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50 stories by "Sarah Ameigh"

Legally Blonde the Musical by Sarah Ameigh

I have a confession. I love Legally Blonde the Musical. Not a vague kind of love, reserved for cute animals and free parking, and not a brooding kind of love, the way many English majors fee…

SOURCE: DC Theatre Scene at 8:32am on July 17, 2012

Las Meninas by Sarah Ameigh

How many faces have historians and powers-that-be overlooked in favor of a cleaner ending, or a more convenient moral? History has captives and casualties, buried in basements and the minds …

SOURCE: DC Theatre Scene at 9:41am on April 30, 2012

The Belle of Amherst by Sarah Ameigh

When most actors walk on to a stage, an audience sees just that: an actor. A charismatic actor, maybe, or a compelling actor. Comically gifted, or sullen, possibly sympathetic. It is a deman…

SOURCE: DC Theatre Scene at 11:08am on April 3, 2012

The Addams Family by Sarah Ameigh

They're creepy. They're kooky. They're currently infesting Baltimore's Hippodrome Theatre. The Addam's Family. (And holy Gomez, can they sing.) What originated as a cartoon, written by Charl…

SOURCE: DC Theatre Scene at 9:44am on March 12, 2012

Smokey Joe's Cafe by Sarah Ameigh

Winter holds a certain charm before the holidays, with turkeys and caroling and gifts and gift-wrapping. But then comes months of gray skies and tax season.  The soul begins to demand sum…

SOURCE: DC Theatre Scene at 7:58am on February 7, 2012

Love Letters by Sarah Ameigh

"Because paper has more patience than people." So wrote Anne Frank, and so declares Love Letters, the half-a-century-spanning story of two people falling in and out of love though paper, pen…

SOURCE: DC Theatre Scene at 5:57am on February 1, 2012

The Lion King by Sarah Ameigh

When one mentions The Lion King, a succession of impressive numbers may come up, if the crowd is right. Take, for instance, 7, as in the 7th longest running Broadway musical in history. Or 7…

SOURCE: DC Theatre Scene at 5:05am on December 15, 2011

Annie by Sarah Ameigh

When I was six years old, tragedy struck. Tantrum-throwing, heart-wailing, tragedy. My beloved VHS copy of Annie had been "accidentally destroyed," (the circumstances of which are still susp…

SOURCE: DC Theatre Scene at 8:14am on December 1, 2011

The Book Club Play by Sarah Ameigh

These days, asking how one takes their books will yield more answers than asking how one takes their coffee. Hardback? Paperback? Nook? Kindle? Barnes and Noble?  Amazon?…

SOURCE: DC Theatre Scene at 9:09am on October 17, 2011

Mad Forest by Sarah Ameigh

Revolution. The word is brimming with power, strength, and a sensationalist quality of seduction.  America tends to salivate over a good old tale of revolution, sometimes getting so hungr…

SOURCE: DC Theatre Scene at 11:37am on September 27, 2011

The Mandrake by Sarah Ameigh

"The ends justify the means". Villainous ladder-climbers spout it in corporate dramas, and history teachers write it across blackboards (at least mine did). Most of us know Machiavelli from …

SOURCE: DC Theatre Scene at 8:43pm on September 18, 2011

Fahrenheit 451 by Sarah Ameigh

The cast of MTV's "Jersey Shore" had a great year last year. Contracts, promotional tours, endorsements, and millions of adoring fans at their feet. What did the cast of "Jersey Shore" do to…

SOURCE: DC Theatre Scene at 7:31am on September 15, 2011

Inkwell's call for play readers is open to all by Sarah Ameigh

The Inkwell, one of Washington DC’s significant resources for new play development, is asking playwrights from across the country to send in their plays for Inkwell’s 2011 …

SOURCE: DC Theatre Scene at 10:36am on August 22, 2011

Encore Encore: A Fest of Fringe this weekend by Sarah Ameigh

Let’s Fringe again, like we did this summer. After wildly successful runs at this summer's Capital Fringe Festival, Flyboy, But Love Is My Middle Name, The Bird, and Cabaret XXX; Les F…

SOURCE: DC Theatre Scene at 3:10pm on August 19, 2011

Olney Theatre presents its free outdoor Taming of the Shrew by Sarah Ameigh

The Olney Theatre Center, Olney's 73-year-old professional, award-winning Equity theater, is ending August on a wild note. On August 26 and 27, they'll celebrate their 22nd annual Shakesp…

SOURCE: DC Theatre Scene at 3:47pm on August 7, 2011

Enoch Arden by Sarah Ameigh

Imagine a man who leaves behind his wife and children in search of financial stability and a better future overseas. Imagine the man finds himself stranded abroad and returns, an unrecogniza…

SOURCE: DC Theatre Scene at 8:12am on July 23, 2011

e-Geaux (beta) by Sarah Ameigh

Maybe it was the 10pm curtain or the Ting-Tings pre-show soundtrack. Maybe it was the average audience age (30 years, roughly, according the production) but an unmistakable buzz was building…

SOURCE: DC Theatre Scene at 8:15am on July 21, 2011

A Wild Play by Sarah Ameigh

If you're looking for an evening of escapism and suspension of belief, A Wild Play is not the show for you. If you're looking for an evening of contemplation and art that challenges you to d…

SOURCE: DC Theatre Scene at 7:31am on July 19, 2011

But Love is My Middle Name! by Sarah Ameigh

When Emily Love Morrison, the talented voice and mind behind But Love Is My Middle Name!, steps on to the stage, she's packing more than just an acoustic guitar and a venti Starbucks latte. …

SOURCE: DC Theatre Scene at 4:14pm on July 15, 2011

The Magical Marriage Computer and Other Plays by Sarah Ameigh

In the 21st century, love sometimes seems to be as much about science as it is about soulmates. Between online dating and Facebook relationship statuses, romance has been completely digit…

SOURCE: DC Theatre Scene at 6:51am on July 12, 2011

Boston Marriage by Sarah Ameigh

The term "Boston marriage" refers to a relationship between two women considered both emotionally and physically intimate. After watching David Mamet's silver-tongued play of the same title,…

SOURCE: DC Theatre Scene at 1:42pm on July 11, 2011

The Bird by Sarah Ameigh

Poland is not a sexy country. John Feffer, author and star of the one-man play The Bird, can and does tell you as much. But after accompanying John through the raucously funny and heart-wren…

SOURCE: DC Theatre Scene at 3:26pm on July 10, 2011

Pinoy: A 'merican Tale by Sarah Ameigh

Pinoy: A ‘merican Tale is not a show about depression, a show about religion, or a show about mental illness. It is not a show about first generation Filipino-Americans, a show about a…

SOURCE: DC Theatre Scene at 2:58pm on July 10, 2011

for colored girls who have considered suicide/ when the rainbow is enuf by Sarah Ameigh

Fringe's for colored girls who have considered suicide/ when the rainbow is enuf marks the launch of the Colored People's Theatre Collective, "whose mission is to explore, challenge, and imp…

SOURCE: DC Theatre Scene at 1:56pm on July 9, 2011

Treadwell: God's Little Lies by Sarah Ameigh

At the height of Machinal's success in 1928, its playwright Sophie Treadwell would have been considered "the man."  A man? No. Wildly brave, adventurous, talented, brilliant, and strong. …

SOURCE: DC Theatre Scene at 1:58pm on July 8, 2011
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