1,854 stories from LA STAGE Times
LA's Neil Simon moment features big productions of "The Sunshine Boys" and the far better "Broadway Bound." Actors Co-op stages an intimate "Ah, Wilderness!"
Peter J. Fogel plays the role of Steve in Steve Solomon's solo, "My Mother's Italian, My Father's Hewish, & I'm in Therapy," now in Thousand Oaks.
After heckling occurred in a student production of "The Laramie Project" in Mississippi, the LA production of "The Laramie Project: Ten Years Later" posted a supportive message on YouTube.
As "The Sunshine Boys" opens at the Ahmanson, Connie chats with cast members Danny DeVito, Judd Hirsch and Justin Bartha, Marilu Henner, George Segal, Conchata Ferrell, Rhea Perlman.
Theatre Unleashed moves to a new home, above Crown City Theatre in NoHo, and opens Steven Diet'z's "Trust." Gregory Crafts and Carlos Martinez talk.
Michael McKean played the title role in "Yes, Prime Minister" at Geffen Playhouse earlier this year. Now he'll host the 2012-2013 LA STAGE Alliance Ovation Awards ceremony on Nov. 3.
Latino Theater Company wins $225,000 in Doris Duke money for next year's Encuentro festival..."Smokey Joe's" without the shimmy...Darin Anthony at Moving Arts...Alliance Rep history...
Joshua Ravetch was inspired by a decade of working at New Line Cinema to write his ad agency tale, "The Light Bulb," opening at NoHo Arts Center.
About to become a parent in his own life, Marshall McCabe discusses the play he's in -- Susan Josephs' "The Interview," about a future in which government regulates who has children.
Stephanie Satie's latest solo "Silent Witnesses" tells stories of children who survived the Holocaust. It's at the Whitefire Theatre.,
Five small bits for your LA arts fix.
Darin Dahms wanted a one-man show for self-promotional reasons, but "The Player King," his solo about the 19th-century Booth father and sons, has become more deeply personal.
LA was rife with site-specific theater last week, with three Radar L.A. productions and Chalk Rep's "Gallery Secrets." Plus other thoughts on Radar L.A.
Thea Sharrock has brought Neil Simon's "Sunshine Boys" from London to LA, with Danny DeVito and with DeVito's former "Taxi" colleague replacing the late Richard Griffiths. They're listening.…
Comparing career paths of artists rarely paints the same road map twice. But something successful artists often have ...Continue Reading
Paul Coates "The End of It," at Matrix Theatre, depicts three long-term couples whose relationships appear threatened. Here he argues the case against breaking up.
South Coast's buildings re-named after David Emmes and Martin Benson...Boston Court's 2014 season...Elyse Mirto from A Noise Within's "The Guardsman"...Oliver Hinsdell...
What is the horror-specializing Visceral Company doing for the Halloween season? Resurrecting and refurbishing "Lovecraft: Nightmare Suite" after a decade of neglect.
Matthew McCray and Deaf West adapt "Flowers for Algernon" into a signed-and-spoken story in which Charlie (Daniel Durant) is deaf, at Whitefire Theatre.
Stacia Saint Owens turns an incident from her childhood regarding pet Dalmatians -- both named Raisin -- into "Sheet Cake Sliding," at Theatre of NOTE.
Santa Monica's new mid-size Moss Theater, alongside a New Roads School campus, welcomes professional theater artists, especially if they're willing to do something for the students.
A Jun'ichiro Tanizaki novella from 1933 is the source of "Shun-kin," staged by Simon McBurney for CAP UCLA and Radar L.A. Veteran Peter Brook actor Yoshi Oida is in the cast.
Terrence McNally, guest of honor at a four-day Skylight Theatre tribute, reflects on some of the results of his personal golden age of writing plays.
Lorenzo Pisoni's "Humor Abuse" at the Taper is a better solo take on sons and fathers than Luis Alfaro's or Trieu Tran's solos at the Douglas. Plus the latest Shakespeares in Pasadena.
A gay African American teenager and tweets and texts about him are the focus in choreographer David Rousseve's and sound designer d. Sabela grimes' "Stardust," part of Radar L.A.
