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2,003 stories by "Scotty Zacher"

Revew: Noel Coward in Two Keys (ShawChicago) by Scotty Zacher

Playwright Noel Coward is known for his sharp, witty dialogue. This double-play goes from playful to impactful in 2.5 hours. It's all about letting go of the present and the past! Noel Co…

SOURCE: Chicago Theater Beat at 12:34am on October 18, 2011

Review: Follies (Chicago Shakespeare Theater) by Scotty Zacher

The music of Follies is heavy on the hooks, making the score pleasantly infectious. The cast is chockfull of heavy hitters who know how to use the power of their voices for maximum effect. I…

SOURCE: Chicago Theater Beat at 6:43pm on October 15, 2011

Review: The Ugly One (Sideshow Theatre) by Scotty Zacher

Playwright Seth Bockley uses sprightly playfulness to archly deconstruct society's contradictory extremes of conformity and celebrity worship. It's a satire that earns its stage. Recommended.

SOURCE: Chicago Theater Beat at 3:59pm on October 15, 2011

Review: OVERWEIGHT, unimportant: MISSHAPE " A European Supper (Trap Door Theatre) by Scotty Zacher

Werner Schwab's play is certainly fascinating, looking at obsession unchecked, wrapping up the deterioration of humanity through a well-paced bar brawl. A weighty message, yes, but it's sha…

SOURCE: Chicago Theater Beat at 2:05pm on October 15, 2011

Review: The Spirit Play (Strange Tree Group, Chicago) by Scotty Zacher

Playwright Emily Schwartz has created a lovely diversion for the season of witches, ghosts and the truly hallowed Day of the Dead .

SOURCE: Chicago Theater Beat at 4:54pm on October 13, 2011

Review: Old Times (Strawdog Theatre) by Scotty Zacher

Strawdog has created a well-executed Harold Pinter production, taking us deeply into the interior lives of three characters played by Abigail Boucher, Michaela Petro, and John Henry Roberts.…

SOURCE: Chicago Theater Beat at 5:46pm on October 12, 2011

Review: Lucia di Lammermoor (Lyric Opera of Chicago) by Scotty Zacher

Under the stage direction of Catherine Malfitano, Susanna Phillips as Lucia delightfully transforms from sweet innocent to spurned lover to full-on bonkers. Every level of passion is brillia…

SOURCE: Chicago Theater Beat at 5:16pm on October 11, 2011

Review: Den of Thieves (The Consortium Project) by Scotty Zacher

Den of Thieves is so poorly written that it never has the chance to be a good play. Though sometimes bordering on hammy, the performances are generally strong, partly resuscitating a few mom…

SOURCE: Chicago Theater Beat at 2:19pm on October 11, 2011

Review: The Argument (Interrobang Theatre Project) by Scotty Zacher

Through emotional writing by playwright Gregory Moss, effective performances and excellent scenery, The Argument paints a stark portrait of fear, determination and unselfish love - leaving t…

SOURCE: Chicago Theater Beat at 12:35pm on October 11, 2011

Review: Snapshots (Northlight Theatre) by Scotty Zacher

Schwartz' soaring music resonantly heals a couple on the precipice of divorce. But, taken out of the context of their sources, not all the songs carry their original weight. Still, "Snaps…

SOURCE: Chicago Theater Beat at 8:53pm on October 9, 2011

Review: Rodgers & Hart, A Celebration (Light Opera Works) by Scotty Zacher

A powerful team in their multi-decade collaboration, Rodgers and Hart combined light melody with words often gritty and grave. Thankfully, their songs live on and productions such as Rodgers…

SOURCE: Chicago Theater Beat at 7:01pm on October 9, 2011

Review: Caesura: A Butchery (The Plagiarists) by Scotty Zacher

While I appreciate The Plagiarists' ambition, at a fast-paced intermission-free 90 minutes, Caesura: A Butchery is interesting but exhausting " and has limited appeal, attracting a very spec…

SOURCE: Chicago Theater Beat at 4:55pm on October 7, 2011

Review: The Fever Chart: Four Visions of the Middle East (Eclipse Theatre) by Scotty Zacher

Now that Eclipse Theatre has ended its 2010-2011 season of seminal works with "The Fever Chart: Four Visions of the Middle East," by the very committed playwright Naomi Wallace, it's easy to…

