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26 stories by "Sarah Larson"

Daphne Rubin-Vega Comes Home by Sarah Larson

Strolling through Hell's Kitchen, the actress recalls old celeb sightings (Jane Fonda! Donald Sutherland!) on her way to playing the swaggering Mr. Zero in "The Adding Machine," Off Broadway.

SOURCE: The New Yorker Subscription at 6:00am on April 20, 2026

What Wallace Shawn Did Before His "Moth Days" by Sarah Larson

When the two lead actresses in Shawn's play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg and Shawn himself.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Between Sting and the Deep Blue Sea by Sarah Larson

The Police front man's 2014 musical, "The Last Ship," was inspired by his gritty working-class childhood in England. Now a revamped production"featuring Shaggy"is docking at the Metropolitan…

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

The Many Stages of Cynthia Nixon by Sarah Larson

Now starring in her fourteenth Broadway production, the "Sex and the City" actress reflects on Mike Nichols, F. Murray Abraham, and Times Square sleaze.

SOURCE: The New Yorker Subscription at 6:00am on December 8, 2025

The World-Shifting Grooves of Fela Kuti by Sarah Larson

Jad Abumrad's new podcast, "Fela Kuti: Fear No Man," shows how one musician created both a genre and a way of challenging those in power.

SOURCE: The New Yorker Subscription at 2:35pm on November 20, 2025

John Candy Kept Himself Afloat by Sarah Larson

The late actor's son, Chris Candy, reflects on his father's drives and demons in the Hall of Ocean Life with Colin Hanks, the director of the new documentary "John Candy: I Like Me."

SOURCE: The New Yorker Subscription at 6:00am on October 20, 2025

Debbie Gibson's Pavarotti Period by Sarah Larson

The eighties pop princess returns to the Metropolitan Opera, where she sang in the Children's Chorus, and shows off her new memoir, "Eternally Electric."

SOURCE: The New Yorker Subscription at 6:00am on September 15, 2025

Mark Hamill Considers the Odds by Sarah Larson

The actor who became famous as Luke Skywalker now plays a math-obsessed grandfather in "The Life of Chuck." At MoMath, he studied fractals and rode a square-wheeled tricycle.

SOURCE: The New Yorker Subscription at 6:00am on June 23, 2025

"Our Town" 's Town by Sarah Larson

Jim Parsons, Katie Holmes, Zoey Deutch, and the rest of the Broadway-revival cast meet up in Peterborough, New Hampshire, where Thornton Wilder wrote the original play.

SOURCE: The New Yorker Subscription at 6:00am on September 16, 2024

A Cube Glows in Downtown Manhattan by Sarah Larson

Beyond the amber marble that sheathes PAC NYC are three maximally transformable theatre spaces and a Marcus Samuelsson restaurant.

SOURCE: The New Yorker Subscription at 6:00am on September 18, 2023

Band Camp on Broadway by Sarah Larson

Blake Lively and Seth Meyers came out to salute the première of "The Music Man"; so did forty-five New York teen-agers armed with clarinets and sousaphones.

SOURCE: The New Yorker Subscription at 6:00am on February 28, 2022

The Chaos of American Manhood in "True West" by Sarah Larson

Ethan Hawke and Paul Dano star in Sam Shepard's legendary play about fathers, competition, and male angst, Sarah Larson writes.

SOURCE: The New Yorker Subscription at 5:00am on January 28, 2019

Listen to Mark Mulcahy by Sarah Larson

Mark Mulcahy is the kind of musician that people proselytize about; several years ago, I started doing it myself. He's has had a long and varied career"with his band Miracle Legion, begin…

SOURCE: The New Yorker Subscription at 10:00am on May 17, 2017

Ars Nova's Brilliant Career by Sarah Larson

On a Monday night this winter, at a gala in a Beaux-Arts former bank downtown, the young playwright Rachel Bonds, whose luminous "Sundown, Yellow Moon" is currently onstage uptown, made a sh…

SOURCE: The New Yorker Subscription at 5:37pm on March 28, 2017

A "Rocky Horror" for the "High School Musical" Generation by Sarah Larson

The network-TV pop musical, usually performed live, has picked up steam in recent years, with unnerving results. Watching Christopher Walken fop sleepily through "Hook's Tango" or Carrie Und…

SOURCE: The New Yorker Subscription at 12:28pm on October 21, 2016

Isaac Oliver: Reading as Cabaret by Sarah Larson

On a Friday night in June at Joe's Pub, at the Public Theatre, as the writer and performer Isaac Oliver's show began, an announcement came over the P.A. system: "Isaac Oliver will be perform…

SOURCE: The New Yorker Subscription at 8:11pm on August 22, 2016

Better Living Through Podcasts by Sarah Larson

One of the pleasures of the portrait-in-greatness podcast""WTF with Marc Maron" and many dozens of others, multiplying all the time"is the dual presentation of culture and character, the ins…

SOURCE: The New Yorker Subscription at 4:56pm on August 17, 2015

Uptown Rapture: Debbie Harry at the Carlyle by Sarah Larson

The idea of most pop artists performing at the Café Carlyle"the intimate, elegant cabaret space at the Carlyle Hotel"wouldn't make intuitive sense, but the idea of Debbie Harry singing ther…

SOURCE: The New Yorker Subscription at 1:53pm on March 25, 2015

"Peter Pan Live!" and a Night of Protests by Sarah Larson

In a week when flying off to Neverland held some appeal but lovely thoughts were hard to come by, NBC, at long last, aired "Peter Pan Live!," a three-hour performance, months in the hyping, …

SOURCE: The New Yorker Subscription at 12:46pm on December 5, 2014

Beyond “Freaky Friday”: An Appreciation of Mary Rodgers by Sarah Larson

You might be a bigger Mary Rodgers fan than you realize.

SOURCE: The New Yorker Subscription at 1:15pm on July 9, 2014

Of Mice and Franco by Sarah Larson

James Franco and Chris O’Dowd discuss their roles in “Of Mice and Men” with a team of Steinbeck experts.

SOURCE: The New Yorker Subscription at 5:30pm on April 30, 2014

Mann and Weil on Broadway by Sarah Larson

The composer Barry Mann and the lyricist Cynthia Weil were in town to see “Beautiful: The Carole King Musical on Broadway.”

SOURCE: The New Yorker Subscription at 8:00am on November 29, 2013

“Gatz” Sees “Gatsby” by Sarah Larson

Last Thursday evening, twenty members of Elevator Repair Service, the downtown theatre company, met at a multiplex in Times Square, collected twenty pairs of 3-D glasses, took escalators to …

SOURCE: The New Yorker Subscription at 3:41pm on May 30, 2013

The Rascals on Broadway by Sarah Larson

Last Tuesday night was the opening of “The Rascals: Once Upon a Dream,” a Broadway reunion of the New Jersey rock band that broke up in 1970.

SOURCE: The New Yorker Subscription at 1:42pm on April 26, 2013

Elaine Stritch’s Long Goodbye by Sarah Larson

On Friday evening at the Café Carlyle, before the second-to-last performance of “Elaine Stritch at the Carlyle: Movin’ Over and Out,” Stritch’s farewell show, th…

SOURCE: The New Yorker Subscription at 4:18pm on April 8, 2013
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