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2,003 stories by "Scotty Zacher"

Review: A Kurt Weill Cabaret (Theo Ubique Cabaret Theatre) by Scotty Zacher

Often dark and frequently dissonant, Kurt Weill's music is as treacherous as it is haunting. Theo Ubique puts a very young cast through the German composer's paces. The result is not great, …

SOURCE: Chicago Theater Beat at 11:29pm on October 9, 2014

Review: The Commons of Pensacola (Northlight Theatre) by Scotty Zacher

Amanda Peet's first foray into playwrighting was inspired by seeing Ruth Madoff, the wife of convicted Ponzi schemer Bernie Madoff, on 60 Minutes. It was a good inspiration " to explore the…

SOURCE: Chicago Theater Beat at 8:23am on October 9, 2014

Review: Another Bone (Redtwist Theatre) by Scotty Zacher

There is certainly passion behind Another Bone - it is all an extremely admirable effort, yet the show has a fatal flaw - the story is entirely nonsensical. Written by Chicago playwright Cat…

SOURCE: Chicago Theater Beat at 5:26pm on October 8, 2014

Review: Rest (Victory Gardens Theater) by Scotty Zacher

There's really nothing not to like about this production. Rest provides both a cathartic theatrical experience as well as much to think about and discuss afterwards. You'll love the story, c…

SOURCE: Chicago Theater Beat at 11:17am on October 6, 2014

Review: Season on the Line (The House Theatre) by Scotty Zacher

Season on the Line is not typical House Theatre fare. However, the show possesses the clear direction, cohesive storytelling, robustly talented cast and gorgeous production values that have …

SOURCE: Chicago Theater Beat at 9:50pm on October 2, 2014

Review: Mercy Strain (American Theater Company) by Scotty Zacher

What happens to the Michael Milligan's character in Mercy Strain is appalling - and relaying this story is critically important. The telling of it? That needs some fine-tuning. (read Catey …

SOURCE: Chicago Theater Beat at 10:29pm on October 1, 2014

Review: Let Me Down Easy (American Theater Company) by Scotty Zacher

Death, dying, aging and health care are dramatic topics that Anna Deavere aptly explores here, but no matter how enthralling each individual monologue culled from her many interviews is, the…

SOURCE: Chicago Theater Beat at 9:45am on September 30, 2014

Review: The Magic Flute (Isango Ensemble at Chicago Shakespeare Theater) by Scotty Zacher

South African theater company Isango Ensemble offers an interpretation of the Mozart classic opera that is unlike any other. Music arrangers Pauline Malefane and Mandisi Dyantyis orchestrate…

SOURCE: Chicago Theater Beat at 4:58pm on September 28, 2014

Review: Evil Dead the Musical (Broadway in Chicago) by Scotty Zacher

An import from our neighbor to the north, Evil Dead: The Musical is a blood-splattering, silly-ass confection based on the gag-inducing 80s film franchise. A huge hit for over a decade in T…

SOURCE: Chicago Theater Beat at 11:20pm on September 27, 2014

Review: All My Sons (Raven Theatre) by Scotty Zacher

Often thought of as a slow-burn type of piece, director Michael Menendian wastes no time in getting the early tremors of the eruption vibrating amongst his electrifying cast. And when you're…

SOURCE: Chicago Theater Beat at 11:31am on September 27, 2014

Review: Fail/Safe (Strawdog Theatre) by Scotty Zacher

Very little goes wrong on the Strawdog stage, which is no small feat considering the considerable technical and thespian interconnectedness of the detailed set and complex scenes. It all cul…

SOURCE: Chicago Theater Beat at 10:19pm on September 24, 2014

Review: Mnemonic (Red Tape Theatre) by Scotty Zacher

From an opening pablum to an utterly unsatisfying denouement that includes an incredibly tedious science panel, Mnemonic is an unfocused mess with potentially interesting ideas scattered abo…

SOURCE: Chicago Theater Beat at 1:53pm on September 24, 2014

Review: The Coward (Stage Left Theatre) by Scotty Zacher

               The Coward Written by Nick Jones  Directed by Vance Smith  at Theater Wit, 1229 W. Belmont (map) thr…

