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2,003 stories by "Scotty Zacher"

Review: La Bayadère " The Temple Dancer (Joffrey Balley) by Scotty Zacher

This historic ballet is a visual and aural treat, a rarity that will appeal to newbies and veterans alike, and literally the best work I've seen this company do. In fact, Joffrey's La Bayad…

SOURCE: Chicago Theater Beat at 5:43pm on October 18, 2013

Review: A Year with Frog and Toad (Chicago Children's Theatre) by Scotty Zacher

It's been awhile since a show gave me such a good feeling as I left the theater, and hopefully it will do the same for you. Highly Recommended. (read more...)

SOURCE: Chicago Theater Beat at 8:51pm on October 17, 2013

Review: The Teddy Bears' Picnic (Emerald City Theatre) by Scotty Zacher

If you want to introduce your kids to theater, this show is a fun and creative way to do so. I'm sure your kids will have a memorable time at this charming show, and my guess is you'll enjoy…

SOURCE: Chicago Theater Beat at 6:02pm on October 17, 2013

Review: Smokefall (Goodman Theatre) by Scotty Zacher

Despite a talented cast and imaginative set, Smokefall falls fast, as Playwright Noah Haidle fails to trust the audience's ability to pick up the themes without an evening of dramatic concei…

SOURCE: Chicago Theater Beat at 9:13am on October 16, 2013

Review: Heist Play (Ruckus Theater) by Scotty Zacher

Exposing itself as an empty exercise in stylized emoting, Heist Play's histrionics are wasted since nothing seems to be at stake. It might be easy to summise that the show is too damn long,…

SOURCE: Chicago Theater Beat at 11:22pm on October 15, 2013

Review: The North China Lover (Lookingglass Theatre) by Scotty Zacher

Though all of the elements are here, adaptor/director Heidi Stillman misses one essiential thing: respect for the audience's intelligence. If only Stillman had left out the superfluous narr…

SOURCE: Chicago Theater Beat at 7:45pm on October 15, 2013

Review: Master Class (Theo Ubique Cabaret Theatre) by Scotty Zacher

Theo Ubique's production is an intimate glimpse into the sometimes tyrannical but always fascinating opera star, with thoughtful direction, transcendent vocals and a bravura lead performance…

SOURCE: Chicago Theater Beat at 9:28am on October 15, 2013

Review: Clybourne Park (Redtwist Theatre) by Scotty Zacher

Such a worthy 21st century successor to one of the most important plays of the 20th, Clybourne Park is a simply brilliant must-see. (read more...)

SOURCE: Chicago Theater Beat at 8:41pm on October 14, 2013

Review: Wrecks (Profiles Theatre) by Scotty Zacher

                Wrecks  Written by Neil LaBute   Directed by Jason Gerace at Profiles Theatre, 4147 N. Br…

SOURCE: Chicago Theater Beat at 4:39pm on October 14, 2013

Review: The Binding (Theatre Y) by Scotty Zacher

An artistic yet ostentatious exploration of morality, this entire production is a visual treat. Unfortunately, however, the whole is less than the sum of its parts here. This is all a shame,…

SOURCE: Chicago Theater Beat at 4:13pm on October 14, 2013

Review: They Saved Hitler's Brain and Put It in Walt Disney (The Charnel House) by Scotty Zacher

What begins as a fairly interesting premise as outlined in the title soon degenerates into random acts of sex and violence. What you're left with is two hours of pointless depravity. (read …

SOURCE: Chicago Theater Beat at 10:48am on October 13, 2013

Review: Once (Broadway in Chicago) by Scotty Zacher

A profoundly moving piece of theater. Highly Recommended.

