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1,097 stories by "Victor Gluck, Editor-In-Chief"

Titus Andronicus by Victor Gluck, Editor-in-chief

While 'Titus Andronicus" is not for the squeamish, it has definite importance in Shakespeare's canon showing us where he started, how he was influenced by his contemporaries, and how he deve…

SOURCE: www.theaterscene.net at 11:35pm on April 14, 2026

How My Grandparents Fell in Love by Victor Gluck, Editor-in-chief

Playwright Cary Gitter and composer Neil Berg's "How My Grandparents Fell in Love," their follow-up musical to "The Sabbath Girl" also seen at 59E59 Theaters, is a charming old school two-ch…

SOURCE: www.theaterscene.net at 10:46pm on April 13, 2026

Cats: The Jellicle Ball by Victor Gluck, Editor-in-chief

The company of PAC NYC production of "Cats: The Jellicle Ball" at the Broadhurst Theatre (Photo credit: Matthew Murphy and Evan Zimmerman for MurphyMade) In recent years we have been offered…

SOURCE: www.theaterscene.net at 9:39pm on April 12, 2026

Nicole Travolta Is Doing Alright by Victor Gluck, Editor-in-chief

Nicole Travolta, a member of the famous Hollywood family, has turned her life into a one-woman show that is introducing her to the New York stage. "Nicole Travolta is Doing Alright" is an en…

SOURCE: www.theaterscene.net at 5:52pm on April 12, 2026

Public Charge by Victor Gluck, Editor-in-chief

If you ever wondered what it is really like to work in the corridors of power, "Public Charge" based on the political career of Julissa Reynoso, an idealistic diplomat who was Deputy Assista…

SOURCE: www.theaterscene.net at 11:26pm on April 8, 2026

No Singing in the Navy by Victor Gluck, Editor-in-chief

"School Pictures," Milo Cramer's last New York show, a solo musical, was wildly inventive, hilarious funny, and extremely insightful about the New York education system, based on his own exp…

SOURCE: www.theaterscene.net at 7:43pm on April 7, 2026

Jesa by Victor Gluck, Editor-in-chief

The dominant form of American theater since Edward Albee's "Who's Afraid of Virigina Woolf?" has been the dysfunctional family drama of which there have been countless such plays. The newest…

SOURCE: www.theaterscene.net at 4:28pm on March 31, 2026

Monte Cristo by Victor Gluck, Editor-in-chief

Sierra Boggess and Adam Jacobs in a scene from the York Theatre's production of the musical "Monte Cristo" at Theatre at St. Jean's (Photo credit: Carol Rosegg) After the musicals based on t…

SOURCE: www.theaterscene.net at 10:53pm on March 30, 2026

Antigone (This Play I Read in High School) by Victor Gluck, Editor-in-chief

The world premiere of Anna Ziegler's new play, "Antigone (This Play I Read in High School)" now at The Public Theater, is one of four ambitious attempts to update Sophocles' tragedy playing …

SOURCE: www.theaterscene.net at 2:00pm on March 30, 2026

The Paparazzi by Victor Gluck, Editor-in-chief

Ryan Howell's Art Deco unit set with the outline of the Chrysler Building gives the story a midtown feel but does not make clear when all this is happening. The costumes by Cathy Small are c…

SOURCE: www.theaterscene.net at 11:46pm on March 28, 2026

Blood/Love by Victor Gluck, Editor-in-chief

"Blood/Love," the Vampire Pop Opera, may just have the most energy of any musical in town. Dynamic, obsessive and seductive this rock opera is the kind they don't seem to write any more. Thi…

SOURCE: www.theaterscene.net at 11:13pm on March 25, 2026

The Silent Serenade by Victor Gluck, Editor-in-chief

Mannes Opera's production of "The Silent Serenade" now seems retro with its lilting score, a combination of Johann Strauss II and Jerome Kern who was working in Hollywood during Korngold's t…

