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2,003 stories by "Scotty Zacher"

Review: To End to Seem to End (Curious Theatre Branch) by Scotty Zacher

Playwright Jayita Bhattacharya admirably gives us the feelings of loneliness both from a decaying relationship and the loss of that relationship in universal terms, and there's enough variet…

SOURCE: Chicago Theater Beat at 12:23am on November 5, 2013

Review: Joint Attention (Three Cat Productions) by Scotty Zacher

Playwright Pat Curtis has devised a script that clearly lays out the medical issues at stake when treating autism, but at the expense of character development; there's no way, then, to empat…

SOURCE: Chicago Theater Beat at 8:39pm on November 4, 2013

Review: All Girl Frankenstein (The Chicago Mammals) by Scotty Zacher

Bob Fisher's script showcases the 'inner demons' in the entire Frankenstein's household rather than just the monster on the loose. All Girl Frankenstein is not your typical monster flick. …

SOURCE: Chicago Theater Beat at 10:25am on November 4, 2013

Review: Good Thing (The Poor Theatre) by Scotty Zacher

Good Thing is mostly a good thing. The story is thought-provoking, but the script could be tighter and the dialogue more natural. Still, long after the curtain, I continued to ponder the pla…

SOURCE: Chicago Theater Beat at 5:45pm on November 3, 2013

Review: Hello Dolly! (Drury Lane Theatre) by Scotty Zacher

A pleasant way to end one year and begin another, Rachel Rockwell's cumulatively delightful revival may not be the most sumptuous recreation, but it's got spunk to spare, even heart, especia…

SOURCE: Chicago Theater Beat at 9:36pm on October 31, 2013

Review: The Sovereign Statement (The Neo-Futurists) by Scotty Zacher

Rarely does an entire audience get to feel like they are vital participants of a scripted play. Get your passport stamped and become a citizen of the incredibly innovative Sovereign Statemen…

SOURCE: Chicago Theater Beat at 4:55pm on October 31, 2013

Review: King John (Linchpin Theatre) by Scotty Zacher

I'm not saying Shakespearean is easy, but there has to be more passion and thought put into it than what's being presented here. Lifeless, dull, and self-indulgent " this is one King who o…

SOURCE: Chicago Theater Beat at 3:29pm on October 31, 2013

Review: The Goddess (The Artistic Home) by Scotty Zacher

Artistic Homes' talented ensemble and colorful storytelling, makes this a thoroughly enjoyable evening. The Goddess is an opportunity for you to see the tarnished side of Hollywood's Golden …

SOURCE: Chicago Theater Beat at 9:12am on October 30, 2013

Review: Pleasant Dreams (Two Lights Theatre) by Scotty Zacher

Playwright John Schneider's characters are shells, instruments for dialogue that aim to be provocative but only succeed in striking poses. In the end, one wants to hear more from the Pleasan…

SOURCE: Chicago Theater Beat at 8:53am on October 29, 2013

Review: The Wedding Singer (Haven Theatre) by Scotty Zacher

The music performances and dancing here are impressive, and Director Jess McLeod keeps the whole affair moving briskly, as it should. But the production feels cramped and, being this is a st…

SOURCE: Chicago Theater Beat at 6:02pm on October 28, 2013

Review: Pygmalion (Shaw Chicago) by Scotty Zacher

               Pygmalion Written by George Bernard Shaw Directed by Robert Scogin   Ruth Page Center, 1016 N. Dearb…

SOURCE: Chicago Theater Beat at 1:20pm on October 28, 2013

Review: The Odd Couple " Female Version (Robert Bills Productions) by Scotty Zacher

In this gender reversal, Neil Simon has not really created characters - they are caricatures, which is fine for a skit but well nigh unbearable for over two hours. The ensemble fails to brea…

SOURCE: Chicago Theater Beat at 5:32pm on October 27, 2013

Review: Warm on the Coolin' Board (MPAACT) by Scotty Zacher

A tale of survival and trying to make it in a world that gets uglier by the day, this is a play of beautiful music and messages. Unfortunately, the play drags on longer than it should, which…