SOURCE: Chicago Theater Beat at 8:34pm on October 6, 2011

Review: The Great Fire (Lookingglass Theatre) by Scotty Zacher

The flames have intensified since the first time Lookingglass Theatre tackled the great Chicago fire of 1871. With the company's remount of John Musial's 1999 piece, the blaze seems to have …

SOURCE: Chicago Theater Beat at 7:33pm on October 6, 2011

Review: Carrie Fisher, Wishful Drinking (Broadway in Chicago) by Scotty Zacher

From a book by the same name, Carrie Fisher has created a tell-all one woman show, exposing her life - the good and the bad and in-between - for the audience to experience and laugh along wi…

SOURCE: Chicago Theater Beat at 5:20pm on October 6, 2011

Review: Scott Janus: Monster Hunter! (New Millennium Theatre) by Scotty Zacher

Paul Czarnowksi's original play, Scott Janus: Monster Hunter, is an homage to the camp horror films of the 50's and 60's. Unfortunately, the most terrifying thing about this play is that it …

SOURCE: Chicago Theater Beat at 8:39am on October 6, 2011

Review: A Touch of the Poet (The Artistic Home) by Scotty Zacher

The Aristic Home's A Touch of the Poet captivates with timeless themes. Long after the curtain, one continues to contemplate playwright Eugene O'Neill's characters' outcomes. Recommended.

SOURCE: Chicago Theater Beat at 2:14pm on October 5, 2011

Review: Violet (Bailiwick Chicago) by Scotty Zacher

Violet's story has its holes, but seldom have songs served a story so strongly. Suiting the style to the singer, Jeanine Tesori's score offers a rich and unforced mix of blues, soul, country…

SOURCE: Chicago Theater Beat at 7:00pm on October 4, 2011

Review: Brand (Red Tape Theatre) by Scotty Zacher

The play is not for the faint-of-'mind' (it's far too high-minded to touch the heart). It's unapologetic in its quick delivery and demands its audience participate with an attention as absol…

SOURCE: Chicago Theater Beat at 5:11pm on October 4, 2011

Review: Becky Shaw (A Red Orchid Theatre) by Scotty Zacher

A carefully plotted acid bath of a story, A Red Orchid Theatre's 'Becky Shaw' traces the damage of a blind date so torrentially godawful that it ruins the marriage of the couple who set it u…

SOURCE: Chicago Theater Beat at 2:12pm on October 4, 2011

Review: Burying Miss America (New Leaf Theatre) by Scotty Zacher

From the play's first moment " when Boxer (Ted Evans) reluctantly accepts a tearful embrace from sister Jean (Marsha Harman) " Burying Miss America feels achingly familiar and utterly authen…

SOURCE: Chicago Theater Beat at 9:07am on October 4, 2011

Review: The Tales of Hoffman (Lyric Opera Chicago) by Scotty Zacher

As is The Lyric hallmark, The Tales of Hoffman is a visual spectacle. Set Designer Ezio Frigerio has constructed an over-sized metal framework complete with elevators and a smoke-puffing tr…

SOURCE: Chicago Theater Beat at 11:23pm on October 3, 2011

Review: The Shadow of a Gunman (Seanachai Theatre) by Scotty Zacher

John Mossman's directorial choices make Sean O'Casey's 1923 Irish play feel like a genuine reenactment of a moment in history.

SOURCE: Chicago Theater Beat at 6:14pm on October 2, 2011

Review: Pussy on the House (Hell in a Handbag Productions) by Scotty Zacher

Though at times the rooftop shenanigans wear thin (feeling forced), the pell-mell, helter-skelter, take-no-prisoners daffiness of Ryan Landry's catty script and Director Matthew Gunnel's del…

SOURCE: Chicago Theater Beat at 7:27pm on September 30, 2011

Review: Speaking in Tongues: The Chronicles of Babel(MPAACT Chicago) by Scotty Zacher

MPAACT has consistently offered up an excellent and realistic portrayal of Black life in Chicago and America. Go see this play. You will learn what was most likely skipped in your civics cla…

SOURCE: Chicago Theater Beat at 5:55pm on September 30, 2011
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