SOURCE: www.theaterscene.net at 11:53pm on March 24, 2026

Burnout Paradise by Victor Gluck, Editor-in-chief

"Burnout Paradise" is the most unique show in New York right now and enormous fun. A sort of athletic performance piece, it is also an interactive circus competition. Four members from the A…

SOURCE: www.theaterscene.net at 6:41pm on March 22, 2026

Trash by Victor Gluck, Editor-in-chief

James Caverly and Andew Morrill's Trash is a provocative play about two late 20s deaf roommates who have nothing in common except sharing an apartment. However, what is most intriguing about…

SOURCE: www.theaterscene.net at 11:49pm on March 19, 2026

Bigfoot! A New Musical by Victor Gluck, Editor-in-chief

The latest show about intolerance and social outcasts is the delightful "Bigfoot! A New Musical," now at New York City Center Stage I. Similar in plot to "Bat Boy: The Musical" but with a ha…

SOURCE: www.theaterscene.net at 4:25pm on March 17, 2026

Zack by Victor Gluck, Editor-in-chief

While not the classic that "Hobson's Choice" has become, Harold Brighouse's follow-up play "Zack" proves to be a charming Edwardian comedy drama in the Mint Theater Company's production whic…

SOURCE: www.theaterscene.net at 10:03pm on March 14, 2026

Our House by Victor Gluck, Editor-in-chief

Billed as a "comedy in two acts" on its title page, it is not funny nor does it deal with comic material, though the direction tries to emphasize its bitchier moments. Its plot involves homo…

SOURCE: www.theaterscene.net at 10:53pm on March 10, 2026

Chinese Republicans by Victor Gluck, Editor-in-chief

Unlike "Glengarry Glen Ross" which also begins at luncheon meetings in a Chinese restaurant but then took us to the office in its second act, "Chinese Republicans" is mostly set at the month…

SOURCE: www.theaterscene.net at 10:23pm on March 8, 2026

The Reservoir by Victor Gluck, Editor-in-chief

Alcoholism and Alzheimer's wouldn't seem to have much in common. However, Jake Brasch cleverly links the two in his comedy drama "The Reservoir," the story of a recovering drunk on leave fro…

SOURCE: www.theaterscene.net at 3:55pm on March 7, 2026

The Waterfall by Victor Gluck, Editor-in-chief

Not only does Phanésia Pharel's "The Waterfall" have a great deal to say, it is also very revealing of immigrant views on the American Dream. A tour de force for two actresses, Taylor Reyno…

SOURCE: www.theaterscene.net at 12:48pm on February 24, 2026

The Monsters by Victor Gluck, Editor-in-chief

Written and directed by Ngozi Anyanwu, author of "The Last of the Love Letters" (Atlantic Theater Company) and "Good Grief" (Vineyard Theatre), 'The Monsters" is a tour de force for two acto…

SOURCE: www.theaterscene.net at 6:19pm on February 22, 2026

The Dinosaurs by Victor Gluck, Editor-in-chief

Like Beth Wohl's Liberation, Jacob Perkins' "The Dinosaurs" follows a group of women who meet weekly to discuss a problem that interests them, in this case alcoholic addiction. Covering many…

SOURCE: www.theaterscene.net at 8:19pm on February 21, 2026

The Tragedy of Coriolanus (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

Tata's staging is also problematic making  almost every scene look like every other. The mob scenes have been reduced to five actors (other than the lead characters) which does not sugges…

SOURCE: www.theaterscene.net at 5:28pm on February 19, 2026

The Other Place by Victor Gluck, Editor-in-chief

Going along with leaving much unsaid, Zeldin in his direction has kept things rather slow and leisurely so that the play's 80 minutes seems much longer. Also much of the backstory is missing…

SOURCE: www.theaterscene.net at 11:31pm on February 16, 2026

Just Desserts: A Musical Bake-Off by Victor Gluck, Editor-in-chief

"Just Desserts" is an entertaining satire on competitions, "a musical bake-off." With witty songs and colorful characters this show with book and lyrics by Barbara Campbell and music by Brad…

SOURCE: www.theaterscene.net at 10:30pm on February 15, 2026
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