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146 stories by "sara Holdren"

Theater Review: Ivo van Hove’s The Damned Pulls the World Into the Armory by Sara Holdren

There's a word in Russian: obraz. Translated simply it means image, but more accurately it refers to an icon or a sacred image, an image replete with expansive figurative meaning. More than …

SOURCE: Vulture at 10:48pm on July 18, 2018

Theater Review: Jump Cuts and Auteur Wannabes, in Fire in Dreamland by Sara Holdren

Like a nightingale caught up in a footrace with a bioengineered cheetah"having forgotten its wings and its voice in a befuddled attempt at high-tech speed"contemporary theater can often feel…

SOURCE: Vulture at 10:00pm on July 16, 2018

Theater Review: Mary Page Marlowe Is a Simple Carbohydrate by Sara Holdren

If you're a Shakespeare in the Park kind of person, your summer will be bookended by two characters, the villain Iago and the heroine Viola, making the koan-like confession "I am not what I …

SOURCE: Vulture at 10:00pm on July 12, 2018

Reviewing Fairview, a Play That Almost Demands That I Not Do So by Sara Holdren

"I thought you said race is a construct," says a mocking, identifiably white male voice coming from the sound system at Soho Rep halfway through Jackie Sibblies Drury's vehement, searching, …

SOURCE: Vulture at 10:00pm on June 17, 2018

5 Long-Shot Votes I’m Casting for the Tony Awards by Sara Holdren

I'm a Tony Awards voter. If you know me as New York's theater critic, this isn't particularly strange or hilarious. But if you know me in person, it is. For the past few weeks I've been inte…

SOURCE: Vulture at 9:30am on June 8, 2018

Theater Review: Geopolitics and the Pick-and-Roll, in The Great Leap by Sara Holdren

Lauren Yee's smart, feisty, highly enjoyable new play The Great Leap"currently having its New York premiere at Atlantic Theater Company under the high-energy direction of Taibi Magar"is the …

SOURCE: Vulture at 10:00pm on June 4, 2018

Theater Review: Can The Boys in the Band Work in 2018? by Sara Holdren

Attending the still-contentious, oddly timed, star-studded 50th anniversary Broadway revival of Mart Crowley's 1968 gay theater trailblazer, The Boys in the Band, is a strange, somewhat remo…

SOURCE: Vulture at 10:00pm on May 31, 2018

Tom Hollander Talks Playing a ‘Grumpy’ and ‘Immortal’ Brit on American Stages in Travesties by Sara Holdren

The appallingly talented British actor Tom Hollander has been John Ruskin, T. S. Eliot, and Dylan Thomas; the prime minister and a motion-capture hyena; two King Georges, a periwigged pirate…

SOURCE: Vulture at 2:21pm on May 29, 2018

Theater Review: Watching The Beast in the Jungle Dance by Sara Holdren

Henry James would probably die all over again if he could hear one of his characters describe the looming, intangible something that dominates his life, that he's in search of and afraid of …

SOURCE: Vulture at 10:00pm on May 23, 2018

Theater Review: A Well-Scrubbed Our Lady of 121st Street by Sara Holdren

Stephen Adly Guirgis's Our Lady of 121st Street is a play whose combustible energy would benefit from compression and claustrophobia, but in the current revival at Signature Theatre, it's sp…

SOURCE: Vulture at 10:39pm on May 22, 2018

Theater Review: In Spandex and Sweat, Singlet Goes Its Own Way by Sara Holdren

The wolf-eyed Erin Markey wants you to be a little scared in the theater, kind of in the way you're a little scared when you're talking to someone attractive and you suddenly experience the …

SOURCE: Vulture at 2:25pm on May 22, 2018

Theater Review: Paradise Blue’s Powerful Grit by Sara Holdren

Dominique Morisseau's Paradise Blue " the second installment in the writer's "Detroit Projects" trilogy and the first production in her current residency at Signature Theatre " is one of tho…

SOURCE: Vulture at 5:32pm on May 15, 2018

Theater Review: A Monotone Long Day’s Journey Into Night by Sara Holdren

Lest anyone get the idea that I'm summarily anti"Eugene O'Neill, let the record show that quite a few years ago, with the help of suspenders and hair gel and a whiskey bottle full of iced te…

