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2,003 stories by "Scotty Zacher"

Review: Apes of Wrath (Second City e.t.c.) by Scotty Zacher

Working with musical director Alex Kliner, Director Jan Ellison has sculpted a fast-paced production that delivers the humor you'd expect from a Second City show around an existential commen…

SOURCE: Chicago Theater Beat at 12:22am on August 10, 2014

Review: Miles Away (The Side Project Theatre) by Scotty Zacher

Despite some naturalistic dialogue, Playwright Christine Whitley delves into the well of heavy symbolism a bit too frequently. It comes off juvenile and disjointed despite the evocative sta…

SOURCE: Chicago Theater Beat at 10:16pm on August 8, 2014

Review: The Year of Magical Thinking (American Players Theatre) by Scotty Zacher

There's sharp power in Joan Didion's memoir that takes the reader down a vortex of willed illusion, of mental illness as magical thinking and a means of coping with grief. That power is mute…

SOURCE: Chicago Theater Beat at 6:28pm on August 8, 2014

Review: Take the Cake (Factory Theater) by Scotty Zacher

Described in the press release as "Bridesmaids" meets "Breaking Bad," Take the Cake has good intentions and a potentially humorous concept. However, Stacie Barra's writing is nothing short o…

SOURCE: Chicago Theater Beat at 12:28am on August 8, 2014

Review: Mike and Seth (The Side Project Theatre) by Scotty Zacher

Daniel Talbott's dialogue rings true, and under Adam Webster's insightful direction, a sleepless night between two friends grappling with the banal crises of life becomes a hidden world into…

SOURCE: Chicago Theater Beat at 5:33pm on August 7, 2014

Review: A Midsummer Night's Dream (Chicago Shakespeare Theater) by Scotty Zacher

A Midsummer Night's Dream has everything it needs going for it, and more than you might expect from free theatre. There's even a concert to open the show courtesy of bands local to the nearb…

SOURCE: Chicago Theater Beat at 8:39pm on August 6, 2014

Review: The Coming World (The Blind Owl) by Scotty Zacher

As talented as young playwright Christopher Shinn has shown to be, this effort is a strange, muddled milieu with an oddly soap operatic quality unbecoming of his skill. The Blind Owl, back f…

SOURCE: Chicago Theater Beat at 10:31am on August 6, 2014

Review: The Marvelous Marvelettes (Black Ensemble Theater) by Scotty Zacher

With The Marvelous Marvelettes, Black Ensemble Theater's Jackie Taylor and playwright Reginald Williams put their story front and center, weaving in plenty of musical interludes throughout. …

SOURCE: Chicago Theater Beat at 7:36pm on August 5, 2014

Review: Intimate Apparel (Eclipse Theatre) by Scotty Zacher

An intricate story of romance, oppression and empowerment, Lynn Nottage's richly told story is packed with historical import and contemporary relevance. (read Catey Sullivan's entire review.…

SOURCE: Chicago Theater Beat at 9:41pm on August 4, 2014

Review: The Beverly Hillbillies, the Musical (Theatre at the Center) by Scotty Zacher

The Beverly Hillbillies, the Musical is harmless enough, but the trip down to Munster to see it isn't a must. And let's hope it doesn't start a trend of setting old sitcoms to music. Otherwi…

SOURCE: Chicago Theater Beat at 5:55pm on August 3, 2014

Review: The Jungle (Oracle Theatre) by Scotty Zacher

This is heavy stuff, to be sure, though the story does end with a measure of hope. This episode of inhumanity is one we as Americans ought to own up to. That it happened in our own city, not…

SOURCE: Chicago Theater Beat at 9:54pm on August 2, 2014

Review: Big Fish (Jedlicka Performing Arts Center) by Scotty Zacher

While JPAC's Big Fish is not as polished a production as you'll usually find among professional companies in the area, Director Dante Orfei brings imagination to his staging. Come to Big Fis…

SOURCE: Chicago Theater Beat at 7:14pm on July 30, 2014

Review: Catch the Fish (The Poor Theatre) by Scotty Zacher

If you are someone who can accept an obvious set-up in the service of some crude jokes, you may enjoy this show. If, however, you are looking for realistic relationships and a story that's …

