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2,003 stories by "Scotty Zacher"

Review: Memphis (Broadway in Chicago) by Scotty Zacher

Arriving in Chicago with the hype that invariably accompanies a megahit Tony-winning musical, *Memphis* is a fitting sonic blast of down 'n dirty, blues-infused rock and roll, offering the i…

SOURCE: Chicago Theater Beat at 12:56am on December 3, 2011

Review: The Pirates of Penzance (The Hypocrites) by Scotty Zacher

If you want to see some invigorating theatre, go see The Hypocrites' The Pirates of Penzance. The production reaffirms that theatre has no rules or boundaries, quite literally, as the cast a…

SOURCE: Chicago Theater Beat at 10:03pm on December 2, 2011

Review: It's a Wonderful Life (American Blues Theater) by Scotty Zacher

The wonderful thing about IAWL is that it's a comforting holiday story that's accessible to anyone, regardless of religious affiliation, and has acceptable levels of holiday cheer woven into…

SOURCE: Chicago Theater Beat at 9:42am on December 2, 2011

Review: Changes of Heart (Remy Bumppo Theatre) by Scotty Zacher

Though overly talkative, *Changes of Heart* has plenty to recommend it, starting with a witty, acerbic script. But Stephen Wordsworth's translation of the Marivaux play needs more showing, …

SOURCE: Chicago Theater Beat at 11:52am on November 30, 2011

Review: Pump Boys and Dinettes (Theo Ubique Cabaret Theatre) by Scotty Zacher

Sassy and soulful, *Pump Boys and Dinettes* is a delightful throwback sure to leave you grinning and humming as you exit the theater-turned-redneck-diner. Highly Recommended.

SOURCE: Chicago Theater Beat at 6:22pm on November 28, 2011

Review: The Santaland Diaries (Theater Wit) by Scotty Zacher

Sly and effortlessly endearing, Mitchell Fain as Santaland's elf plays the audience like a mouth harp, mischievously relishing the delicious details and shock effects of David Sedaris' naugh…

SOURCE: Chicago Theater Beat at 8:58pm on November 26, 2011

Review: The Jackie Wilson Story (Black Ensemble Theater) by Scotty Zacher

Under Ms. Jackie Taylor's vision and direction, *The Jackie Wilson Story* is an American tragedy no matter the color. Fulfilling their mission statement of eradicating racism through theater…

SOURCE: Chicago Theater Beat at 7:23pm on November 26, 2011

Review: The Christmas Schooner (Mercury Theater) by Scotty Zacher

*The Christmas Schooner*, a characteristically commercial celebration of entrepreneurial and meteorological risk-taking, is just what Santa ordered. Reflecting our tough-loving yet sentiment…

SOURCE: Chicago Theater Beat at 4:12pm on November 26, 2011

Review: Peer Gynt (Polarity Ensemble Theatre) by Scotty Zacher

Directed by Jeremy Wechsler, Polarity Theatre's dramatic incarnation of Henrik Ibsen's *Peer Gynt* lacks focus, failing to ground itself or flesh out its characters at length. This creates i…

SOURCE: Chicago Theater Beat at 1:20pm on November 26, 2011

Review: Fiddler on the Roof (Broadway in Chicago) by Scotty Zacher

As Tevye, John Preece has been in over 3,400 productions of Fiddler, and he's played the lead over 1,700 times. And it shows! Preece is a perfectly, personable Tevye, commanding the stage …

SOURCE: Chicago Theater Beat at 5:25pm on November 25, 2011

Review: Burning Bluebeard (Neo-Futurists) by Scotty Zacher

Jay Torrence's beautiful play explores the events and the memories of the 1903 Iroquois Theatre fire, where 600 people died during a matinee performance of the holiday play Mr. Bluebeard. Th…

SOURCE: Chicago Theater Beat at 1:15pm on November 24, 2011

Review: We Are Not These Hands (Right Brain Project) by Scotty Zacher

Playwright Sheila Callahan's *We Are Not These Hands* pulls you in and makes you care about this world - so much so that you want Callaghan to explain it more than she does. The work is an …

