The London West End Theatre Review: Robert Icke Asks Whether Shakespeare’s Greatest Tragedy Could Ever End Differently By Ross Returning to our running joke about the word “madness” th…
Frontmezzjunkies reports: Schmigadoon!, Liberation, and Death of a Salesman emerge as the biggest winners of a thrilling 2026 Tony Awards evening By Ross Schmigadoon! danced away with the ni…
The Stratford Festival Review: Waiting for Godot and Death of a Salesman reveal how connection can make or break even the greatest classics. By Ross Few experiences during Stratford’s open…
Frontmezzjunkies Tries to Predict: The Winners of the 2026 Tony Awards By Ross For theatre lovers, Tony Sunday always feels like how the Super Bowl feels for sports fans. It’s a little lik…
The Toronto Theatre Review: A gothic rock fever dream embraces confusion, transformation, and astonishing musical power. By Ross “Once upon a time“, she walks in, suitcase in hand. There…
The Stratford Festival Review: An ambitious staging captures the journey’s events but rarely its peril or wonder. By Ross “A new beginning, again.” The line charms at the start of Stra…
The Stratford Festival Review: Shakespeare gets roasted once again in this exuberant crowd-pleaser. By Ross It’s always a little stressful when I have a return engagement with a show that …
The Toronto Theatre Review: A raw and compassionate staging finds extraordinary power in intimacy. By Ross Few musicals affect me as immediately and completely as Next to Normal. The first n…
Frontmezzjunkies reports: GALECA’s 2026 Dorian Theater Awards offer one last snapshot of Broadway’s awards race before Tony night. By Ross One of my favourite parts of awards season is w…
Frontmezzjunkies reports: Buddies in Bad Times Theatre unveils a 48th season of provocative premieres, artistic development, nightlife, and live art. By Ross Some theatre seasons announce a …
The Stratford Festival Review: Graham Abbey’s Dream embraces romantic chaos with humour, heart, and wonderment. By Ross Thunder rattles through the Tom Patterson Theatre as a lone woman ap…
Frontmezzjunkies reports: Crow’s, Soulpepper, Canadian Stage, and more lead a dazzling year of nominations By Ross Few cities in the world make me feel as alive as Toronto does when it com…
The Toronto Opera Review: A visually elegant production and powerhouse performances make “Werther” a compelling gateway into opera By Ross Opera has always existed slightly at the edges …
The Stratford Festival Review: Donna Feore’s exhilarating revival transforms the beloved musical into a thrilling explosion of comedy, romance, and show-stopping theatrical spectacle By Ro…
Frontmezzjunkies reports: The beloved creators of “Slings & Arrows” bring a one-night-only reading that explores the chaotic origins of a Shakespeare festival By Ross For many, many …
Frontmezzjunkies reports: The Winners of the 15th Annual Off-Broadway Alliance Awards By Ross Some of the most thrilling nights I have ever experienced in theatre have happened far away from…
The London England Theatre Review: Rosamund Pike commands Suzie Miller’s emotionally shattering legal drama with fierce intelligence and aching vulnerability By Ross “Madness” continue…
The Stratford Festival Review: Antoni Cimolino’s final directorial production as Artistic Director delivers a visually stirring and emotionally generous interpretation of Shakespeare’s e…
The London England Theatre Review: Kip Williams’ technically ambitious solo adaptation dazzles in stamina and spectacle, but leaves the gothic heart of Bram Stoker’s classic frustratingl…
Frontmezzjunkies reports: Anatevka returns to the Elgin Theatre for a limited Toronto engagement beginning May 25 Quietly settling somewhere deep in my emotional memory, the experience of se…
Frontmezzjunkies reports: Seven opening night productions launch a thrilling week of theatre, celebration, and anticipation at the Stratford Festival Every year, this week feels a bit like c…
Frontmezzjunkies reports: One beloved Broadway hit and one troubled adaptation prepare for their closing performances By Ross Broadway can feel ruthless sometimes. One show arrives and catch…
The London England Theatre Review: Jinkx Monsoon delivers a thrilling and emotionally bruising portrait of Judy Garland in Rupert Hands’ haunting revival By Ross “Madness,” our descrip…
Frontmezzjunkies reports: “Schmigadoon!” leads a nomination list celebrating queer storytelling and theatrical innovation By Ross Broadway has always thrived when it makes room for stori…
The London Ontario Theatre Review: Julie Tomaino’s community-infused reimagining of the beloved Canadian musical proves as moving and uplifting as ever By Ross A single red chair sits alon…