SOURCE: Chicago Theater Beat at 4:10pm on July 30, 2014

Review: Geezers (Redtwist Theatre) by Scotty Zacher

A satisfying world premiere from Redtwist Theatre, company member Tommy Lee Johnston's two-act heartwarmer Geezers belies its dismissive title. Rising above insult, Jan Ellen Graves' charmin…

SOURCE: Chicago Theater Beat at 7:27pm on July 28, 2014

Review: American Buffalo (American Players Theatre) by Scotty Zacher

American Buffalo swirls through David Mamet's elliptically, at times oddly formal language as Teach, Donny and Bobby provide a window on survival in gutter lane. Director Keith Albers mighti…

SOURCE: Chicago Theater Beat at 4:07pm on July 28, 2014

Review: Hellish Half-Light " Shorter Plays of Samuel Beckett (Mary-Arrchie Theatre) by Scotty Zacher

There's always a risk in staging a playwright's lesser-known works. Hellish Half-Light has all the right ingredients: talented performers, solid production values, and the work of an absurdl…

SOURCE: Chicago Theater Beat at 8:15pm on July 26, 2014

Review: A Small Fire (Steep Theatre) by Scotty Zacher

In the most intimately-staged Steep Theatre production I've witnessed, A Small Fire puts life in perspective as we witness a believable portrayal of a family riddled with loss. This producti…

SOURCE: Chicago Theater Beat at 8:00pm on July 24, 2014

Review: Seussical (Chicago Shakespeare Theater) by Scotty Zacher

Chicago Shakes has once again delivered a thoroughly enjoyable Broadway musical designed for a young audience, but with all the showmanship of a first-rate Equity level production. Parents, …

SOURCE: Chicago Theater Beat at 8:41pm on July 21, 2014

Review: Othello (The Gift Theatre) by Scotty Zacher

The Gift ensemble proves yet again that well-crafted theatre does not necessarily need spectacle, gimmicks, or musical numbers in order to captivate a modern audience. This simple staging of…

SOURCE: Chicago Theater Beat at 1:11pm on July 19, 2014

Review: One Flea Spare (Ghost Light Productions) by Scotty Zacher

It's obvious that director Jeffrey Clark Stokes is passionate about this work. However, a passion for the source material only goes so far. Though intentions may have been pure, the end pro…

SOURCE: Chicago Theater Beat at 10:48pm on July 18, 2014

Review: The Qualms (Steppenwolf Theatre) by Scotty Zacher

With fantastic writing, robust direction and brilliant acting, The Qualms is an intense 90-minute journey that's personal, hilarious and ultimately rewarding. (read Lauren Whalen's entire re…

SOURCE: Chicago Theater Beat at 4:42pm on July 17, 2014

Review: Charlotte's Web (Emerald City Theatre and Broadway in Chicago) by Scotty Zacher

This summer production is a loving, faithful adaptation of the classic story so delightful that adults will find themselves nostalgically back in Zuckerman's barn, and children will adore th…

SOURCE: Chicago Theater Beat at 7:09pm on July 16, 2014

Review: Men Should Weep (Griffin Theatre) by Scotty Zacher

This 67-year-old Scottish family tragedy hasn't been seen in this country since 1983. Its return is more than overdue, given its own non-negotiable worth and Griffin Theatre's piledriving r…

SOURCE: Chicago Theater Beat at 9:18pm on July 14, 2014

Review: Dead Man's Cell Phone (The Enthusiasts Theatre) by Scotty Zacher

All in all, as social commentary, Dead Man's Cell Phone brings no epiphanies. As a fun night out, however, it succeeds. Recommended. (read more of Joy Campbell's review...)

SOURCE: Chicago Theater Beat at 4:54pm on July 13, 2014

Review: Godspell (Marriott Theatre) by Scotty Zacher

This Godspell is well worth the ticket price and trip to the suburbs. I left with my heart warmed and my whole being energized. If Director Matt Rafterty had let the source material speak fo…

SOURCE: Chicago Theater Beat at 9:29am on July 13, 2014
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