SOURCE: Chicago Theater Beat at 10:27am on November 24, 2011

Review: Date Me! and Sound of Silence (Salomee Speelt) by Scotty Zacher

A fascinating import from Belgium, this Americanized double bill of sexually driven one-acts showcases the range and depth of Antwerp's collective Salomee Speelt. Though performed separately…

SOURCE: Chicago Theater Beat at 8:46pm on November 21, 2011

Review: Ariadne auf Naxos (Lyric Opera of Chicago) by Scotty Zacher

              Ariadne auf Naxos   Composed by Richard Strauss    Libretto by Hugo von Hofmannsthal Conducted b…

SOURCE: Chicago Theater Beat at 6:49pm on November 21, 2011

Review: An Iliad (Court Theatre) by Scotty Zacher

*An Iliad* is exhausting and exhaustive; you'll feel utterly wonderfully rinsed out by the time Timothy Edward Kane's through with you, coming out sadder, wiser and humbled by the whims of …

SOURCE: Chicago Theater Beat at 4:47pm on November 21, 2011

Review: Junie B. Jones (Emerald City Theatre) by Scotty Zacher

In Junie B. Jones, Emerald City Theatre combines a sweet and smart script, confident direction, strong production elements and giddy actors to illustrate the true meaning of Christmas. Givin…

SOURCE: Chicago Theater Beat at 3:56pm on November 21, 2011

Review: Season's Greetings (Northlight Theatre) by Scotty Zacher

*Season's Greetings* is entertaining but not in a Hollywood-holiday-classic-way. The ending is realistic rather than sentimental. There is no Christmas miracle, meaning Northlight's product…

SOURCE: Chicago Theater Beat at 2:17pm on November 21, 2011

Review: The Gray Girl (Factory Theater) by Scotty Zacher

Overall, Factory Theater's production of The Gray Girl is underwhelming. With the culmination of an unfocused play, overwhelming volume, mediocre fight choreography and unmotivated character…

SOURCE: Chicago Theater Beat at 3:19pm on November 20, 2011

Review: All Childish Things (Hubris Productions) by Scotty Zacher

Hubris Productions' *All Childish Things* consists of only one likeable character which, unfortunately, does not bode well for the play as a whole. This show, about the planning and executi…

SOURCE: Chicago Theater Beat at 1:25pm on November 20, 2011

Review: Seascape with Sharks and Dancer (Promethean Theatre) by Scotty Zacher

Seascape with Sharks and Dancer is worth seeing for the bravura performances but steel yourself to be ticked off by the viciousness of one character and the bulldozing of the other. Slightl…

SOURCE: Chicago Theater Beat at 6:48pm on November 19, 2011

Review: Sweet Confinement (SiNNERMAN Ensemble) by Scotty Zacher

Sinnerman Ensemble has created an incredibly absorbing drama of friends dealing with a suicide. Watching them come together or fall apart in this 80-minute revival is redemptive way beyond …

SOURCE: Chicago Theater Beat at 12:32pm on November 19, 2011

Review: Ann (Broadway in Chicago) by Scotty Zacher

There can never be enough shows about successful, professional women who stoop to conquer. In Ann: An Affectionate Portrait of Ann Richards, Holland Taylor portrays a legendary steel magnoli…

SOURCE: Chicago Theater Beat at 12:03am on November 19, 2011

Review: Five Flights (Immediate Theatre) by Scotty Zacher

Playwright Adam Bock has penned a lyrical allegory on life and death... the stuff in-between and the stuff after. Immediate Theatre, under the careful direction of Peter Cieply, has created…

SOURCE: Chicago Theater Beat at 11:19am on November 17, 2011

Review: The Nutcracker (House Theatre of Chicago) by Scotty Zacher

Putting a new spin on a beloved story is never easy and always risky. The House Theatre's magical production of *The Nutcracker* is daring, imaginative and makes a true artistic statement fr…

SOURCE: Chicago Theater Beat at 9:48am on November 17, 2011

Review: Let My People Come (Street Tempo Theatre) by Scotty Zacher

As a group, the actors of the Street Tempo Theatre cast are cocky. As singles, they are vulnerable. And like sex, adding a partner(s) adds to heightened gratification. Throughout this raunch…

SOURCE: Chicago Theater Beat at 9:09am on November 16, 2011
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