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302 stories by "Sarah Kaufman"

Suzanne Farrell Ballet program at Kennedy Center by Sarah Kaufman

The Suzanne Farrell Ballet has become enormously adept at successive approximations. What other ballet company routinely approaches this one's ability to almost get it, to come quite close, …

SOURCE: Washington Post at 7:53pm on November 7, 2013[SHARE]

'Play/Pause': Dance that's often lovely, but Susan Marshall work ultimately disappoints by Sarah Kaufman

"Play/Pause" isn't just the title of Susan Marshall's new work for six dancers; it also neatly sums up the structure. Casually dressed in leggings and T-shirts, the dancers play " poking one…

SOURCE: Washington Post at 3:11pm on October 30, 2013[SHARE]

Hubbard Street dance troupe keeps audience engaged, surprised and inquisitive by Sarah Kaufman

Hubbard Street Dance Chicago's program began with a gasp. The lights had just dimmed Thursday evening at the Kennedy Center's Eisenhower Theater when one of the dancers sprinted down the ais…

SOURCE: Washington Post at 3:27pm on October 18, 2013[SHARE]

'Dancing the Dream' at the Portrait Gallery by Sarah Kaufman

The enchanting exhibit "Dancing the Dream" at the National Portrait Gallery begins with a magnificent art nouveau poster of Loie Fuller in all her silk-swirling, Folies Bergère radiance. It…

SOURCE: Washington Post at 11:24am on September 27, 2013[SHARE]

Dance review: Margaret Jenkins reworks her past in inventive 'Times Bones' by Sarah Kaufman

By what alchemy does an artist take excerpts from 40 years of work and dovetail them into a compelling whole, with an emotional drive and visual rhythm of its own? This was the mystery and p…

SOURCE: Washington Post at 12:12am on September 17, 2013[SHARE]

Review: Teshigawara at Kennedy Center by Sarah Kaufman

It's with a sinking feeling that I read program notes about "conscience methodology" and "social-psychological restrictions." When there's also a strained, rambling poem on the page, written…

SOURCE: Washington Post at 5:08pm on September 13, 2013[SHARE]

At Fall Festival of Indian Arts, veteran dancers will share their rich treasury of experience by Sarah Kaufman

Astad Deboo's dream began in the cargo hold of a boat bound for Iran with a load of goats and sheep. Armed with an economics degree, a backpack and a taste for Western dance, Deboo left his…

SOURCE: Washington Post at 9:48am on September 13, 2013[SHARE]

Fear won't keep ballet star David Hallberg from the Bolshoi by Sarah Kaufman

David Hallberg, the American ballet star, wasn't in Moscow in January when an assailanthurled acid on his boss, Bolshoi director Sergei Filin. The attack all but blinded Filin and horrified …

SOURCE: Washington Post at 8:27pm on September 8, 2013[SHARE]

Innovation " and staples " abound in fall 2013 dance schedule by Sarah Kaufman

It's a cruel task to pick a single favorite in a season that offers so many temptations. There is the Mariinsky Ballet's definitive "Swan Lake," for starters, though this production won't ca…

SOURCE: Washington Post at 1:53pm on September 6, 2013[SHARE]

Art review: 'Swing Time: Reginald Marsh and Thirties New York' by Sarah Kaufman

NEW YORK " Decades before John Updike wrote of flat-stomach nymphs parading in bikinis, and well before Slim Aarons focused his camera on the tanned and toned at St. Tropez, Reginald Marsh w…

SOURCE: Washington Post at 11:36am on August 16, 2013[SHARE]

Hitchcock's restored first film shows roots of fascination with dance by Sarah Kaufman

Of Alfred Hitchcock's cinematic obsessions, the moving body is one of the most remarkable. He lingered on bodies in motion with a choreographer's eye to show us panic, passion and the fragil…

SOURCE: Washington Post at 12:01pm on August 2, 2013[SHARE]

Aspen Santa Fe Ballet wows Wolf Trap crowd despite missteps of two pieces by Sarah Kaufman

Wolf Trap is presenting only one evening of concert dance this summer (not counting "Ballroom With a Twist's" raft of reality-TV entertainers), so it had to pick carefully. Judging from Tue…

SOURCE: Washington Post at 9:38pm on July 31, 2013[SHARE]

Aspen Santa Fe Ballet wows Wolf Trap crowd despite missteps of two pieces by Sarah Kaufman

