As talented as young playwright Christopher Shinn has shown to be, this effort is a strange, muddled milieu with an oddly soap operatic quality unbecoming of his skill. The Blind Owl, back from a long hiatus, likes to take on challenging works. Unfortunately, even in the hands of experienced director Azar Kazemi, the flaws in The Coming World appear intrinsic. (read Clint May's entire review....)
SOURCE: Chicago Theater Beat at 10:31AM on August 6, 2014