SOURCE: Chicago Theater Beat at 7:37pm on October 12, 2013

Review: Otello (Lyric Opera of Chicago) by Scotty Zacher

Otello kicks off the Lyric season with panache, proving once again why it is America's premier opera house. Not only is their cast stellar, but they have depth on the bench ready to dress an…

SOURCE: Chicago Theater Beat at 4:06pm on October 12, 2013

Review: Fall Series 2013 (Hubbard Street Dance Chicago) by Scotty Zacher

Hubbard Street's 2013 Fall Series is a painting of thought processes mingled with pure passion, coming together to create an exciting, thoroughly satisfying program. (read more...)

SOURCE: Chicago Theater Beat at 11:37pm on October 11, 2013

Review: Directions for Restoring the Apparently Dead (Pride Films and Plays) by Scotty Zacher

Throughout the show, Directions for Restoring the Apparently Dead gives helpful tips for reviving someone that is lifeless. It's clever schtick. We just would recommend the play embrace it…

SOURCE: Chicago Theater Beat at 10:52pm on October 10, 2013

Review: Northanger Abbey (Remy Bumppo) by Scotty Zacher

Northanger Abbey is a lot to love. Although Act I could be tightened up, the overall show is one big, beautiful, bright frolic. In dire need of a romantic comedy? This will solve your cra…

SOURCE: Chicago Theater Beat at 9:13am on October 10, 2013

Review: Lydia (National Pastime Theater) by Scotty Zacher

               Lydia Written by Octavio Solis  Directed by Cecilie Keenan National Pastime Theater, 941 W. Lawrence (map…

SOURCE: Chicago Theater Beat at 9:04am on October 9, 2013

Review: Gershwin's Greatest Hits (Light Opera Works) by Scotty Zacher

                Gershwin's Greatest Hits  Music by George Gershwin  Directed by George Andrew Wolff at Nichols…

SOURCE: Chicago Theater Beat at 9:35am on October 8, 2013

Review: Cyrano de Bergerac (Chicago Shakespeare Theater) by Scotty Zacher

With Anthony Burgess' translation of the ultimate rom-com tear-jerker, Chicago Shakespeare mounts a sumptuous love story on a scale as monumental as the unfortunate snout of it titular hero.…

SOURCE: Chicago Theater Beat at 10:10am on October 7, 2013

Review: Motortown (Steep Theatre) by Scotty Zacher

Motortown is Steep Theatre's signature move kicked up a notch. The anticipated tension is there but super-charged, like walking through a field of land mines holding a grenade. It's an unf…

SOURCE: Chicago Theater Beat at 8:17pm on October 6, 2013

Review: Broadsword " A Heavy Metal Play (The Gift Theatre) by Scotty Zacher

The phenomenal cast highlighted by John Kelly Connolly and Cyd Blakewell, along with Stephen H. Carmody's incredible set, make Broadsword an enjoyable evening. This Faustian tale may not pre…

SOURCE: Chicago Theater Beat at 12:29am on October 6, 2013

Review: The Last Hand (Inglis Hall Productions) by Scotty Zacher

Despite an over-long and redundant set-up, Last Hand still manages to engage with an almost surreal quality, focusing on the goodness in men and the ability to choose to leave a gang. With s…

SOURCE: Chicago Theater Beat at 3:28pm on October 5, 2013

Review: The Book of Spectres (Grey Ghost Theatre) by Scotty Zacher

While I enjoyed Book of Spectres, the production as a whole falls short. Much of this is due to the uneven script, which five extremely capable actors elevate as much as they can " but still…

SOURCE: Chicago Theater Beat at 12:23pm on October 5, 2013

Review: Four Quartets (Mirovelle Partners at Provision Theater) by Scotty Zacher

There's good theater and there's bad theater. Then, there's self-indulgent theater: productions that exists only because the people working on them are interested in seeing themselves in the…

SOURCE: Chicago Theater Beat at 8:58pm on October 4, 2013

Review: Veronica's Room (BoHo Theatre) by Scotty Zacher

My best recommendation is to do as I did, and sit in the front row for maximum chill. Those of you who like to be grabbed not by hands under a bed but by fingers under your skin, hurry on do…

SOURCE: Chicago Theater Beat at 9:15am on October 4, 2013
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