Wolf Trap is presenting only one evening of concert dance this summer (not counting "Ballroom With a Twist's" raft of reality-TV entertainers), so it had to pick carefully. Judging from Tue…

SOURCE: Washington Post at 6:15pm on July 31, 2013[SHARE]

Paul McCarthy's 'WS' and 'James Turrell': The spectrum of color and off-color on the East Side by Sarah Kaufman

This is a country of mystery, a sweet land of irony. What unites our states but declining incomes and anxiety? We haven't even got a royal baby of our own to distract us as our cities go ban…

SOURCE: Washington Post at 12:39pm on July 26, 2013[SHARE]

'I'm So Excited' and air travel choreography by Sarah Kaufman

Peninsula Flight 2549 is in trouble, forced to whirl above the clouds as it awaits a control-tower cue to crash land. So the flight attendants aboard it in Pedro Almodóvar's new film, "I'…

SOURCE: Washington Post at 12:13pm on July 19, 2013[SHARE]

Annie-B Parson is about motion, not emotion by Sarah Kaufman

NEW YORK " "I don't like modern dance," says Annie-B Parson, who creates dances that you'd easily call modern. "I'm not interested in it. I don't know how to do it. I don't like modern dance…

SOURCE: Washington Post at 12:57pm on July 12, 2013[SHARE]

How Walt Disney got 'Rite of Spring' right by Sarah Kaufman

Thank goodness neither the French nor Nijinsky had the last word on "The Rite of Spring." "Shut up!" shouted the audience at the 1913 premiere in Paris of Stravinsky's music and Nijinsky's …

SOURCE: Washington Post at 4:16pm on June 21, 2013[SHARE]

Washington Ballet's The Sun Also Rises invokes the spirit of Ernest Hemingway by Sarah Kaufman

Author's post-first world war novel of love, pain and alcohol gets an unlikely reworking via the medium of danceHas the sun ever risen on a busier ballet? Consider Ernest Hemingway's grim tr…

SOURCE: The Guardian at 8:59am on June 11, 2013[SHARE]

At Kennedy Center, three new takes on ballet offer two revelations by Sarah Kaufman

You'll never guess what I saw at the Kennedy Center on Friday night: a new ballet that actually took ballet as its subject and didn't blow it to pieces. Here were tutus and tiaras and the w…

SOURCE: Washington Post at 6:16pm on June 8, 2013[SHARE]

Kennedy Center's Ballet Across America: 'Les Patineurs' and 'Wunderland' by Sarah Kaufman

Things were out of whack Thursday night at the Kennedy Center. Was this really June? An unseasonably cool rain fell outside. Inside the Opera House, snow fell not once, but twice. The first …

SOURCE: Washington Post at 6:40pm on June 7, 2013[SHARE]

'Symphony in Three Movements' makeover retains Balanchine ballet's transcendence by Sarah Kaufman

I've been flipping through a January 1970 issue of Seventeen magazine recently, a gift from a friend. It got me wondering: Miss Teenage America, with your Wella Care hair, your hips-forward …

SOURCE: Washington Post at 2:53pm on June 5, 2013[SHARE]

The dead can dance in Tantehorse production at the Atlas by Sarah Kaufman

The dead can't dance, said Prokofiev, voicing doubts about the ending of his ballet "Romeo and Juliet." But clearly, he had no idea what he was talking about. The dead not only danced at the…

SOURCE: Washington Post at 7:30am on June 2, 2013[SHARE]

Shen Wei's colorful 'Undivided Divided' defies our expectation by Sarah Kaufman

It was standing-room only for Shen Wei Dance Arts at the Kennedy Center on Thursday night. Except for the dancers, who were lying on the floor. Sometimes they'd sit up on one hip or lean on …

SOURCE: Washington Post at 1:48pm on May 24, 2013[SHARE]

'The Sun Also Rises': Washington Ballet's graceful, gritty voyage to Hemingway's world by Sarah Kaufman

Before the curtain rises on the Washington Ballet's "Hemingway: The Sun Also Rises," you get a taste of the ruin, decay and vague comfort that the war-scarred writer etched into his book. Th…

SOURCE: Washington Post at 6:02pm on May 10, 2013[SHARE]

Ballets Russes, and the enduring dancing man by Sarah Kaufman

Midnight in Paris. (A real one.) It's May 1922. There's a dazzling soiree going on at the Hotel Majestic: Picasso is there, and so is Stravinsky. Serge Diaghilev, head of the Ballets Russes,…

SOURCE: Washington Post at 1:59pm on May 10, 2013[SHARE]
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