SOURCE: Vulture at 6:03pm on May 13, 2018

Theater Review: The Wild Ambition of Dance Nation by Sara Holdren

Things that happened when I was 13: I played first-chair clarinet in my middle-school band. I tried to kiss my first boy (he was second-chair) while we took a walk in the woods. He didn't op…

SOURCE: Vulture at 10:00pm on May 8, 2018

Theater Review: Caryl Churchill on Losing Revolutionary Momentum by Sara Holdren

In 1976 Caryl Churchill collaborated with Joint Stock Theatre Company for the first time to write a play about revolutionary fervor, apocalyptic visions, political optimism, and a powerful l…

SOURCE: Vulture at 10:04pm on May 7, 2018

Theater Review: Aristophanes’ The Birds, Gone Cuckoo in the Best Possible Way by Sara Holdren

We all have that one Onion article that makes us laugh hysterically, then quietly question everything we've done with our life. Mine is "New Evidence Reveals Ancient Greeks Immediately Regre…

SOURCE: Vulture at 11:36am on May 7, 2018

The Best Plays and Musicals of 2018 (So Far) by Sara Holdren

From theater that's questioning " or celebrating " the theatrical form itself, to theater that's forging new takes on old stories, to angels and Westerns and wizards, oh my! " this year has …

SOURCE: Vulture at 6:40pm on May 4, 2018

Theater Review: Summer and Smoke Has That ‘Immaterial Something’ by Sara Holdren

"I'm afraid we have a bad connection," says the doctor's son to the preacher's daughter. They're speaking over the telephone, but the interference they're battling isn't really technological…

SOURCE: Vulture at 7:30pm on May 3, 2018

The Tonys Make Me Cranky by Sara Holdren

The cutest thing about this morning's Tony nominations was Katharine McPhee's steadily increasing inability to pronounce the words "SpongeBob SquarePants." She had to say them a lot " the Sp…

SOURCE: Vulture at 1:58pm on May 1, 2018

Theater Review: The Iceman Cometh Needeth Rethinking by Sara Holdren

The revival of Eugene O'Neill's The Iceman Cometh"now at the Bernard B. Jacobs under the direction of George C. Wolfe and strapped with heavy starpower in Denzel Washington"is the kind of pr…

SOURCE: Vulture at 7:30pm on April 26, 2018

Theater Review: Saint Joan, With Armor But Not Packing Much Heat by Sara Holdren

What is it that keeps artists coming back to the story of Joan of Arc, and why do they keep making a royal mess of it? The material is certainly captivating: Lone young woman"champion of fai…

SOURCE: Vulture at 10:00pm on April 25, 2018

Theater Review: The Glittery Pleasures of Summer: The Donna Summer Musical by Sara Holdren

"It was a great party," reminisces one of Summer: The Donna Summer Musical's three avatars for its central singer, near the end of its speedy 100 minutes. "And I wasn't just at the party""he…

SOURCE: Vulture at 10:00pm on April 23, 2018

Theater Review: Harry Potter and the Broadway Spectacle by Sara Holdren

"My geekness is a-quiverin'!" a teenage wizard named Scorpius yelps in excitement somewhere around hour five. He's not the only one. If you've ever wanted to experience the feeling of 1,626 …

SOURCE: Vulture at 2:33am on April 23, 2018

Theater Review: An Unaccustomed Approach to My Fair Lady by Sara Holdren

A week ago, I wrote about my problems with the current Broadway revival of a very well-loved musical. If shows like Carousel, My Fair Lady, and Kiss Me Kate want to avoid getting shelved, I …

SOURCE: Vulture at 10:54pm on April 19, 2018

Theater Review: Matthew Broderick As the Baddest Bad Guy, in The Seafarer by Sara Holdren

I have a thing for the devil. He"or it"is the immortal reject, the essence of loneliness, of the eternally disappointed desire to belong. The devil wants friends. He wants a bit of his own b…

SOURCE: Vulture at 9:00pm on April 18, 2018
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