SOURCE: Chicago Theater Beat at 9:12pm on October 25, 2013

Review: Lord of the Flies (Steppenwolf Theatre) by Scotty Zacher

Overall, this is one of the most fluid transitions from the page to the stage that I've ever seen, and so much of that comes through in how seriously the creative team and cast treat this cl…

SOURCE: Chicago Theater Beat at 8:26am on October 25, 2013

Review: Trevor (A Red Orchid Theatre) by Scotty Zacher

I don't think there's a touch light enough to make Trevor, with its uneven mélange of Hollywood in-jokes and tabloid titillation, both funny and true, despite Director Shade Murray's merry …

SOURCE: Chicago Theater Beat at 9:00pm on October 24, 2013

Review: We Will Rock You (Broadway in Chicago) by Scotty Zacher

In this gaudy Mama Mia look-alike, everyone is mugging at such a ferocious volume that it can only be matched by the massive live band playing over all. Slick as an iPhone, We Will Rock You…

SOURCE: Chicago Theater Beat at 12:07am on October 24, 2013

Review: Harry and the Thief (Pavement Group Chicago) by Scotty Zacher

You can see Harry & the Thief for its message, its spectacle, its action, or its humor, but you should definitely see it. Most of all, see this production because Pavement Group present…

SOURCE: Chicago Theater Beat at 9:12am on October 23, 2013

Review: Lydie Breeze (Ka-Tet Theatre) by Scotty Zacher

Lydie Breeze might be rich in atmosphere and style, but that doesn't really matter if it overtakes the characters and storyline. And while this production tries to rise above the faults in …

SOURCE: Chicago Theater Beat at 11:27pm on October 22, 2013

Review: Shadow Town (Her Story Theater) by Scotty Zacher

Simply put, this is the best show I have seen all year " even before accounting for the fact that it raises money and awareness towards the serious problem of sex-trafficking here in Chicago…

SOURCE: Chicago Theater Beat at 9:07am on October 22, 2013

Review: Madama Butterfly (Lyric Opera of Chicago) by Scotty Zacher

I'm always blown away by Puccini's haunting way he captures the misery of loving deeply and tragically. For diehard and wannabe opera lovers, this Madama Butterfly is especially exquisite. …

SOURCE: Chicago Theater Beat at 8:52pm on October 20, 2013

Review: Compulsion (Next Theatre) by Scotty Zacher

Compulsion is well-named. Rinne Groff's driving drama depicts one man's obsession with a tragedy that was more universal than he could allow. This Chicago premiere is suitably driven by Dire…

SOURCE: Chicago Theater Beat at 8:37am on October 20, 2013

Review: Ragtime (The Milwaukee Rep) by Scotty Zacher

Milwaukee Rep's production is pure perfection in its search for the American Dream. This Ragtime entertains and educates throughout, with all the sonorous, jubilant sounds of a country learn…

SOURCE: Chicago Theater Beat at 9:57pm on October 19, 2013

Review: Hammer (The Right Brain Project) by Scotty Zacher

While the show's conclusion itself is clear, it isn't quite earned by the preceding sequences. Nonetheless, whatever your interpretation of the narrative or preferences on theatrical styles,…

SOURCE: Chicago Theater Beat at 7:46pm on October 19, 2013

Review: The Life and Death of Madam Barker (Red Tape Theatre) by Scotty Zacher

Go for the spectacle but stay for the songs. Despite some clunky lyrics, these engaging tunes by piano-player John Fournier stand out in Red Tape Theatre's world-premiere showcase for the ir…

SOURCE: Chicago Theater Beat at 2:03pm on October 19, 2013

Review: The Table (Blind Summit Theatre at Chicago Shakespeare) by Scotty Zacher

               The Table Derived by the Company Directed by Mark Down  Chicago Shakespeare at Navy Pier (map) thru …

SOURCE: Chicago Theater Beat at 10:32am on October 19, 2013
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