“Amadeus” Has the Music, but Salieri Never Quite Finds the Fire
The Shaw Festival Review: Tim Carroll’s “Amadeus” lets Mozart’s music soar while Salieri’s great confession struggles to ignite By Ross “Pardon your assassin,” the aging Salieri cries, pleading with a God he believes has betrayed him as whispers of scandal fill the air around us. The two Venticelli, Julia Course and Sochi Fried, pose deliciously […]