence that briefly disfigures the last scene all but destroys the first