SOURCE: Chicago Theater Beat at 5:53pm on September 20, 2014

Review: Season Pass (The Plagiarists) by Scotty Zacher

True to its choose-your-own-adventure roots, this play becomes a different beast than it was at the beginning. The Plagiarists managed to surprise me alongside making me nostalgic for childh…

SOURCE: Chicago Theater Beat at 10:00pm on September 19, 2014

Review: Miracles in the Fall (Polarity Ensemble Theatre) by Scotty Zacher

Playwright Chuck O'Connor has a good ear for dialogue, and Aaron Stephenson's sound design incorporating provides a sense of period authenticity. There's something appealing about a play tha…

SOURCE: Chicago Theater Beat at 12:27pm on September 18, 2014

Review: The Whaleship Essex (Shattered Globe Theatre) by Scotty Zacher

Joe Forbrich's The Whaleship Essex ably straddles genres. It is at once a first-rate adventure story, a survivalist thriller and a meditation on depravity spawned by abject terror and the ab…

SOURCE: Chicago Theater Beat at 9:47pm on September 17, 2014

Review: Shakespeare's Antony and Cleopatra " UNDONE (Skyline Stageworks) by Scotty Zacher

John Arthur Lewis' staging, which relies on Bill Gordon's dogged narrative to supply the missing scenes, gives full focus to the center-stage protagonists, whether they deserve them or not. …

SOURCE: Chicago Theater Beat at 9:16pm on September 15, 2014

Review: Women Beware Women (Two Pence Theatre) by Scotty Zacher

As far as anyone knows, no one's ever mounted Thomas Middleton's Women Beware Women in Chicago before. For anyone a little tired of Shakespeare and in need of some fresh Jacobean tragedy, th…

SOURCE: Chicago Theater Beat at 5:34pm on September 14, 2014

Review: Richard III (The Empty Theatre) by Scotty Zacher

Richard III represents a tremendous undertaking for a fledgling theatre company, so their efforts deserve some applause. But even though Richard Traub's engaging portrayal of the main charac…

SOURCE: Chicago Theater Beat at 7:52pm on September 13, 2014

Review: Reasons to Be Happy (Profiles Theatre) by Scotty Zacher

The comedy-drama Reasons to Be Happy revisits four characters from his Tony-nominated play *reasons to be pretty* three years later, and while it's not as robust a play as its predecessor, i…

SOURCE: Chicago Theater Beat at 12:59pm on September 13, 2014

Review: Endgame (The Right Brain Project) by Scotty Zacher

The Right Brain Project once again stays true to its mission to "defy preconceived notions and challenge the contemporary theatre experience" in this unique production of Beckett's masterpie…

SOURCE: Chicago Theater Beat at 4:10pm on September 10, 2014

Review: Since I Suppose (one step at a time like this & Chicago Shakespeare) by Scotty Zacher

Based on Shakespeare's Measure for Measure, Since I Suppose is a masterpiece in experiential story telling, taking individuals on the multimedia journey through downtown Chicago that brillia…

SOURCE: Chicago Theater Beat at 11:14pm on September 9, 2014

Review: Who Is Tyler Durden? (Bare Knuckle Productions) by Scotty Zacher

Given the cult fascination with the film Fight Club, there's bound to be some interest in a theatrical adaptation. Who is Tyler Durden? might do well to go further from its source material t…

SOURCE: Chicago Theater Beat at 3:04pm on September 7, 2014

Review: References to Salvador Dalí Make Me Hot (Something Incredibly Marvelous Happens) by Scotty Zacher

With a little work, the script's weaknesses could be overcome, if the affection between the characters, and the characters behind the words were fleshed out and developed. This group has the…

SOURCE: Chicago Theater Beat at 8:08pm on September 4, 2014

Review: My Name Is Asher Lev (TimeLine Theatre) by Scotty Zacher

Chaim Potok's 1972 novel, so far as I can tell, has never been produced as an audio book. This stage adaptation by Aaron Posner, at least as it's performed here, doesn't get much beyond the …

SOURCE: Chicago Theater Beat at 5:18pm on August 31, 2014
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